Micaela Villegas (La Perricholi)
Illustration — Perricholi Maria Micaela Villegas Hurtado (28 September 1748 – 16 May 1819), known as La Perricholi, was a Peruvian entertainer and mistress of Manuel de Amat y Junyent, Viceroy of Peru from 1761 to 1776. Their son, Manuel de Amat y Villegas, was one of the signers of Peru’s declaration of independence from Spain on 28 July 1821.
Also recorded as Maria Micaela Villegas Hurtado · La Perricholi o Perrichola
Micaela Villegas (La Perricholi)

Anonymous Unknown author · Compendio histórico del Perú, Historia del Siglo XVIII, Tomo IV, Editorial Milla Batres S.A. Lima, 1993. · Public domain
- Full name
- María Micaela Villegas y Hurtado de Mendoza.
- Born
- 1748. · Lima.
- Died
- 1819. · Lima.
- Nationality
- Peru.
- Occupation
- singer, actress and entrepreneur.
- Languages
- Spanish.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Perricholi Maria Micaela Villegas Hurtado (28 September 1748 – 16 May 1819), known as La Perricholi, was a Peruvian entertainer and mistress of Manuel de Amat y Junyent, Viceroy of Peru from 1761 to 1776. Their son, Manuel de Amat y Villegas, was one of the signers of Peru’s declaration of independence from Spain on 28 July 1821.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Micaela Villegas (La Perricholi). A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
In this article
Life
Life
La Perricholi was the sixth child born to Don José Villegas and Doña Teresa Hurtado de Mendoza. Born in either Tomayquichua (in the province of Huanuco) or the capital city of Lima, she was baptized at the Lima Cathedral on December 1, 1748. She debuted on the stage of Coliseo de Comedias in 1763 and became a popular star within romance and comedy. She retired in 1788, and married in 1795. Ricardo Palma in his book Tradiciones Peruanas writes about her life and describes her as charming woman. He also provides historical information about her relationship with Amat. According to the author, she inspired Amat to build some of the beautiful buildings in the colonial city of Lima, such as the Alameda de los Descalzos, La Quinta de Presa, el Templo de las Nazarenas or El Paseo de Aguas. Her story provided the basis for Prosper Mérimée’s comic one-act Le Carrosse du Saint-Sacrement, which in turn provided the basis for both Jacques Offenbach’s opéra bouffe, La Périchole and Jean Renoir’s 1953 film Le Carrosse d'or (The Golden Coach). A miniseries was made in 1994 based on her story. Written by Eduardo Adrianzen, its great success launched the career of Mónica Sánchez, who played La Perricholi. She and the Viceroy are prominent characters in Thornton Wilder's The Bridge of San Luis Rey.
Identity and origins
Identity and origins
She also worked under the name La Perricholi. Her recorded language was Spanish.
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Brown, Kendall W. Women in World History, Vol. 16: Vict-X. Yorkin Publications. 31–35. 2002. 0-7876-4075-1.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 August 2026.
Elsewhere in Film memorabilia
37,928 published records in this field, each with its sources named.
- Mia SaraPerson
- Mia TylerPerson
- Mian MianPerson
- Micaela NevárezPerson
- Micah AlbertiPerson
- Micha ShagrirPerson
- Micha WaldPerson
- Michael "Ffish" HemschootPerson
Best supported in this field
For owners
Own a work by Micaela Villegas (La Perricholi)?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.