Lloyd McNeill

3 works under this name are catalogued by The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1872 to 1899.

Nocturne: Blue and Gold—Southampton Water, dated 1872, oil on canvas, held by The Art Institute of Chicago, inventory 1900.52. Henry Wellcome Letter Book 3 ['Letter Book 3'], dated Mar 1890 - Nov 1896, held by Wellcome Collection. Henry Wellcome Letter Book 5, dated Jan 1899 - Aug 1901, held by Wellcome Collection.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue. Wellcome Collection: 2 recorded objects, read from the institution's own published catalogue.

3 scholarly publications naming this subject were located in the registry of record.

Louise McNeill, Writing Appalachia, 2020. Fiona McNeill, Authors group, 2019. Greg McNeill, Authors group, 2019.

Bibliographic registers publish measured figures for this heading: 6 language editions of the general reference literature carrying an article (Wikimedia (language editions)) and 5 catalogued release groups (MusicBrainz). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 17 further registers were consulted and returned nothing for this heading.

Lloyd McNeill studied at Howard University, Morehouse College and École des Beaux-Arts. the recorded working language is English.

Subjects and genres recorded for the work are jazz.

Places of work recorded in the authority are Washington, D.C. and New York City. Employment is recorded with Rutgers University.

Work by Lloyd McNeill is recorded in the collections of Smithsonian American Art Museum and Studio Museum in Harlem.