Leonardo Alenza

What the record establishes about Leonardo Alenza.

Leonardo Alenza is recorded with the occupation painter. Fantasy on the Girls of Velázquez is catalogued and held by National Museum of Fine Arts, Argentina (inventory 2285). Maja and Celestina on the Balcony is dated 1840 and held by Museum of Fine Arts, Budapest (inventory 94.2). A veteran telling his adventures is dated 1840 and held by Museo del Prado (inventory P004209). The Last Parting is catalogued and held by Hungarian National Gallery (inventory 214.B). National Museum of Fine Arts, Argentina records 1 object associated with this heading.

The Triumph of Bacchus is dated 1844 and held by Museo del Prado (inventory P007946). The Tooth Puller is dated 1844 and held by Museo del Prado (inventory P007945). Museum of Fine Arts, Budapest records 2 objects associated with this heading. Satire of Romantic Suicide is dated 1850 and held by Museum of Romanticism. The Viaticum is dated 1840 and held by Museo del Prado (inventory P004210). The Drunkard is dated 1835 and held by Museo del Prado (inventory P004211).

Hungarian National Gallery records 1 object associated with this heading. The Coven is catalogued and held by Cerralbo Museum (inventory 01497). Museo del Prado records 5 objects associated with this heading. Leonardo Alenza is recorded with the citizenship of Spain.

The identifiers under which Leonardo Alenza may be traced in institutional catalogues.

Leonardo Alenza is established in the international name authorities as Wikidata Q2696989.

Work associated with this heading is recorded in 6 named public collections.

Museo del Prado: 5 recorded objects, read from the institution's own published catalogue. Museum of Fine Arts, Budapest: 2 recorded objects, read from the institution's own published catalogue. National Museum of Fine Arts, Argentina: 1 recorded object, read from the institution's own published catalogue. Hungarian National Gallery: 1 recorded object, read from the institution's own published catalogue. Museum of Romanticism: 1 recorded object, read from the institution's own published catalogue. Cerralbo Museum: 1 recorded object, read from the institution's own published catalogue.

9 scholarly publications naming this subject were located in the registry of record.

Alenza y Nieto, Leonardo, Oxford Art Online, 2003. Alenza y Nieto, Leonardo, Benezit Dictionary of Artists, 2011. La emigración. Hans Baluscheck, hacia 1900 Retrato de un niño al estilo del siglo XVII. Leonardo Alenza y Nieto, hacia 1840, 2016. La sátira contra los excesos del Romanticismo : Histrionismo, suicidio y fatalidad en Bretón de los Herreros, Mesonero Romanos y Leonardo Alenza, 2008. Vida y obra de Leonardo Alenza y Nieto (1807-1845), 1998. Los clientes de Leonardo Alenza, 1992. Celestinas y majas en la obra de Goya, Alenza y Lucas Velázquez, 2021. La exposición de dibujos de Leonardo de Alenza en el Museo Romántico, 1978. Celestinas y majas en la obra de Goya, Alenza y Lucas Velázquez, Celestinesca, 2015.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.

Leonardo Alenza studied at Royal Academy of Fine Arts of San Fernando. the recorded working language is Spanish.

Subjects and genres recorded for the work are portrait. The authority associates the name with Romanticism.

Places of work recorded in the authority are Madrid.

Work by Leonardo Alenza is recorded in the collections of Minneapolis Institute of Art, Museo del Prado, Nationalmuseum, Museum of Fine Arts, Budapest and Hungarian National Gallery.