Larry Fuller

5 works under this name are catalogued by The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1931 to 1974.

A Minimum Dymaxion Home, Elevation, dated 1931, graphite on tracing paper, held by The Art Institute of Chicago, inventory 1990.172. Dymaxion Car, Section, dated 1933, ink on tracing paper, held by The Art Institute of Chicago, inventory 1990.167.1. Dymaxion Car for Henry Kaiser, Longitudinal Section, dated c. 1943, black ink on tracing paper, held by The Art Institute of Chicago, inventory 1991.150. Working : people talk about what they do all day and how they feel about what they do / Studs Terkel., dated [1974], held by Wellcome Collection. Medawar, Sir Peter Brian (1915-1987), dated 1937-1991, held by Wellcome Collection.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 3 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 2 recorded objects, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

Response to Larry Reynolds, "Subjective Vision, Romantic History, and the Return of the 'Real': The Case of Margaret Fuller and the Roman Republic", South Central Review, 2004.

6 digitised items associated with this heading are catalogued by Internet Archive.

Ebon (1970) — Internet Archive. Larry Fuller – Overjoyed (2019) (2019) — Internet Archive. Laugh In The Dark (1971) — Internet Archive. Funny Book and the New Funny Book (complete) — Internet Archive. Gay Hearthrobs (complete) — Internet Archive. White Whore Funnies (1975) — Internet Archive.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.