Margaret Peterson
Margaret Peterson (1902 - May 15, 1997) was an American painter of abstract art and known for creating a style that was highly influenced by the art of the Indigenous peoples of North America.
Also recorded as Margaret O'Hagan Peterson · Margaret Peterson O'Hagan
Margaret Peterson
- Name
- Margaret Peterson
- Born
- 1902
- Birthplace
- Seattle
- Died
- 15 May 1997
- Training
- University of California, Berkeley
- Movement
- Abstract art
- Nationality
- United States and Canada.
- Occupation
- painter, illustrator and university teacher.
- Education
- University of California, Berkeley and California College of the Arts.
- Teachers
- Hans Hofmann, Vaclav Vytlacil, Worth Ryder and André Lhote.
- Known for
- Margaret Peterson: Paintings.
- Languages
- English.
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Documentary summary
Margaret Peterson (1902 - May 15, 1997) was an American painter of abstract art and known for creating a style that was highly influenced by the art of the Indigenous peoples of North America.
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Margaret Peterson (1902–1997) was a Canadian and American illustrator, painter and university teacher. Born in Seattle, the illustrator died in Sidney.
Margaret Peterson studied at California College of the Arts and University of California, Berkeley. The illustrator worked for University of California, Berkeley and was a member of American Abstract Artists. Margaret Peterson lived in Duncan, New York City and Victoria.
Works include Margaret Peterson: Paintings. Languages used include English. Works by the illustrator are held at Art Gallery of Greater Victoria, Fine Arts Museums of San Francisco and Legion of Honor, among others.
Composed from admitted, traceable facts · 27 September 2026
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Authority files
wikidata · Q23716890
In this article
Biography
Biography
Margaret Peterson studied at University of California, Berkeley and California College of the Arts. Training under Hans Hofmann, Vaclav Vytlacil and Worth Ryder is recorded. The recorded working language is English. Northwest Coast art is recorded as an influence. Residence is recorded at Victoria and Duncan. Employment is recorded with University of California, Berkeley. Works named in the authority record are Margaret Peterson: Paintings. Work by Margaret Peterson is recorded in the collections of National Gallery of Canada, San Francisco Museum of Modern Art, Fine Arts Museums of San Francisco, Weisman Art Museum and Oakland Museum of California.
Key facts
Key facts
• Name — Margaret Peterson • Born — 1902 • Birthplace — Seattle • Died — 15 May 1997 • Training — University of California, Berkeley • Movement — Abstract art
Biography
Biography
Peterson was born in Seattle, Washington. In the 1920s she studied at the University of California, Berkeley, graduating in 1926 with a Bachelor in Arts and soon joined its faculty of Fine Arts in 1928. The years between 1928 and 1950 were productive years for Peterson; this included a funded trip to Europe (1931), several exhibitions, marriage to her husband, the Canadian writer Howard O'Hagan (1937), and a year spent at Green Point, Cowichan Bay, British Columbia to study Indigenous Art in Victoria's former anthropological museum (1947–1948). In 1950, at the height of McCarthyism, she rejected an oath of loyalty imposed by the University of California, Berkeley's board of regents and left her faculty position for New York, where she would have a solo exhibition at the former Algonquin Hotel. Throughout the 1950s, she would continue to exhibit and travel. In 1951, she went to both Mexico and Guatemala and saw the arts of the Toltecs, Zapotecs, Aztecs, and Mayan cultures and also returned to Cowichan Bay. In 1952 she returned to San Francisco and founded a painting school. By 1956 she had moved to Victoria, BC. During the 1960s she would go on to learn mosaic techniques in Europe (1963), pursue a new interest in Romanesque and Medieval painting (1964), and have a mosaic of hers, Source of Sources (1964), installed in the McPherson Library at the University of Victoria. In the 1970s, she returned to Victoria (1974), created a mosaic for the Richard Blanshard Building (1976–1977), and had a retrospective exhibition at the Art Gallery of Greater Victoria (1978). Her husband died in 1982 and Peterson died on May 15, 1997.
Solo
Solo
• California Palace of the Legion of Honor, San Francisco, California, 1933, 1960 • Biblioteca Nacional, Mexico City, 1934 • Henry Museum, Seattle, Washington, 1934 • The San Francisco Art Museum, Civic Center, 1950, 1958, 1973 • Du Casse Studio, San Francisco, 1958 • University of California, San José, 1958 • Monterey Peninsula Chapter of American Federation of Arts, California, 1965 • Art Gallery of Greater Victoria, British Columbia, 1950, 1959, 1962, 1978
Group
Group
• Fourth Biennal Exhibition of Canadian Art • Fifth Biennal Exhibition of Canadian Art • National Gallery, Ottawa, 1961, 1962 • São Paulo Biennale, Brazil, 1963
Identity
Identity
Margaret Peterson is recorded with the occupation university teacher. Recorded as painter, illustrator and university teacher.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1902
Margaret Peterson was born on 3 June 1902.
1997
Margaret Peterson died on 16 May 1997.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Victoria, Duncan and New York City.
Residences
Seattle.
Birth place
Sidney.
Death place
Artistic practice
Abstract art is to representative art what poetry is to prose. --Margaret Peterson Throughout her career, Peterson drew from many influences, especially from abstract and Indigenous artworks. In her early career, she was mainly influenced by cubist and other modernist artists. She has said that after seeing work by Georges Braque and Pablo Picasso, that “They changed my direction in art, and life”. She was also influenced by the Mexican artists Carlos Mérida and Rufino Tamayo, whom she had both met in Mexico City in 1934. From these influences came her interest in form “as a symbol and a plastic constituent” and after 1949, as Colin Graham has said, her “main formal development after that date lay in her use of space, which became increasingly shallow." She was also known to mainly work in egg tempera instead of oil paints, especially after 1934, which was connected to her interest in Medieval European painting and mixed her colors through overlapping layers on her canvas instead of her palette. Besides formal elements, she was also greatly interested in spirituality and human spiritual beliefs and practices. To Peterson, formal elements were not only lines and colors on a canvas, but, as she has said, “Every line and every brush stroke is a vital related element to the total composition into which human thought has been transferred." On the topic of abstract art, she has said, “It is the act of man’s continual communion with the universe transformed as by magic into substance." From this interest, she was also greatly influenced by the art and practices of many Indigenous groups, who she saw as giving form to universal forces. It is in this way that she believed “art has been a summoning of those inexorable universal forces which man seeks but over which he has no control."
Collections
• Confederation Memorial Building, Charlottetown, Prince Edward Island, Canada • National Gallery of Canada, Ottawa • Oakland Art Museum, California • Palace of Legion of Honor, San Francisco, California • University of Victoria, British Columbia • Her personal papers are held at the University of Victoria Archives and were donated by the Greater Victoria Art Gallery in 2010
Awards
• Tansing Travelling Fellowship, University of California, 1931-1932 • First prize, San Francisco Women Artists, 1936, 1952 • Purchase Award San Francisco Art Association, 1942 • First Prize, San Francisco Art Association, 1947 • Blue Ribbon, Pacific Artists Festival, 1952 • Canada Council Senior Grant, 1963
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.The University Loyalty Oath: A 50th Anniversary Perspective Symposium - Margaret Peterson Art Exhibit. www.lib.berkeley.edu.
- 2.Biography - Margaret Peterson. uvac.uvic.ca.
- 3.Graham, Colin. Introduction. Art Gallery of Greater Victoria. 5. 1978.
- 4.Margaret Peterson: Berkeley Modernist. womenoutwest.blogspot.ca. 23 February 2015.
- 5.Peterson, Margaret. Margaret Peterson--On Influences. Art Gallery of Greater Victoria. 9. 1978.
- 6.Canadian Women Artists History Initiative : Artist Database : Artists : PETERSON, Margaret. cwahi.concordia.ca.
- 7.Margaret Peterson fonds - MemoryBC. www.memorybc.ca.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Her recorded language was English. She married Howard O'Hagan. Formation and teaching. Peterson studied at University of California, Berkeley and California College of the Arts. She trained under Hans Hofmann, Vaclav Vytlacil, Worth Ryder and André Lhote. Her recorded influences include Northwest Coast art. She was employed by University of California, Berkeley. She belonged to American Abstract Artists. She worked at Victoria, Duncan and New York City.
Identity and origins
Career and activity
Recognition and collections
Work by Margaret Peterson is
National Gallery of Canada, San Francisco Museum of Modern Art, Fine Arts Museums of San Francisco and Weisman Art Museum
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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