Martin Guillaume Biennais
Martin-Guillaume Biennais (maʁtɛ̃ ɡijom bjɛnɛ; La Cochère, April 29, 1764 – Paris, March 27, 1843) was a French goldsmith and silversmith.
Also recorded as Martin-Guillaume Biennais
Martin Guillaume Biennais

Pierre-Yves Beaudouin · Pierre-Yves Beaudouin / Wikimedia Commons · CC BY-SA 4.0
- Name
- Martin-Guillaume Biennais
- Born
- 29 April 1764
- Birthplace
- La Cochère
- Died
- 27 March 1843
- Place of death
- Paris
- Occupation
- Goldsmith and Silversmith
- Nationality
- France
- Known for
- Sword of Austerlitz · Napoleon's washstand · Crown of Napoleon
- Honours
- Knight of the Legion of Honour
- Languages
- French
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Documentary summary
Martin-Guillaume Biennais (maʁtɛ̃ ɡijom bjɛnɛ; La Cochère, April 29, 1764 – Paris, March 27, 1843) was a French goldsmith and silversmith.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q1694164
In this article
Biography
Biography
Jean-Charles Cahier is recorded as having studied under Martin Guillaume Biennais. The recorded working language is French. Places of work recorded in the authority are Paris. Works named in the authority record are Sword of Austerlitz, Napoleon's washstand and Crown of Napoleon. Work by Martin Guillaume Biennais is recorded in the collections of Art Institute of Chicago, The Nelson-Atkins Museum of Art, Metropolitan Museum of Art, Musée de l'Armée and National Museum Paleis het Loo. Distinctions recorded are Knight of the Legion of Honour.

portrait de Martin-Guillaume Biennais
François Antoine Léon Fleury

Portrait of the French goldsmith Martin-Guillaume Biennais (1764-1843)
François Antoine Léon Fleury · Panorama de l'art
Key facts
Key facts
• Name — Martin-Guillaume Biennais • Born — 29 April 1764 • Birthplace — La Cochère • Died — 27 March 1843 • Place of death — Paris • Citizenship — French • Occupation — Goldsmith and Silversmith
Biography
Biography
• Illustration — Crown of the King of Bavaria • Illustration — Samovar, pair of coffee and milk jugs with tray (1815) Martin-Guillaume Biennais was born in La Cochère on April 29, 1764. After his father's death, Biennais moved to Paris in 1788, where he initially engaged in commerce; he married but was widowed after a year. The first part of his career he dedicated mainly to goldsmithing, but after the end of the revolutionary period, he approached more to silverware, since gold and silver objects during the Napoleonic Empire could be worked and produced. In addition to all kinds of silverware, jewelry, porcelain, religious objects, various white weapons embellished with military decorations, he produced mahogany furniture, such as chests of drawers, consoles, coffee tables, toilets and beds. He was one of the best silversmiths in the translation of the classical style spread for Napoleon Bonaparte by his "ornatisti". While Robert Joseph Auguste gave the best of his art in the period of Louis XVI, Biennais and Jean-Baptiste-Claude Odiot proved to be the most capable interpreters of the Napoleonic model. Of the two, however, Biennais was the most appreciated among his contemporaries, and also the most prolific. Biennais was responsible for the execution of the insignia of Napoleon's coronation ceremony on December 2, 1804: the sword, the laurel wreath, the great necklace of the legion of honor, the Grand-Septre, the ball of the world and the hand of justice. The work that made him famous in his time was the silver cradle made for the king of Rome, although Biennais was probably only the executor, because the design was provided by Pierre-François-Léonard Fontaine or by the other great "ornatist" of the Empire, Charles Percier. All the other works he produced were instead designed by Biennais himself, and sometimes executed by his collaborators, as evidenced by the marks present next to his. He made most of the silver service for the King of Bavaria crowned in 1806, now housed in the Residenzmuseum in Munich, and his clients included the Grand Duchess of Tuscany, the King of the Netherlands, Jerome of Westphalia, Prince Camillo Borghese. At the end of his career, in the early years of the Restoration, Biennais worked mainly for a foreign clientele. In 1819, Biennais suddenly decided to leave the company, passing the hand to one of his main collaborators. He spent his last years in La Verrière, his country residence. Biennais died at his home in Paris on March 27, 1843, at the age of seventy-eight, surrounded by his children.
Sister projects
Sister projects
* • Illustration — Collabora a Wikimedia Commons Wikimedia Commons contiene immagini o altri file su Martin Guillaume Biennais
Identity
Identity
Martin Guillaume Biennais is recorded as having received Knight of the Legion of Honour.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1764
Martin Guillaume Biennais born at La Cochère.
1843
Martin Guillaume Biennais died at Le Mesnil-Saint-Denis.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
La Cochère.
Birth place
Le Mesnil-Saint-Denis.
Death place
Primary material
Documents and archives
scholarly publication
- Martin Guillaume Biennais, The Metropolitan Museum of Art Bulletin, 1927
Scholarly · Crossref registry · 1927
reference work
- Wikidata, structured authority record Q1694164: Martin Guillaume Biennais
Reputable secondary · Wikimedia Foundation
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Vaduz-Vienna, LIECHTENSTEIN The Princely Collections. Martin-Guillaume Biennais. LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna.
- 2.Dion-Tenenbaum, Anne. Martin Guillaume Biennais : une carrière exceptionnelle. Annales Historiques de la Révolution Française. 340. 47–55. 2005. 10.4000/ahrf.2058.
- 3.Martin-Guillaume Biennais.
- 4.Martin-Guillaume Biennais.
- 5.De Agostini. le muse. II. 261. 1964.
- 6.Martin-Guillaume Biennais.
Bibliography printed in the source article · 13
- Germain Bapst. Lorfèvrerie française au XVIIIe siècle. Quelques œuvres de Th. Germain. Revue des Arts décoratifs. 4. 200. 1886.
- Michèle Bimbenet-Privat. Les pots à oille Walpole entre Louis XIV et rocaille. Grande Galerie. 28. 50–52. 2014.
- Charissa Bremer-David. French Tapestries and Textiles in the J. Paul Getty Museum. The J. Paul Getty Museum. 1997.
- R. Came. Silver. 1962.
- Carles Codina. Orfebrería. Parramón. 2010.
- Sergio Coradeschi. Plata. Anaya. 1994.
- Jacques de Drouas. Un orfèvre au XVIIIe siècle : Nicolas Besnier, échevin de Paris. Bulletin de la Société de l'Histoire de Paris et de l'Ile-de-France. 97–149. 1983.
- F. Dennis. Three Centuries of French Domestic Silver. 1960.
- Anne Dion-Tenenbaum. L'Orfèvre de Napoléon. Réunion des musées nationaux. 2003.
- Anne Dion-Tenenbaum. Orfèvrerie française au xixe siècle - La collection du musée du Louvre. Somogy et Musée du Louvre. 2011.
- Carl Hernmarck. Die Kunst der europäischen Gold- und Silberschmiede von 1450 bis 1830. Beck. 1978.
- Claudia Horbas. Silber von der Renaissance bis zur Moderne. (Fakten, Preise, Trends). Deutscher Kunstverlag. 2000.
- Félix Lazare. Dictionnaire administratif et historique des rues et monuments de Paris. Bureau de la Revue municipale. 1855.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Institutional witnessreference work
Wikidata, structured authority record Q1694164: Martin Guillaume BiennaisWikimedia Foundation
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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