Peter Porter

Peter Porter studied at Anglican Church Grammar School. The recorded working language is English. Positions recorded include Booker Prize judge. Distinctions recorded are Cholmondeley Award, King’s / Queen’s Gold Medal for Poetry, Fellow of the English Association and Fellow of the Royal Society of Literature.

• Name — Peter Porter • Honorific Suffix — OAM • Birth Name — Peter Neville Frederick Porter • Born — 16 February 1929 • Birthplace — Brisbane, Queensland, Australia • Died — 23 April 2010 • Place of death — London, United Kingdom • Resting Place — Highgate Cemetery • Occupation — Poet • Language — British • Spouse — Jannice Henry (died 1974), Christine Berg

Porter was born in Brisbane, Australia, in 1929. His mother, Marion, died of a burst gall-bladder in 1938. He was educated at the Anglican Church Grammar School (then known as the Church of England Grammar School) and left school at 18 to work as a trainee journalist at The Courier-Mail. However, he only lasted a year with the paper before he was dismissed. He emigrated to England in 1951. On the boat he met the future novelist Jill Neville. Porter was portrayed in Neville's first book, The Fall Girl (1966). After two suicide attempts, he returned to Brisbane. Ten months later he was back in England. In 1955, he began attending meetings of "The Group". It was his association with "The Group" that allowed him to publish his first collection in 1961. He married Jannice Henry, from Marlow, Buckinghamshire, in 1961 and they had two daughters (born in 1962 and 1965). During this period he worked in advertising, and was beginning to find work in the literary press. Jannice took her life in 1974, greatly affecting Porter's work, in particular The Cost of Seriousness. In 1991 Porter married Christine Berg. In 2001, he was named Poet in Residence at the Royal Albert Hall. In 2004 he was a candidate for the position of Professor of Poetry at Oxford University. In 2007, he was made a Royal Society of Literature Companion of Literature, an honour bestowed on a maximum of ten living writers. • Illustration — Grave of Peter Porter in Highgate Cemetery Porter died on 23 April 2010, aged 81, after suffering from liver cancer for a year. After news of Porter's death in 2010, the Australian Book Review (ABR) announced that, in his honour, it would rename its ABR Poetry Prize as the Peter Porter Poetry Prize. He was buried on the eastern side of Highgate Cemetery.

His poems first appeared in the Summer 1958 and October 1959 issues of Delta. The publication of his poem Metamorphosis in The Times Literary Supplement in January 1960 brought his work to a wider audience. His first collection Once Bitten Twice Bitten was published by Scorpion Press in 1961. Influences on his work include W. H. Auden, John Ashbery and Wallace Stevens.. He went through distinct poetic stages, from the epigrams and satires of his early works Once Bitten Twice Bitten, to the elegiac mode of his later ones; The Cost of Seriousness and English Subtitles. In a recorded conversation with his friend Clive James he stated that the glory of present-day English writing in America, in Australia and in Britain, is what is left over of the old regular metrical pattern and how that can be adapted to the new sense that the main element, the main fixture of poetry is no longer the foot (you know, the iambus or the trochee) but the cadence. It seems that what is very important is to get the best of the old authority, the best of the old discipline along with the best of the new freedom of expression. In 1983 Porter was a judge in the Booker–McConnell Prize.

• Collected Poems, Oxford University Press, 1983. • A Porter Selected: Poems 1959–1989. Oxford University Press, 1989. • Collected Poems. 2 vols. Oxford & Melbourne: Oxford University Press, 1999.

• Solemn Adultery at Breakfast Creek The Keepsake Press, London, 1968 (200 copies) • A Share of the Market Ulsterman Publications, Belfast, 1973. • The Animal Programme: Four Poems Anvil Press Poetry Ltd, London, 1982 (250 copies).. • Machines with illustrations by George Szirtes, Mandeville, Hitchin, Hertfordshire, 1986 (250 copies).. • A King's Lynn Suite, King's Lynn Poetry Festival, 1999. • Return to Kerguelen, Vagabond Press, London, 2001.

• Browning's Important Parleying: Stylistics across two centuries Leo S. Olschki Editore, Firenze, 1991.

• Words Without Music, Sycamore Press, 1968. • Epigrams by Martial, Poem-of-the-Month Club, 1971.

• After Martial Oxford University Press, 1972. • from the Greek Anthology in Penguin Classics edition • Michelangelo, Life, Letters, and Poetry, with George Bull Oxford University Press, 1987. • Liu Hongbin, A Day Within Days, with the author. Ambit Books, London 2006. (Link to a reading of Porter's translation)

• Annotations of Auschwitz, with music by David Lumsdaine, Universal Edition, 1975. • Orpheus: A Chamber Opera in One Act, music by Geoffrey Burgon, Chester Music, 1985. • The Voice of Love, words for a song cycle, music by Nicholas Maw. • St Francis and the Wolf, an opera for children, music by Ronald Senator

• |Title — |Year — |First published — |Reprinted/collected in • "Mort aux Chats" — 1972 — Preaching to the Converted, Oxford University Press, 1972, pp. 46-47

• In 1981, Scottish post-punk band Scars recorded a song of Porter's poem "Your Attention Please" on their studio album Author! Author!.

• Once Bitten Twice Bitten, Scorpion Press, 1961 • Poems Ancient and Modern, Scorpion Press, 1964 • A Porter Folio, Scorpion Press, 1969 • The Last of England, Oxford University Press, 1970 • After Martial, Oxford University Press, 1972 • Preaching to the Converted, Oxford University Press, 1972 • Jonah, with Arthur Boyd, Secker & Warburg, 1973 • Living in a Calm Country, Oxford University Press, 1975 • The Lady and the Unicorn, with Arthur Boyd, Secker & Warburg, 1975 • The Cost of Seriousness, Oxford University Press, 1978 • English Subtitles, Oxford University Press, 1981 • Fast Forward, Oxford University Press, 1984 • Narcissus with Arthur Boyd, London: Seckers & Warburg, 1984 • The Automatic Oracle, Oxford University Press, 1987 • Mars, with Arthur Boyd, Deutsch, 1987 • Possible Worlds, Oxford University Press, 1989 • The Chair of Babel, Oxford University Press, 1992 • Millennial Fables, Oxford University Press, 1994 • Dragons in Their Pleasant Palaces, Oxford University Press, 1997 • Both Ends Against the Middle, 1999, as a section in Collected Poems Volume 2 • Max Is Missing, Picador/Macmillan, 2001 • Afterburner, Picador/Macmillan, 2004 • Better Than God, Picador, 2009 • Chorale at the Crossing, Pan Macmillan, 2016 (Posthumous)

• Saving from the Wreck: Essays on Poetry. Trent, 2001.