Princess Lechang
Illustration — Ming era illustration of Princess Lechang, the female protagonist of the tale. The Broken Mirror Restored is a Chinese classic romantic folklore about the separation and reunion of an aristocratic couple using their broken mirrors. The story is alleged to have occurred at the end of the 6th century during the transition from Northern and Southern dynasties to the Sui dynasty.
Princess Lechang

仇英 · Public domain
- Nationality
- Chen dynasty · Northern and Southern dynasties
- Occupation
- poet
- Fields
- poetry
- Languages
- Chinese
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Ming era illustration of Princess Lechang, the female protagonist of the tale. The Broken Mirror Restored is a Chinese classic romantic folklore about the separation and reunion of an aristocratic couple using their broken mirrors. The story is alleged to have occurred at the end of the 6th century during the transition from Northern and Southern dynasties to the Sui dynasty.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
No house-authored Note is published until its assertions and sources pass the VALÉORINE evidence contract. The documentary article remains available in full while that enrichment is being consolidated.
Documentary enrichment in progress · no unsupported statement published
Reference Check
Propose documentary evidence for Princess Lechang. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Evidence Panel
not yet certified
- Identity
- unresolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
wikidata · Q10878410 · wikipedia · Princess Lechang
In this article
Story plot
Story plot
Although the authenticity and origin of the story is debated, the story circulated widely in Chinese and Japanese literature and influenced future dynasties. The phrase "broken mirror restored", or "broken mirror joined together" has been used as an idiom to suggests the happy reunion of a separated couple.
The main protagonist of the story were Princess Lechang (樂昌公主) and her husband, Xu Deyan (徐德言). Their love story was not recorded in official historical annals, but was mentioned in the New Record of the Two Capitals (兩京新記, Liangjing xinji) written by Wei Shu (韋述) and Poetry Stories (本事诗) by Meng Qi (孟啟). Princess Lechang was alleged to be the daughter of Emperor Xuan of Chen (568–582) and sister of Emperor Houzhu of Chen (582–589). She married Xu Deyan (徐德言), a retainer of the Crown Prince (太子舍人, Crown Prince's Servant). However, in 589 ACE, the Chen dynasty was destroyed by the Sui dynasty. Knowing their inevitable separation in such turbulent event, Xu told his wife: "When the country falls, you will certainly be taken into a powerful house. If your love for me doesn't die, I hope we will have a chance to be together again." The couple then broke a handheld mirror into two, each person kept on half of the mirror as a mean of identification at the future reunion. Xu later escaped from the Sui army onslaught, while Princess Lechang was captured by the Sui forces. The Sui Emperor then awarded the Princess to the State Duke of Yue, Yang Su, as a concubine. Princess Lechang was quickly favoured by Yang Su, Yang even had a separate cloister built for Lechang. However Lechang was still unhappy and could never forget her former husband. After a while, at the First Full Moon Festival in Sui capital, Xu Deyan brought the mirror half to the capital market to seek for his lost wife. He managed to find the other half of the mirror sold at an unreasonably high price by an old man. Xu told the seller the story behind the broken mirror and asked the seller to delivered a poem to his master: The mirror and the person are gone The mirror returns. The person doesn't I don't see the Chang'e's shadow Bright and empty moonlight lingers. Princess Lechang instantly realized the poem's author was her lost husband and burst into tears. Yang Su was also moved by the Princess's love story and finally allowed her to remarry Xu Deyan. It is said that Yang Su asked Princess Lechang to write a poem to describing this incident. The Princess's poem was written as: How bewildered I am today When my new and old masters come face to face I dare neither laugh nor cry For now I feel the pain of being human.
Controversial authenticity
Controversial authenticity
Some scholars have questioned the story's authenticity and claimed that this story was made up at the Middle Tang era due to several reasons: • There was no record in the Book of Chen of Xu Deyan as the prince consort of the Chen dynasty. The only recorded prince consort was Kong Bayu (孔伯鱼). • The Sui army's commander-in-chief was not allowed to rob Chen princess as his concubine like Yang Su was alleged to do in the folktale. • The Chen Emperor's family and court was spared by the Sui army and were relocated to the Sui capital Chang'an. If Xu Deyan was the prince consort, he would be escorted properly to Chang'an, too. • At the time of Sui's invasion against Chen, Yang Su's reputation was not high enough to take a Chen princess as his concubine. Moreover, Sui Empress Consort Wenxian was notorious for her hatred of polygamy and concubines; Yang Su would definitely get on her bad side if he really did take the Princess as a concubine. • It was very hard for a broken (and therefore, unvaluable) mirror to be sold at a Chang'an market and due the sheer size of the capital, it was very hard for Xu Deyan to figure out the location of the keeper of his wife's mirror piece. However, Chen Shangjun, a professor at Fudan University argued that the story of Princess Lechang might be historically reliable due to several reasons: • It is true that Sui Empress Consort Wenxian hated concubines the act of taking concubine, but not all people fell victim to her wraith. For example, He Ruobi (賀若弼) was able to take a Chen princess as concubine and if a person like He could, then Yang Su definitely also could. • Considering the date of New Record of the Two Capitals (兩京新記), it is impossible that the story was made up by people at the middle Tang Dynasty. • Xu Deyan is not recorded in official history annals but was mentioned in other documents. The genealogical work Yuanhe Xingzuan recorded Xu Deyan worked at the position of "Crown Prince's Servant" (太子舍人) of the Chen dynasty and Sigong of the Bo province (蒲州司功) in the Sui dynasty. Graham Sanders argued that it might not be simply a coincidence that a pre-Tang background (Sui dynasty) is set as the background of the story plot. One sign of the pre-Tang context is that it is the true lovers are "man and wife", rather than "man and singing girl" or "man and concubine". Once the "stolen love" story enter the Tang period, the naive power of the poems seen in such story became more complicated and conditional.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Wang Xiang. The Prehistory of Ximingsi: Anecdotes and Imaginaire of Chang’an Buddhism. International Journal for the Study of Chan Buddhism and Human Civilization. Issue 1 (2016), 113–144
- 2.Idioms Lesson 31 A broken mirror joined together china.org.cn
- 3.Tony Barnstone, Chou Ping (Editor). The Anchor Book of Chinese Poetry: From Ancient to Contemporary, The Full 3000-Year Tradition. Anchor. 2005. pp. 88-89
- 4.Zhang Yue; Wang Xiaoyan. Chinese Festival Culture Series: The Lantern Festival. Anhui People's Publishing House. 2014, pp. 33-34
- 5.Complete Classics Collection of Ancient China, Volume 019 (1700-1725). Available at Wikisource.
- 6.Graham Sanders. Words Well Put: Visions of Poetic Competence in the Chinese Tradition (Harvard-Yenching Institute Monograph Series). Harvard University Press. 2006, pp. 263-65
- 7.lang zh 曹道衡沈玉成《中古文学史料丛考》<乐昌公主破镜事志疑>
- 8.Chen, Shangjun. Chen Shangjun: Background and Truth of Tales of Broken Mirror Amended. Xinmin Evening News. 2008-12-07.
- 9.. . . 2017: 57–. ISBN 978-962-937-329-0.
- 10.lang zh 《隋书》卷五十二列传十七<贺若弼>:加以宝剑、宝带、金甕、金盘各一,并雉尾扇、曲盖,杂彩二千段,女乐二部,又赐陈叔宝妹为妾
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 29 August 2026.
Elsewhere in Books
38,661 published records in this field, each with its sources named.
- Princess Henriette of LiechtensteinAuthor
- Princess IwaAuthor
- Princess Ketevan of GeorgiaAuthor
- Princess Laurentien of the NetherlandsAuthor
- Princess Louise Auguste of DenmarkAuthor
- Princess Marie of BattenbergAuthor
- Princess Märtha Louise of NorwayAuthor
- Princess Mathilde of BavariaAuthor
Best supported in this field
For owners
Own a work by Princess Lechang?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.