Reformation altarpiece
Wittenberg Cranach Altarpiece (or Reformation Altarpiece) is one of the major Lutheran winged altarpieces created by Lucas Cranach the Elder and his son Lucas Cranach the Younger for the Evangelical Lutheran City and Parish Church of St. Mary's in Wittenberg, Germany. The altarpiece depicts the key figures of Lutheranism associated with the parish church of Wittenberg.
Also recorded as Wittenberg altarpiece
Reformation altarpiece

Lucas Cranach the Younger and workshop / Lucas Cranach the Elder · Self-photographed · Public domain
- Movement
- German Renaissance
- Period
- 1540
- Related practice
- hardwood
Reference Check
Propose documentary evidence for Reformation altarpiece. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q30302632 · wikipedia · Wittenberg Altarpiece
In this article
Overview
Overview
The Schneeberg Altarpiece, Weimar Altarpiece and Gotha Altarpiece are other important examples of the relatively small number of attempts to continue the tradition of the altarpiece giving an explicitly Lutheran interpretation. This phase was mostly finished by 1555.
It is recorded as the work of Lucas Cranach the Elder and Lucas Cranach the Younger. Materials recorded for it are hardwood. Recorded constituent parts are Reformation altarpiece [central panel]: The Last Supper (recto), The Trinity (verso), Reformation altarpiece [left wing]: The Baptism (recto), The Brazen Serpent (verso), Reformation altarpiece [right wing]: The Confession (recto), The Sacrifice of Abraham (verso) and Reformation altarpiece [Predella]: The Sermon (recto). The record gives 1540 as its date of establishment or first appearance. Recorded genres are religious art and Lutheran art. It forms part of Stadtkirche Wittenberg. It is recorded in the collection of Stadtkirche Wittenberg.

Germany: City Church Lutherstadt Wittenberg (Sachsen-Anhalt).
W. Bulach

Germany: City Church Lutherstadt Wittenberg (Sachsen-Anhalt).
W. Bulach
Key facts
Key facts
• Title — Wittenberg Cranach Altarpiece • Artist — Lucas Cranach the Elder and Lucas Cranach the Younger • Year — 1547 • Medium — Oil on hardwood • Movement — German Renaissance • Height Metric — 103.5 • Width Metric — 233 • Owner — Evangelical Lutheran City and Parish Church of St.Mary's in Wittenberg • City — Wittenberg
History and description
History and description
The triptych altarpiece was installed at the high altar of the Wittenberg City Parish Church of St. Mary's in 1547, one year after Luther's death, and it is believed to be consecrated by Johannes Bugenhagen, who was the pastor at St. Mary's church in Wittenberg and a good friend of Martin Luther. Lucas Cranach the Elder designed the altar and painted most of the front panel, while his son Lucas Cranach the Younger painted the panels on the back and finished his father's work on the front. The altarpiece was restored in 2016.
Interpretation of the altarpiece
Interpretation of the altarpiece
• Illustration — Martin Luther preaching with crucified Christ depicted on the predella embodies Luther's theology of Solus Christus The Wittenberg altarpiece is a visualization of several major principles of the Protestant Reformation, and serves as a portrayal of Lutheran sacramental theology. On the front, the middle panel and the inner two wings depict the three sacraments recognized by Luther, namely the Baptism, Eucharist and Absolution. The frontal middle panel depicts Jesus Christ instituting the Lord's Supper with Martin Luther portrayed as one of the apostles, and sitting next to Luther on the left is the printer Hans Lufft, who published the Luther Bible. In the left inner wing, Philipp Melanchthon baptizes a baby, in accordance with the Lutheran affirmation of infant baptism, assisted by two godparents; the godfather depicted on the left is Lucas Cranach the Elder. The inner right panel depicts Johannes Bugenhagen, the pastor of this church at the time of the painting, absolving one man's sins (referred to as the Office of the Keys), and excluding another man who is impenitent. On the predella, Martin Luther is shown delivering a sermon and preaching the Word of God, a central tenet of Reformation, with crucified Christ depicted in the middle in reference to Christocentric nature of the new faith; Luther's wife Katharina von Bora is shown among the congregants. On the back panel, the risen Christ in glory is depicted in the middle, with side panels depicting the Old Testament narratives of Abraham's sacrifice and Moses with the Brazen Serpent. • Illustration — Interior of St. Mary's Church in Wittenberg • Illustration — Detail of Philipp Melanchthon baptizing an infant • Illustration — The back panel depicts the resurrected Christ defeating death • Illustration — Detail of the Last Supper scene • Illustration — Wittenberg altarpiece in full view with the chancel and choir of St. Mary's Church • Illustration — Johannes Bugenhagen as the pastor of St. Mary's Church
Chronology
Dated record
Chronology
The full dated record · 1 entries
1540
Reformation altarpiece first recorded.
Practice and materials
Its recorded materials are hardwood. It forms part of Stadtkirche Wittenberg. It comprises Reformation altarpiece [central panel]: The Last Supper (recto), The Trinity (verso), Reformation altarpiece [left wing]: The Baptism (recto), The Brazen Serpent (verso), Reformation altarpiece [right wing]: The Confession (recto), The Sacrifice of Abraham (verso), Reformation altarpiece [Predella]: The Sermon (recto) and Reformation altarpiece [Predella]: The Saved and the Damned (verso).
Literature
Literature
Literature
The Wittenberg Altarpiece and the Image of Identity, Reformation, 2006
The Pre-Reformation Altarpiece of Long Melford Church, The Antiquaries Journal, 2002
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Wittenberg Altarpiece, revision 1332495203 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Lutheran interpretation of Wittenberg Altarpiece. 18 January 2022.
- 2.Academy for Christian Art – Luther and Confession: Beyond Prejudice. 26 January 2021.
- 3.Lucas Cranach and Martin Luther: Sacred Art at the Dawn of the Reformation.
- 4.Paths to Luther – The Reformation in pictures (in German).
- 5.Bonnie Noble (2006), "The Wittenberg Altarpiece and the Image of Identity", Reformation, Vol 11, Iss 1, 79-129, DOI: 10.1558/refm.v11.79
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Furniture
924 published records in this field, each with its sources named.
- reclinerTerminology
- Red and Blue ChairTerminology
- Red Jaguar ThroneTerminology
- refectory tableTerminology
- RehueTerminology
- reliquary chestTerminology
- Reliquary Shrine of Saint EleutheriusTerminology
- Relógio de São PedroTerminology
Best supported in this field
For owners
Own an object connected with Reformation altarpiece?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.