Selma Burke
Selma Hortense Burke (December 31, 1900 – August 29, 1995) was an American sculptor and a member of the Harlem Renaissance movement. Burke is best known for a bas relief portrait of President Franklin D. Roosevelt which may have been the model for his image on the obverse of the dime. She described herself as "a people's sculptor" and created many pieces of public art, often portraits of prominent African-American figures like Duke Ellington, Mary McLeod Bethune and Booker T. In 1979, she was awarded the Women's Caucus for Art Lifetime Achievement Award.
Also recorded as Dr. Selma Burke · Selma Hortense Burke
Selma Burke

Peter A. Juley Son Flickr uploader Smithsonian Institution from United States · Selma Burke, American sculptor, 1900-1995, in her studio · No known copyright restrictions
- Name
- Selma Burke
- Birth Name
- Selma Hortense Burke
- Born
- 31 December 1900
- Birthplace
- Mooresville, North Carolina, U.S.
- Died
- 29 August 1995
- Place of death
- New Hope, Pennsylvania, U.S.
- Known for
- Sculpture
- Training
- Columbia University, Winston-Salem State University
- Awards
- Women's Caucus for Art Lifetime Achievement Award, 1979
- Nationality
- United States.
- Occupation
- sculptor and artist.
- Fields
- art of sculpture.
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Selma Hortense Burke (December 31, 1900 – August 29, 1995) was an American sculptor and a member of the Harlem Renaissance movement. Burke is best known for a bas relief portrait of President Franklin D. Roosevelt which may have been the model for his image on the obverse of the dime. She described herself as "a people's sculptor" and created many pieces of public art, often portraits of prominent African-American figures like Duke Ellington, Mary McLeod Bethune and Booker T. In 1979, she was awarded the Women's Caucus for Art Lifetime Achievement Award.
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Note VALÉORINE
Selma Burke (1900–1995) was an artist, sculptor and visual artist, of American nationality. The artist was born in Mooresville and died in Pennsylvania. Selma Burke was also known as Burke, Selma Hortense.
Selma Burke was educated at Columbia University School of the Arts and Winston-Salem State University. The artist worked in Paris and Vienna and lived in New York City. Activity centred on art of sculpture. The artist was associated with Harlem Renaissance.
The work spans portrait and portrait painting. Works are held at Mooresville Public Library, Smithsonian American Art Museum and Studio Museum in Harlem, among others. Honours include Candace Award, honorary degree from Spelman College and North Carolina Award for Fine Arts, among others.
Composed from admitted, traceable facts · 30 September 2026
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museum · 16672452 · wikidata · Q9075813 · wikipedia · Selma Burke
In this article
Biography
Biography
She summed up her life as an artist, "I really live and move in the atmosphere in which I am creating".
Selma Burke studied at Columbia University School of the Arts and Winston-Salem State University. The field of work recorded is art of sculpture. Subjects and genres recorded for the work are portrait. Aristide Maillol is recorded as an influence. Places of work recorded in the authority are Vienna, Paris and New York City. Residence is recorded at New York City. Work by Selma Burke is recorded in the collections of Woodmere Art Museum, Winston-Salem State University, Smithsonian American Art Museum, Mooresville Public Library and Studio Museum in Harlem. Distinctions recorded are Candace Award, Women's Caucus for Art Lifetime Achievement Award, North Carolina Award for Fine Arts and honorary degree from Spelman College.

Burke with her portrait bust of Booker T. Washington. Identification on verso: Portrait Bust, Booker T. Washington; 63 W. 11; P.H. 49 e.; Selma Burke, 108 West 16th St. N.Y.
Pinchos Horn · [Selma Burke], ca. 1935 / Pinchos Horn, photographer. Photographic print: 1 item: b w
Key facts
Key facts
• Name — Selma Burke • Birth Name — Selma Hortense Burke • Born — 31 December 1900 • Birthplace — Mooresville, North Carolina, U.S. • Died — 29 August 1995 • Place of death — New Hope, Pennsylvania, U.S. • Known for — Sculpture • Training — Columbia University, Winston-Salem State University • Awards — Women's Caucus for Art Lifetime Achievement Award, 1979
Biography
Biography
Selma Burke was born on December 31, 1900, in Mooresville, North Carolina, the seventh of 10 children of Reverend Neil and Mary Elizabeth Colfield Burke. Her father was an AME Church Minister who worked on the railroads for additional income. Her father died when she was twelve and in 1970 her mother was 101 years old. As a child, she attended a one-room segregated schoolhouse, and often played with the riverbed clay found near her home. She would later describe the feeling of squeezing the clay through her fingers as a first encounter with sculpture, saying "It was there in 1907 that I discovered me." Burke's interest in sculpture was encouraged by her maternal grandmother, a painter, although her mother thought she should pursue a more financially stable career. "You can't make a living at that," Burke recalls her mother saying about her desire to study art. Burke attended Winston-Salem State University before graduating in 1924 from the St. Agnes Training School for Nurses in Raleigh. She married a childhood friend, Durant Woodward, in 1928, although the marriage ended with his death less than a year later. She later moved to Harlem to work as a private nurse. She was employed as a private nurse to a wealthy heiress. This heiress later became a patron of Burke and helped her become financially stable during the great depression.
Harlem Renaissance and education
Harlem Renaissance and education
After moving to New York City in 1935, Burke began art classes at Sarah Lawrence College. She also worked as a model in art classes to pay for that schooling. In 1935, during this time, she also became involved with the Harlem Renaissance cultural movement through her marriage with the writer Claude McKay, with whom she shared an apartment in the Hell's Kitchen neighborhood of Manhattan. The relationship was brief and tumultuous – McKay would destroy her clay models when he did not find the work to be up to his standards – but it introduced Burke to an artistic community that would support her burgeoning career. Burke began teaching for the Harlem Community Arts Center under the leadership of sculptor Augusta Savage, and would go on to work for the Works Progress Administration on the New Deal Federal Art Project. One of her WPA works, a bust of Booker T. Washington, was given to Frederick Douglass High School in Manhattan in 1936. Burke traveled to Europe twice in the 1930s, first on a Rosenwald fellowship to study sculpture in Vienna in 1933-34. She returned in 1936 to study in Paris with Aristide Maillol. While in Paris she met Henri Matisse, who praised her work. One of her most significant works from this period is "Frau Keller" (1937), a portrait of a German-Jewish woman in response to the rising Nazi threat which would convince Burke to leave Europe later that year. With the onset of World War II, Burke chose to work in a factory as a truck driver for the Brooklyn Navy Yard. It was her opinion that, during the war, "artists should get out of their studios." After returning to the United States, Burke won a graduate school scholarship to Columbia University, where she would receive a Master of Fine Arts degree in 1941.
Teaching and later life
Teaching and later life
In 1940 Burke founded the Selma Burke School of Sculpture in New York City. She was committed to teaching art. She opened the Selma Burke Art School in New York City in 1946, and later opened the Selma Burke Art Center in Pittsburgh, Pennsylvania. Open from 1968 to 1981, the center "was an original art center that played an integral role in the Pittsburgh art community," offering courses ranging from studio workshops to puppetry classes. Burke used her art to make opportunities to bring people together. In Mooresville, black children were banned from use of the public library. With her rising fame, Burke chose to donate a bust of a local doctor on the condition that the ban be removed. The town accepted. In 1949 Burke married architect Herman Kobbe, and moved with him to an artists' colony in New Hope, Pennsylvania. Kobbe died in 1955, but Burke continued to live in her New Hope home until her death in 1995, at the age of 94. She taught at Livingstone College, Swarthmore College, and Harvard University, as well as Friends Charter School in Pennsylvania and Harlem Center in New York.
Portrait of F.D.R.
Portrait of F.D.R.
Burke's best-known work is a portrait honoring President Franklin D. Roosevelt and the Four Freedoms. In 1943, she competed in a national contest to win a commission for the sculpture, created from sketches made during a 45-minute sitting with Roosevelt at the White House. Burke herself "wrote to Roosevelt to request a live sitting, to which the president generously agreed, scheduling the first of two sittings on February 22, 1944." The President died before the third such appointment could be met. His wife Eleanor Roosevelt objected to how young Burke chose to present him, but she responded by saying, "This profile is not for today, but for tomorrow and all time." When asked about her experience sketching the president, "she said he wiggled too much when she began to sketch him that day. She told him to sit still and he did." The 3.5-by-2.5-foot plaque was completed in 1944 and unveiled by President Harry S. Truman in September 1945 at the Recorder of Deeds Building in Washington, D.C., where it still hangs today. A number of sources contend that John R. Sinnock's obverse design on the Roosevelt dime was adapted from Burke's plaque even though Sinnock denied that Burke's portrait was an influence, pointing to his earlier work that predated Burke's. Sinnock's 1933 presidential medal for Roosevelt bears a striking resemblance to the 1946 dime, with Roosevelt facing the opposite direction. Roosevelt's 1941 inaugural medal, which Sinnock was involved in designing, also resembles the 1946 dime. Both the 1933 and 1941 medals predate Burke's bas relief. • Illustration — Untitled (Woman and Child), 1950 • Illustration — Burke, left, presenting her bust of Samuel Huntington (1938) to the principal of Samuel Huntington Junior High School in Jamaica, Queens • Illustration — Bas-relief of Mary Charlton Holiday (1945) at the Iredell County Library, NC. • Illustration — Bust of Mary McLeod Bethune • Illustration — The Franklin Roosevelt plaque in the Recorder of Deeds Building in Washington.
Death
Death
Selma Burke died at the age of 94 on August 29, 1995, in New Hope, Pennsylvania, where she had lived since the 1950s.
Identity
Identity
Selma Burke is recorded as having studied at Columbia University School of the Arts and Winston-Salem State University.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1900
Selma Burke born at Mooresville.
1995
Selma Burke died at Pennsylvania.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
New York City.
Residences
Mooresville.
Birth place
Pennsylvania.
Death place
Sculpture
Selma Burke sculpted portraits of famous African-American figures as well as lesser-known subjects. She also explored human emotion and family relationships in more expressionistic works. While she admired the abstract modernists, her work was more concerned with rendering the symbolic human form in ways both dignified and symbolic. She worked in a wide variety of media including wood, brass, alabaster, and limestone. Burke's public sculpture pieces include a bust of Duke Ellington at the Performing Arts Center in Milwaukee, as well as works on display at the Hill House Center in Pittsburgh, the Schomburg Center for Research in Black Culture in New York City, Atlanta University, Spelman College, and the Smithsonian Museum of American Art. Her last monumental work, created in 1980 when she was 80 years old, is a bronze statue of Martin Luther King, Jr. in Charlotte, N.C. Burke was among the artists featured at The National Urban League's inaugural exhibition at Gallery 62 in 1978. She had solo exhibitions at Princeton University and the Carnegie Museum, among other venues. Her work is held in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the Philadelphia Museum of Art, and the James A. Michener Museum of Art in Doylestown, Pennsylvania.
Where the work is held
Recognition and collections
Selma Burke received Candace Award, Women's Caucus for Art Lifetime Achievement Award, North Carolina Award for Fine Arts and honorary degree from Spelman College.
Honors
Burke is an honorary member of Delta Sigma Theta sorority. She received several honorary doctorate degrees during her lifetime, including one awarded by Livingston College in 1970 and one from Spelman College in 1988. Milton Shapp, then-governor of Pennsylvania, declared July 29, 1975, Selma Burke Day in recognition of the artist's contributions to art and education. Her papers and archive are in the collection of Spelman College. Burke was a member of the first group of women – along with Louise Nevelson, Alice Neel, Georgia O'Keeffe, and Isabel Bishop – to receive lifetime achievement awards from the Women's Caucus for Art, in 1979. She received the award from President Jimmy Carter in a private ceremony in the Oval Office. She received a Candace Award from the National Coalition of 100 Black Women in 1983, the Pearl S. Buck Foundation Women's Award in 1988, and the Essence Magazine Award in 1989. Her work was featured in the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s-1970s at the Woodmere Art Museum.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Oxford University Press. Burke, Selma. Oxford Reference. 2007. 9780195373219.
- 2.Wallace, Andy. Selma Burke, 94, Black Sculptor Whose Profile Of Fdr Graces Dime. Seattle Times. September 1, 1995.
- 3.Heller, Jules. North American Women Artists of the Twentieth Century: A Biographical Dictionary. Routledge. 2013-12-19. 9781135638825.
- 4.Djossa, Christina Ayele. Who Really Designed the American Dime?. Atlas Obscura. January 17, 2018.
- 5.Carney Smith, Jessie. Selma Hortense Burke. Notable Black American Women. Gale. 1992. 978-0-8103-9177-2.
- 6.Julian, Beatrice. Selma Burke, Dream Shaper. Ebony Jr. 9. December 1983.
- 7.Women Artists of the Harlem Renaissance. 2014-08-26. 9781628460339.
- 8.Kort, Carol. A to Z of American Women in the Visual Arts. Infobase Publishing. 2014-05-14. 9781438107912.
- 9.Lewis, Samella S. African American Art and Artists. University of California Press. 2003. 9780520239357.
- 10.Kirschke, Amy. Women Artists of the Harlem Renaissance. University Press of Mississippi. 119. 2014.
- 11.St. Agnes Hospital School of Nursing North Carolina Nursing History Appalachian State University. nursinghistory.appstate.edu. 2011-05-02.
- 12.Ware, Susan. Notable American Women: A Biographical Dictionary Completing the Twentieth Century. Harvard University Press. 2004. 9780674014886.
- 13.Mack, Felicia. Burke, Selma Hortense (1900-1995). BlackPast. December 15, 2007.
- 14.Santandrea, Lisa. Nurses Making a Difference. The American Journal of Nursing. 101. 2. 86–87. January 1, 2001. 10.1097/00000446-200102000-00059.
- 15.Gale. Selma (Hortense) Burke. Contemporary Women Artists. 1999. 978-1-55862-372-9.
- 16.Kirschke, Amy Helene. Women Artists of the Harlem Renaissance. University Press of Mississippi. August 4, 2014. 9781626742079.
- 17.Cooper, Wayne F. Claude McKay, Rebel Sojourner in the Harlem Renaissance: A Biography. LSU Press. February 1996. 9780807167298.
- 18.Carr, Eleanor. New York Sculpture during the Federal Project. Art Journal. 31. 4. 397–403. January 1, 1972. 10.2307/775543.
- 19.Ellin, Nancy. Notable Black Women. Internet Archive. January 1984.
- 20.Lewis, David Levering. Parallels and Divergences: Assimilationist Strategies of Afro-American and Jewish Elites from 1910 to the Early 1930s. The Journal of American History. 71. 3. 543–564. January 1, 1984. 10.2307/1887471.
- 21.Stahl, Joan. Selma Burke. Smithsonian American Art Museum.
- 22.Gay, Vernon. Discovering Pittsburgh's Sculpture. University of Pittsburgh Press. 1983. 9780822934677.
- 23.SIRIS - Smithsonian Institution Research Information System. siris-artinventories.si.edu.
- 24.Hajosy, Dolores. Gallery 62: An Outlet. A Bridge. Black American Literature Forum. 19. 1. 22–23. January 1, 1985. 10.2307/2904467.
- 25.Selma Burke; Sculptor, 94. The New York Times. September 2, 1995.
- 26.“Selma Burke Dead at the Age of 94.” All Things Considered [NPR] (USA), 1995.
- 27.Verderame, Lori. The Sculptural Legacy Of Selma Burke, 1900-1995.
- 28.Meschutt, David. Portraits of Franklin Delano Roosevelt. American Art Journal. 18. 4. 3–50. January 1, 1986. 10.2307/1594463.
- 29.Yanchunas, Dom. "The Roosevelt Dime at 60." COINage Magazine, February 2006.
- 30.John R. Sinnock, Coin Designer. The Numismatic Scrapbook Magazine. 261. March 15, 1946.
- 31.Selma Burke, Renowned for FDR Portrait on the Dime. North Carolina Department of Natural and Cultural Resources. December 31, 2016.
- 32.FDR medal struck by Mint not official inaugural piece. Coin World.
- 33.Franklin D. Roosevelt Presidential Library and Museum - Inaugural Medal, 1941.
- 34.African American Registry. Dr. Selma Burke: A Gifted Artist with Many Accomplishments with.
- 35.COLLECTION HIGHLIGHTS - Spelman College Museum of Fine Art. Spelman College Museum of Fine Art.
- 36.Midmarch Arts Press. Gumbo Ya Ya: Anthology of Contemporary African-American Women Artists. 29. 1995.
- 37.Porter, Nancy. Surviving as Women Artists: Two Art History Sessions. Women's Studies Newsletter. 7. 3. 12–14. January 1, 1979. 40042492.
- 38.Halamka, Kathy A. Report on the History of the Women's Caucus For Art. Cambridge Scholars Press. 2007.
- 39.Broude, Norma. Reports on the 67th Annual College Art Association Meeting. Art Journal. 38. 4. 283–285. January 1, 1979. 10.1080/00043249.1979.10793519.
- 40.Candace Award Recipients 1982–1990, page 1. National Coalition of 100 Black Women.
- 41.Lewis, Samella S. African American Art and Artists. University of California Press. 2003. 9780520239357.
- 42.We Speak: Black Artists in Philadelphia, 1920s-1970s. Woodmere Art Museum.
- 43.Selma Burke. Encyclopedia.com.
- 44.Selma Burke; Sculptor, 94. New York Times. September 2, 1995.
Bibliography printed in the source article · 2
- Jones, Frederick N. Out of the miry clay : artistic creativity and spirituality in the making of Selma Burke's art : a study of history, theory/theology, methodology and impact. Columbus, Ga. : Brentwood Christian Press. 2007.
- Farrington, Lisa E. Creating their own image : the history of African-American women artists. Oxford University Press. 2011.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q9075813: Selma BurkeWikimedia Foundation
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Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Formation and teaching. Burke studied at Columbia University School of the Arts and Winston-Salem State University. Her recorded influences include Aristide Maillol. Burke worked in art of sculpture. Her work is associated with Harlem Renaissance. She worked at Vienna, Paris and New York City.
Career and activity
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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