Samuel Scott

The following is established of the heading itself.

Samuel Scott is recorded in the structured authority under the identifier Q2542057. Samuel Scott is recorded with the citizenship of Kingdom of Great Britain.

The following works and productions are recorded by name or by count.

Wikidata Query Service catalogues 40 works under this heading. Institutional cataloguing adds that open Library catalogues 14 works under this heading. The Metropolitan Museum of Art catalogues 1 work under this heading. The Art Institute of Chicago catalogues 6 works under this heading.

Wellcome Collection catalogues 8 works under this heading. Institutional cataloguing adds that study of a Barge Seen from the Port Beam with a Second Study of the Bows (Above) is catalogued and held by Tate (inventory D36337). It is also recorded that study of a Barge Seen from above the Starboard Quarter is catalogued and held by Tate (inventory D36338). It is also recorded that the Building of Westminster Bridge is dated 1747 and held by Metropolitan Museum of Art (inventory 44.56).

View on the Thames with Westminster Bridge is dated 1743 and held by Yale Center for British Art (inventory B1981.25.558). It is also recorded that westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company is dated 1745 and held by Yale Center for British Art (inventory B1976.7.149). Institutional cataloguing adds that the Thames at Twickenham is dated 1760 and held by Yale Center for British Art (inventory B1974.3.32). The register further records that ludlow Castle with Dinham Weir, from the South-West is dated 1765 and held by Yale Center for British Art (inventory B1976.7.150).

A View of the Tower of London, Supposed on his Majesty's Birthday is dated 1771 and held by Yale Center for British Art (inventory B1976.7.147). It is also recorded that plan of St. Marco in Venice 1740 is dated 1749 and held by Führermuseum (inventory 9720). A Thames Wharf with Westminster Bridge in the Distance is catalogued and held by Yale Center for British Art (inventory YCBA/lido-TMS-61437). The record continues: a View of Edinburgh from the South Looking towards Dalkeith is catalogued and held by Yale Center for British Art (inventory YCBA/lido-TMS-61441).

The Gossips is catalogued and held by Yale Center for British Art (inventory YCBA/lido-TMS-12723). The Thames with Montagu House and Westminster Bridge is catalogued and held by Yale Center for British Art (inventory YCBA/lido-TMS-61433).

Institutional holdings are recorded as follows.

The real issue--union or disunion (1856) is digitised and catalogued by Internet Archive. It is also recorded that the Metropolitan Museum of Art records 17 objects associated with this name. Institutional cataloguing adds that yale Center for British Art records 29 objects associated with this heading. Institutional cataloguing adds that royal Museums Greenwich records 16 objects associated with this heading.

Tate records 14 objects associated with this heading. It is also recorded that national Gallery records 8 objects associated with this heading. It is also recorded that walker Art Gallery records 6 objects associated with this heading. It is also recorded that führermuseum records 3 objects associated with this heading.

Munich Central Collecting Point records 3 objects associated with this heading. Institutional cataloguing adds that instituut Collectie Nederland records 3 objects associated with this heading. It is also recorded that cultural Heritage Agency of the Netherlands Art Collection records 3 objects associated with this heading. It is also recorded that dienst Verspreide Rijkscollecties records 3 objects associated with this heading.

The Metropolitan Museum of Art records 17 objects associated with this heading. It is also recorded that the Art Institute of Chicago records 7 objects associated with this heading. Wellcome Collection records 106 objects associated with this heading. Alger & Slater on the New York employers' liability act (1907) is digitised and catalogued by Internet Archive.

A treatise on The New York employers' liability act (1903) is digitised and catalogued by Internet Archive. It is also recorded that kansas--Lecompton constitution--proscription of Democrats--assault upon Illinois, and her democracy expelled : speech of Hon. S.S. Marshall, of Illinois, on the admission of Kansas as a state : delivered in the House of Representatives, March 31, 1858. (1858) is digitised and catalogued by Internet Archive. It is also recorded that infection and mortality of health care workers worldwide from COVID-19: a scoping review (2020) is digitised and catalogued by Internet Archive. The register further records that food acquisition, preparation, and household eating patterns and their drivers in South Asia: A systematic review on measurement gaps and methods (2024) is digitised and catalogued by Internet Archive.

A Diary of Some Religious Exercises, and Experience of Samuel Scott: Late of ... (1859) is digitised and catalogued by Internet Archive. The real issue, union or disunion : letter of Hon. S. S. Marshall, on the parties and politics of the day, to the freemen of the Ninth Congressional District of Illinois (1856) is digitised and catalogued by Internet Archive. Institutional cataloguing adds that a Diary of Some of the Religious Exercises and Experience of Samuel Scott (1871) is digitised and catalogued by Internet Archive.

This entry is compiled from 13 catalogued sources across 8 independent registers. The registers consulted are Crossref registry, Internet Archive, Wikimedia Foundation, The Metropolitan Museum of Art, The Art Institute of Chicago, DOAJ, Wellcome Collection and Wikipedia. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.

William Marlow and Sawrey Gilpin are recorded as having studied under Samuel Scott. the recorded working language is English.

The field of work recorded is landscape painting. Subjects and genres recorded for the work are marine. The authority associates the name with realism.

Work by Samuel Scott is recorded in the collections of Tate, Metropolitan Museum of Art, Victoria and Albert Museum, National Gallery of Ireland and National Gallery.