Richard Barthelmess

• Name — Richard Barthelmess • Born — 9 May 1895 • Birthplace — New York City, U.S. • Died — 17 August 1963 • Place of death — Southampton, New York, U.S. • Resting Place — Ferncliff Cemetery • Education — Trinity College • Occupation — Actor • Years Active — 1916–1942 • Children — 2

Barthelmess was born in New York City, the son of Caroline W. Harris, a stage actress, and Alfred W. Barthelmess. His father died when he was a year old. Through his mother, he grew up in the theatre, doing "walk-ons" from an early age. In contrast to that, he was educated at Hudson River Military Academy at Nyack, New York and Trinity College at Hartford, Connecticut. He did some acting in college and other amateur productions. By 1919 he had five years in stock company experience.

Russian actress Alla Nazimova, a friend of the family, was taught English by Caroline Barthelmess. Nazimova convinced Richard Barthelmess to try acting professionally, and he made his debut screen appearance in 1916 in the serial Gloria's Romance as an uncredited extra. He also appeared as a supporting player in several films starring Marguerite Clark. • Illustration — With Lillian Gish in the 1920 release Way Down East His next role, in War Brides opposite Nazimova, attracted the attention of director D.W. Griffith, who offered him several important roles, finally casting him opposite Lillian Gish in Broken Blossoms (1919) and Way Down East (1920). He founded his own production company, Inspiration Film Company, together with Charles Duell and Henry King. One of their films, Tol'able David (1921), in which Barthelmess starred as a teenage mailman who finds courage, was a major success. In 1922, Photoplay described him as the "idol of every girl in America." • Illustration — Silverscreen magazine, 1922 Barthelmess had a large female following during the 1920s. An admirer wrote to the editor of Picture-Play Magazine in 1921: Different fans have different opinions, and although Wallace Reid, Thomas Meighan, and Niles Welch are mighty fine chaps, I think that Richard Barthelmess beats them all. Dick is getting more and more popular every day, and why? Because his wonderful black hair and soulful eyes are enough to make any young girl adore him. The first play I saw Dick in was Boots—Dorothy Gish playing the lead. This play impressed me so that I went to see every play in which he appeared—Three Men and a Girl, Scarlet Days, The Love Flower, and Broken Blossoms, in which I decided that Dick was my favorite. I am looking forward to Way Down East as being a great success, because I know Dick will play a good part. Barthelmess soon became one of Hollywood's higher paid performers, starring in such classics as The Patent Leather Kid in 1927 and The Noose in 1928; he was nominated for Best Actor at the first Academy Awards for his performance in both films. In addition, he won a special citation for producing The Patent Leather Kid. With the advent of the sound era, Barthelmess remained a star for a number of years. He played numerous leads in talkie films, most notably Son of the Gods (1930), The Dawn Patrol (1930), The Last Flight (1931), The Cabin in the Cotton (1932) and Heroes for Sale (1933). He was able to choose his own material and often played in controversial or socially conscious films. However, his popularity began to wane in the 1930s. He became too old for the boyish leads he usually played. In his later films (between 1939 and his retirement in 1942), he turned towards character roles – most notably, his supporting role as the disgraced pilot and husband of Rita Hayworth's character in Only Angels Have Wings (1939).

Barthelmess failed to maintain the stardom of his silent film days and gradually left entertainment. He enlisted in the United States Navy Reserve during World War II, and served as a lieutenant commander, stationed at Pearl Harbor Naval Shipyard. He never returned to film, preferring to live off his real estate investments.

On June 18, 1920, Barthelmess married Mary Hay, a stage and screen star, in New York. They had one daughter, Mary Barthelmess, before divorcing on January 15, 1927. In August 1927, Barthelmess became engaged to Katherine Young Wilson, a Broadway actress. However, the engagement was called off due to Wilson's stated desire to continue acting, or possibly his affair around this time with the journalist Adela Rogers St. Johns. On April 21, 1928, Barthelmess married Jessica Stewart Sargent. He later adopted her son, Stewart, from a previous marriage. They remained married until Barthelmess' death in 1963.

Barthelmess died of throat cancer on August 17, 1963, aged 68, in Southampton, New York. He was interred at the Ferncliff Cemetery and Mausoleum in Hartsdale, New York.

• Illustration — Collage of various characters portrayed by Barthelmess, 1920 • Illustration — Another collage of stills from various films, 1930 • Features: • Year — Title — Role — Notes • 1916 — Gloria's Romance — Bit role — Uncredited Lost film • 1916 — War Brides — Arno — Lost film • 1916 — Snow White — Pie Man — Uncredited • 1916 — Just a Song at Twilight — George Turner — Lost film • 1917 — The Moral Code — Gary Miller • 1917 — The Eternal Sin — Gennaro — Lost film • 1917 — The Valentine Girl — Robert Wentworth — Lost film • 1917 — The Soul of a Magdalen — Louis Broulette — Lost film • 1917 — The Streets of Illusion — Donald Morton • 1917 — Camille — Bit role — Lost film • 1917 — Bab's Diary — Tommy Gray — Lost film • 1917 — Bab's Burglar — Tommy Gray — Lost film • 1917 — Nearly Married — Dick Griffon — Incomplete • 1917 — For Valour — Henry Nobbs — Lost film • 1917 — The Seven Swans — Prince Charming — Lost film • 1918 — Sunshine Nan — MacPherson Clark — Lost film • 1918 — Rich Man, Poor Man — Bayard Varick — Lost film • 1918 — Hit-The-Trail Holliday — Bobby Jason — Lost film • 1918 — Wild Primrose — Jack Wilton — Lost film • 1918 — The Hope Chest — Tom Ballantyne — Lost film • 1919 — Boots — Everett White — Lost film • 1919 — The Girl Who Stayed at Home — Ralph Grey • 1919 — Three Men and a Girl — Christopher Kent — Lost film • 1919 — Peppy Polly — Dr. James Merritt — Lost film • 1919 — Broken Blossoms — Cheng Huan - The Yellow Man • 1919 — I'll Get Him Yet — Scoop McCready — Lost film • 1919 — Scarlet Days — Don Maria Alvarez • 1920 — The Idol Dancer — Dan McGuire • 1920 — The Love Flower — Bruce Sanders • 1920 — Way Down East — David Bartlett • 1921 — Experience — Youth — Lost film • 1921 — Tol'able David — David Kinemon • 1922 — The Seventh Day — John Alden Jr. • 1922 — Sonny — Sonny Crosby / Joe — Lost film • 1922 — The Bond Boy — Peter Newbolt (father) / John Newbolt — Lost film • 1923 — Fury — Boy Leyton — Lost film • 1923 — The Bright Shawl — Charles Abbott • 1923 — The Fighting Blade — Karl Van Kerstenbroock • 1923 — Twenty-One — Julian McCullough — Lost film • 1924 — The Enchanted Cottage — Oliver Bashforth • 1924 — Classmates — Duncan Irving Jr — Lost film • 1925 — New Toys — Will Webb — Lost film • 1925 — Soul-Fire — Eric Fane • 1925 — Shore Leave — D.X. (Bilge) Smith • 1925 — The Beautiful City — Tony Gillardi — Lost film • 1926 — Just Suppose — Prince Rupert of Koronia • 1926 — Ranson's Folly — Lt. Ranson • 1926 — The Amateur Gentleman — Barnabas Barty — Lost film • 1926 — The White Black Sheep — Robert Kincarin — Lost film • 1927 — The Patent Leather Kid — Patent Leather Kid • 1927 — The Drop Kick — Jack Hamill • 1928 — The Noose — Nickie Elkins • 1928 — The Little Shepherd of Kingdom Come — Chad Buford — Lost film • 1928 — Wheel of Chance — Nicolai Turkeltaub / Jacob Taline — Lost film • 1928 — Out of the Ruins — Lt. Pierre Dumont — Lost film • 1928 — Scarlet Seas — Steven Dunkin • 1929 — Weary River — Jerry Larrabee • 1929 — Drag — David Carroll • 1929 — Young Nowheres — Albert 'Binky' Whalen — Lost film • 1929 — The Show of Shows — 'Meet My Sister' Presenter • 1930 — Son of the Gods — Sam Lee • 1930 — The Dawn Patrol — Dick Courtney • 1930 — The Lash — Francisco Delfino 'Pancho' • 1931 — The Finger Points — Breckenridge 'Breck' Lee • 1931 — The Last Flight — Cary Lockwood • 1932 — Alias the Doctor — Karl Brenner • 1932 — The Cabin in the Cotton — Marvin Blake • 1933 — Central Airport — James 'Jim' Blaine • 1933 — Heroes for Sale — Tom Holmes • 1934 — Massacre — Chief Joe Thunderhorse • 1934 — A Modern Hero — Pierre Radier aka Paul Rader • 1934 — Midnight Alibi — Lance McGowan / Robert Anders • 1935 — Four Hours to Kill! — Tony Mako • 1936 — Spy of Napoleon — Gerard de Lanoy • 1939 — Only Angels Have Wings — Bat MacPherson • 1940 — The Man Who Talked Too Much — J.B. Roscoe • 1942 — The Spoilers — Bronco Kid Farrow • 1942 — The Mayor of 44th Street — Ed Kirby • Short subjects: • Year — Title — Role — Notes • 1926 — Camille — Gaston — Home movie by cariacaturist Ralph Barton • 1931 — The Stolen Jools — Himself • 1931 — How I Play Golf, by Bobby Jones No. 1: The Putter — Himself — Uncredited • 1935 — Starlit Days at the Lido — Himself — Uncredited • 1941 — Meet the Stars #5: Hollywood Meets the Navy — Himself — Uncredited