Maria Bilders-van Bosse

The authorities additionally record the headings Maria Philippina Bilders van Bosse, Maria Philippina Bilders, Maria Philippina van Bosse, Maria Philippina Bosse and Maria Philippina Bilders-van Bosse.

She was the child of Pieter Philip van Bosse. She married Johannes Warnardus Bilders. Other recorded relations include Christine Bakker-van Bosse.

12 works under this name are catalogued by Wikidata Query Service and The Art Institute of Chicago. Their recorded dates run from 1629 to 1891.

Avenue of Oaks in Late Summer, dated 1890, held by Rijksmuseum, inventory SK-A-1922. In the Forest, dated 1891, held by Dordrechts Museum, inventory DM/927/220. Forest View, dated 1885, held by Museum Boijmans Van Beuningen, inventory 1053 (MK). Forest in Autumn, dated 1876, held by Stichting Historische Verzamelingen van het Huis Oranje-Nassau. Winter in Heelsum, dated 1884, held by The Mesdag Collection, inventory hwm0026. Figure in a wood, dated 1876, held by private collection Hendrik Willem Mesdag. The Engraver and the Etcher, dated 1643, etching on ivory laid paper, held by The Art Institute of Chicago, inventory 1950.1452. The Etcher's Press - The Printmaker's Shop, dated 1642, etching on ivory wove paper, held by The Art Institute of Chicago, inventory 1952.57. The Noble Painter, dated 1642, engraving, with etching, on ivory laid paper, held by The Art Institute of Chicago, inventory 2009.196. Man with a Cane, seen from behind, from The Garden of French Nobility, dated 1629, etching and engraving on ivory laid paper, held by The Art Institute of Chicago, inventory 1920.2024. Plate One, from The Wise and Foolish Virgins, plate One, dated 1635, engraving and etching on ivory laid paper, held by The Art Institute of Chicago, inventory 1938.25. The Wise and Foolish Virgins, plate five, dated 1635, engraving and etching on ivory laid paper, held by The Art Institute of Chicago, inventory 1937.138.

Work associated with this heading is recorded in 7 named public collections.

private collection Hendrik Willem Mesdag: 2 recorded objects, read from the institution's own published catalogue. Rijksmuseum: 1 recorded object, read from the institution's own published catalogue. Dordrechts Museum: 1 recorded object, read from the institution's own published catalogue. Museum Boijmans Van Beuningen: 1 recorded object, read from the institution's own published catalogue. Stichting Historische Verzamelingen van het Huis Oranje-Nassau: 1 recorded object, read from the institution's own published catalogue. The Mesdag Collection: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 6 recorded objects, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

Bilders van Bosse, Maria Philippina, Benezit Dictionary of Artists, 2011.

Bibliographic registers publish measured figures for this heading: 13 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.

The field of work recorded is painting. Subjects and genres recorded for the work are landscape.

Places of work recorded in the authority are The Hague and Oosterbeek.

Works named in the authority record are Avenue of Oaks in Late Summer.

Work by Maria Bilders-van Bosse is recorded in the collections of Teylers Museum, Dordrechts Museum, Rijksmuseum, Museum Boijmans Van Beuningen and Kunstmuseum Den Haag.