Laetitia Masson

6 works under this name are catalogued by The Art Institute of Chicago. Their recorded dates run from 1663 to 1927.

Pierre Dupuis, Painter to the King, dated 1663, engraving on paper, held by The Art Institute of Chicago, inventory 1887.422. Gaspar Charrier, King's Secretary, dated n.d., engraving on ivory laid paper, held by The Art Institute of Chicago, inventory 1888.64. Saint Jerome, dated 1693, engraving on ivory laid paper, held by The Art Institute of Chicago, inventory 1887.288. Guillaume de Brisacier, dated 1664, engraving on paper, held by The Art Institute of Chicago, inventory 1888.63. Gillaume de Brisacier, dated 1664, engraving on paper, held by The Art Institute of Chicago, inventory 1959.301. Exquisite Corpse, dated March 18, 1927, graphite and colored crayons on ivory wove paper, held by The Art Institute of Chicago, inventory 2018.335.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 8 recorded objects, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

Laetitia Masson, Negotiating the auteur, 2019.

Bibliographic registers publish measured figures for this heading: 14 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 17 further registers were consulted and returned nothing for this heading.