Robert McLiam Wilson

12 works under this name are catalogued by Wikidata Query Service, Open Library and The Art Institute of Chicago. Their recorded dates run from 1908 to 2000.

Eureka Street. Ripley Bogle. Ripley Bogle Robert McLiam Wilson. The dispossessed, dated 1992. Eureka Street, Belfast. (übs. von Christa Schuenke), dated 1997. Manfred's pain, dated 1992. The Dunes, Indiana, dated 1963, gelatin silver print, held by The Art Institute of Chicago, inventory 1963.787. Parzival, a Chair with a Shadow, dated designed 1987, made 1990, bleached birch with lacquered finish, held by The Art Institute of Chicago, inventory 1991.39. Pennsylvania, dated 1963, gelatin silver print, held by The Art Institute of Chicago, inventory 1963.786. Autumn, dated c. 1914, oil on canvas, held by The Art Institute of Chicago, inventory 1915.558. "Diana" Diadem, dated c. 1908, enameled gold, rock crystal, moonstones, and sapphires, held by The Art Institute of Chicago, inventory 2002.16. American Horizon, dated 2000, oil on linen, held by The Art Institute of Chicago, inventory 2013.1431.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 6 recorded objects, read from the institution's own published catalogue.

8 scholarly publications naming this subject were located in the registry of record.

Appendices (Interviews on Masculinity with Robert McLiam Wilson, Glenn Patterson and Eoin McNamee) 147, Sons of Ulster. Ripley Bogle de Robert McLiam Wilson, Huir del laberinto. Crecer en Irlanda del Norte. Una mirada literaria. Robert McLiam Wilson : “J’ai une poussée d’agliophobie, dextrophobie, théophobie…”, Philosophie Magazine, 2009. Bourgeois Redemptions: the Fictions of Glenn Patterson and Robert McLiam Wilson, Contemporary Irish Fiction, 2000. Glenn Patterson and Robert McLiam Wilson: Two Contemporary Northern Irish Writers and the Question of National Identity, Postcolonial and Gender Perspectives in Irish Studies. From aithirne the importunate to Robert McLiam Wilson : a preliminary overview on the Irish satiric tradition, Journal of English Studies, 2004. « Coded Voices Speaking from the Walls » : les fresques murales de Belfast dans la prose nord-irlandaise, Revue LISA, 2014. Post-Traumatic Realism: Representations of History in Recent Irish Novels, Colloquia Humanistica, 2015.

2 digitised items associated with this heading are catalogued by Internet Archive.

Ripley Bogle (1998) — Internet Archive. Zautek tgarza (2005) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 12 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 13 further registers were consulted and returned nothing for this heading.

Robert McLiam Wilson studied at St Catharine's College and St Malachy's College. the recorded working language is English.

Employment is recorded with Ulster University and Charlie Hebdo.

Works named in the authority record are Eureka Street.

Distinctions recorded are Rooney Prize for Irish Literature.