Louis-Emile Durandelle

The authorities additionally record the headings Edouard Durandelle and Louis-Émile Durandelle. His recorded language was French.

He married Clemence Jacob Delmaet.

Work by Louis-Emile Durandelle is held by National Gallery of Victoria, Minneapolis Institute of Art, Art Institute of Chicago and The Nelson-Atkins Museum of Art.

What the record establishes about Louis-Emile Durandelle.

Interior Details and Candelabra, Théâtre du Vaudeville, Paris is dated 1869, printed 1875/76 and held by The Art Institute of Chicago (inventory 2012.538). Masks from the Control Room (Masques du vestibule de contrôle) is dated c. 1870 and held by The Art Institute of Chicago (inventory 2012.540). Le Nouvel Opéra de Paris (Sculpture Ornementale) is dated 1865–72 and held by The Metropolitan Museum of Art (inventory 1995.9). Ornamental Sculpture from the Paris Opera House (Column Fragment) is dated 1865 and held by Q214867 (inventory 1995.35.9). Workers on Girders of Auditorium, New Paris Opera is dated 1867 and held by Q214867 (inventory 2013.189.1). Stage Frieze and Cornice is dated c. 1870 and held by The Art Institute of Chicago (inventory 2012.539).

Photographs in the National Gallery of Art records 5 objects associated with this heading. The Metropolitan Museum of Art records 200 objects associated with this heading. The Art Institute of Chicago records 3 objects associated with this heading. The Cleveland Museum of Art records 1 object associated with this heading. Rostral Column is dated 1868 and held by Q214867 (inventory 2006.133.69). Louis-Emile Durandelle is recorded with the citizenship of France.

Louis-Emile Durandelle is recorded as photographer.

What Louis-Emile Durandelle produced.

The Metropolitan Museum of Art catalogues 2 works under this heading. The Art Institute of Chicago catalogues 3 works under this heading. The Cleveland Museum of Art catalogues 1 work under this heading. Wikidata Query Service catalogues 7 works under this heading.

The identifiers under which Louis-Emile Durandelle may be traced in institutional catalogues.

Louis-Emile Durandelle is established in the international name authorities as Wikidata Q15556390.

12 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art, The Art Institute of Chicago and The Cleveland Museum of Art. Their recorded dates run from 1865 to 1870.

Workers on Girders of Auditorium, New Paris Opera, dated 1867, held by Q214867, inventory 2013.189.1. Ornamental Sculpture from the Paris Opera House (Arch Detail), dated 1865, held by Q214867, inventory 1995.35.8. Ornamental Sculpture from the Paris Opera House (Column Fragment), dated 1865, held by Q214867, inventory 1995.35.9. Ornamental Sculpture from the Paris Opera House (Column Detail), dated 1865, held by Q214867, inventory 1995.35.7. Rostral Column, dated 1868, held by Q214867, inventory 2006.133.69. La Musique amoureuse. Le Nouvel Opéra de Paris (Sculpture Ornementale), dated 1865–72, albumen silver print from glass negative, held by The Metropolitan Museum of Art, inventory 1995.9. [Charles Garnier in the Drafting Room While Designing the New Paris Opera], dated ca. 1870, albumen silver print from glass negative, held by The Metropolitan Museum of Art, inventory 49.50.353. Stage Frieze and Cornice, dated c. 1870, albumen print, from "le nouvel opéra de paris, sculpture ornementale" (1875), held by The Art Institute of Chicago, inventory 2012.539. Interior Details and Candelabra, Théâtre du Vaudeville, Paris, dated 1869, printed 1875/76, albumen print, held by The Art Institute of Chicago, inventory 2012.538. Masks from the Control Room (Masques du vestibule de contrôle), dated c. 1870, albumen print, from "le nouvel opéra de paris, sculpture ornementale" (1875), held by The Art Institute of Chicago, inventory 2012.540. Ornamental Scupture, dated c. 1865–72, albumen print from wet collodion negative, held by The Cleveland Museum of Art, inventory 1990.116.

Work associated with this heading is recorded in 5 named public collections.

Q214867: 5 recorded objects, read from the institution's own published catalogue. Photographs in the National Gallery of Art: 5 recorded objects, read from the institution's own published catalogue. The Metropolitan Museum of Art: 200 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 3 recorded objects, read from the institution's own published catalogue. The Cleveland Museum of Art: 1 recorded object, read from the institution's own published catalogue.

Bibliographic registers publish measured figures for this heading: 3 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.

the recorded working language is French.

Membership is recorded of Delmaet & Durandelle.

Work by Louis-Emile Durandelle is recorded in the collections of National Gallery of Victoria, Minneapolis Institute of Art, Art Institute of Chicago, The Nelson-Atkins Museum of Art and Museum of Modern Art.