Samuel Scott

William Marlow and Sawrey Gilpin are recorded as having studied under Samuel Scott. The recorded working language is English. The field of work recorded is landscape painting. Subjects and genres recorded for the work are marine. Work by Samuel Scott is recorded in the collections of Tate, Metropolitan Museum of Art, Victoria and Albert Museum, National Gallery of Ireland and National Gallery.

• Name — Samuel Scott • Born — c. 1702 • Birthplace — London, England • Died — 12 October 1772 (aged 69–70) • Place of death — Bath, Somerset • Children — 1

Scott was born in London, and began painting around 1720. Nothing is known of his artistic training. He started as a maritime artist, painting men-of-war and other ships on calm seas in the style of Willem van de Velde, many of whose drawings he owned. He also painted a set of six pictures of settlements owned by the East India Company in collaboration with George Lambert. Scott painted the ships, Lambert the buildings and landscape. Writing in 1733, George Vertue included Scott among London's "most elevated men in art". Around this time he posed for the Portrait of Samuel Scott by Thomas Hudson. From 27 to 31 May 1732, he made a celebrated "Five days' Peregrination" to the Medway estuary and the Isle of Sheppey in company with William Hogarth and others. An account of their trip was written by Ebenezer Forrest and eventually published in 1782, with engravings taken from drawings by Hogarth and Scott. In the early 1740s, Scott began making sketches of London, especially of the new Westminster Bridge, then under construction. When, following the arrival of Canaletto in London in 1746, paintings of views of the city became fashionable, he began working the sketches up into oil paintings. He painted at least eleven versions of a view of the Old London Bridge, the earliest dating from 1747. Scott continued to paint copies of it after 1757, when the houses lining the bridge, shown in the painting, had been demolished. The London Bridge pictures were often painted as one of a pair, with an image of the Tower of London or Westminster Bridge as a pendant.

Between 1761 and 1771, he exhibited three works at the Society of Artists, one at the Free Society of artists, and one, The Thames and the Tower of London, at the Royal Academy's Exhibition of 1771. He was one of the early draughtsmen in watercolours, and was called the father of English watercolour, but his chief works were in oil. Some of Scott's most celebrated paintings were his depictions of scenes during the War of Jenkins' Ear. Scott earned a considerable reputation for his shore and river scenes, which were well-drawn and painted, and enlivened with figures. Horace Walpole, who had a large collection of his works, said that they "will charm in every age" and that "if he was second to Vandeveldt in sea pieces, he excelled him in variety." His views of London Bridge, the Custom-house Quay, and other pictures of the Thames earned him the name "the English Canaletto". Scott lived at number 2 Henrietta Street, Covent Garden, overlooking the Piazza at Covent Garden, from 1747 to 1758. He moved to Twickenham in 1758, and then to Ludlow, where his daughter was living, before retiring to Bath, where he died in Walcot Street, of gout, on 12 October 1772, leaving one daughter. His collection was sold by Langford in January 1773. William Marlow (1740–1813) and the animal painter Sawrey Gilpin (1733–1807) were his pupils. Marlow produced similar scenes of the Thames to Scott, and later acquired his former villa at Twickenham.

• Illustration — Departure from England of Francis, Duke of Lorraine, 1732 • Illustration — A Danish Timber Bark Getting Under Way, 1736 • Illustration — Shipping off Dover, 1738 • Illustration — The Capture of Puerto Bello, 1740 • Illustration — The Thames at Wapping, c.1740 • Illustration — The Building of Westminster Bridge, 1742 • Illustration — Wager's Action off Cartagena, c. 1747 • Illustration — Lord Anson's Victory off Cape Finisterre, 1749 • Illustration — An Arch of Westminster Bridge, 1750 • Illustration — Horse Guards Parade, 1755 • Illustration — A Thames Wharf, 1757 • Illustration — Old London Bridge, 1758 • Illustration — A View of Alexander Pope's Villa, Twickenham, 1759 • Illustration — The Thames at Twickenham, c.1760 • Illustration — The Construction of Blackfriars Bridge, c.1763 • Illustration — French Firerafts Attacking the British Fleet off Quebec, 1767 • Illustration — The Pool of London, 1769 • Illustration — The Thames and the Tower of London, 1771

The following is established of the heading itself.

The following works and productions are recorded by name or by count. It is also recorded that plan of St.

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