Juan Navarro Baldeweg

Juan Navarro Baldeweg studied at Technical University of Madrid, Massachusetts Institute of Technology and Superior Technical School of Architecture of Madrid. The recorded working language is Spanish. The field of work recorded is painting and urbanism. Places of work recorded in the authority are Madrid. Employment is recorded with Massachusetts Institute of Technology. Positions recorded include full professor. Work by Juan Navarro Baldeweg is recorded in the collections of Museo Nacional Centro de Arte Reina Sofía and Art Institute of Chicago. Distinctions recorded are Gold Medal of Merit in the Fine Arts and Heinrich Tessenow Medal.

• Illustration — Teatros del Canal, Madrid • Illustration — Museum of Human Evolution, Burgos Between 1959 and 1960, he studied engraving at the School of Fine Arts of San Fernando. He graduated in 1965 from the School of Architecture of the Technical University of Madrid, where he also obtained his doctorate in 1969. Between 1969 and 1971, he received a scholarship from IBM that allowed him to develop his research line at the Computing Center of Madrid. There, he focused on the translation of technological processes into the social and urban planning sphere, continuing with the research line of his doctoral thesis. He has been a visiting professor in Philadelphia, Yale, Princeton, at the Graduate School of Design of Harvard University - like Kenzō Tange - and in Barcelona. He is a professor in the Department of Architectural Projects at the same school where he graduated, and where as a teacher he introduced metaphorical visions of architecture compared to the materialistic approach of Professor Javier Carvajal or the tectonics of Professor Vázquez de Castro. He has combined his career as an architect with the study and practice of painting, sculpture, and works that art critics like Ángel González, Juan José Lahuerta, or William Curtis have related to the connections of 20th-century artistic avant-gardes with lines of archaic tradition. In his early professional years, he worked in the studio of architect Alejandro de la Sota. He was granted a scholarship by the Juan March Foundation in 1974 to pursue postgraduate studies at the Center For Advanced Visual Studies at the Massachusetts Institute of Technology in Cambridge (Massachusetts), where he was a student of György Kepes. It was during this time that he worked following Kepes's proposal to understand the object as a concrete visualizer of the invisible qualities of the context. This theme would be discussed in his essays "Complementary Geometry" and "An Object is a Section." In his architectural work, he has been associated with his contemporaries Álvaro Siza Vieira, Alberto Campo Baeza and Rafael Moneo. With the first, he shared an interest in the formal and compositional integration of contemporary architecture into the scales and rhythms of the environments in which it was inscribed. With the second, he shared an interest in the importance of light and gravity in architecture. And with the third, he shared rationalist evocations of classical and Scandinavian historical contexts. Initially, however, Navarro's work sought a translation of figurations and formal systems from art, especially from the first half of the 20th century. Subsequently, he has evolved towards formal speculations, like those of other architects of his generation. Throughout his career Baldeweg won numerous architectural design competitions, including for the Castilla y León Convention Center in Salamanca (1985), Olympic Village Training Pavilion in Barcelona (1988), Congress and Convention Center of Cádiz (1988), Ministry Buildings for the Regional Government of Extremadura in Mérida (1989), Congress Center of Salzburg (1992), Museum for the Salvador Allende Collection in Santiago de Chile (1993), Bibliotheca Hertziana, Max-Planck-Gesellschaft in Rome (1995), Cultural Center in Benidorm (1997), Canal Theatres in Madrid and Museum of Human Evolution in Burgos (2000). In 1990, he received Spain's National Award for Plastic Arts. He has also intermittently undertaken historical critical work, providing interpretations of the work of Alejandro de la Sota, Heinrich Tessenow, Louis Isadore Kahn, or Konstantín Mélnikov. In 1998, he received the Tessenow Gold Medal awarded by the Alfred Toepfer Stiftung FVS for the entirety of his work. The medal allowed him to grant the Tessenow Stipend to architect Andrés Jaque, co-author with him in 2004 of the book on the Russian architect Konstantín Mélnikov. He is a Numerary Academician of the Royal Academy of Fine Arts of San Fernando, where he succeeded the also architect and painter Joaquín Vaquero Turcios. His inaugural speech, titled "The Horizon in Hand," contained a reflection on artistic and architectural creation as the encounter of two impulses: the gaze towards the limit where objects reconcile with the contexts they activate, described by Navarro Baldeweg with the metaphor of the horizon; and desire as a driving force, described by Navarro with the image of Picasso's blind minotaur reaching out to perceive the object of his desire. He is currently a member of the Royal Academy of Fine Arts of San Fernando and of the European Academy of Sciences and Arts.

• House of the Rain, Liérganes, Spain (1978-1982). • Mills of the Segura River, Murcia, Spain (1984-1988). • Social Services Center and Library at Puerta de Toledo, Madrid, Spain (1985-1992). • Congress and Exhibition Center of Castilla y León or Congress Palace of Salamanca. 1st prize, Salamanca, Spain (1985-1992). • Urban Remodeling Project, Turin, Italy (1986). • Congress and Exhibition Center. 1st prize, Cadiz, Spain (1988). • Training Pavilion in the Olympic Village. 1st prize, Barcelona, Spain (1988). • Entertainment Center, Blois, France (1991). • Congress Center. 1st prize, Salzburg, Austria (1992). • Trade Fairground, Silleda, Spain (1992). • Studio House for the painter Gordillo, Madrid, Spain (1992). • Headquarters for the Extremadura Regional Government Departments. 1st prize, Mérida, Spain (1992-1995). • Cultural Center, Villanueva de la Cañada, Spain (1992-1997). • Museum and Cultural Center Salvador Allende. 1st prize, Santiago de Chile, Chile (1993). • Courthouse Building, Mahón, Spain (1993-1995). • Ministry of Industry and Tourism, Toledo, Spain (1993-1996). • Proposal for the Museum Island, Berlin, Germany (1994). • Hertziana Library. 1st prize, Rome, Italy (1995). • Extension of the Woolworth Center for Music, Princeton, USA (1995-1997). • National Museum and Research Center of Altamira, Santillana del Mar, Cantabria, 1995–2000 • Departmental Building at Pompeu Fabra University. 1st prize, Barcelona, Spain (1996-2007). • Cultural Center. 1st prize, Benidorm, Spain (1997-2006). • Extension Project of the Reina Sofía National Museum and Art Center, Madrid, Spain (1999). • Center for Performing Arts of the Community of Madrid. 1st prize, Madrid, Spain (2000). • National Research Center, Museum of Human Evolution and Congress Palace, Burgos, Spain (2000-2009). • Martos Mill and Balcony of the Guadalquivir Restoration, Córdoba, Spain (2001-2005). • Palace of Music and Performing Arts. 1st prize, Vitoria, Spain (2002). • Institute of Knowledge, Amersfoort, Netherlands (2003). • City of Flamenco Project, Jerez de la Frontera, Spain (2004). • Installation for the Italian Pavilion at the 9th Biennial, Venice, Italy (2004). • Congress Palace and Hotel Project, Palma de Mallorca, Spain (2005). • Linear Park Project of the Manzanares, Madrid, Spain (2005). • Tribute to Barragán at the Furniture Fair, Milan, Italy (2005). • Remodeling of the Serpis Riverbank and Tirant lo Blanch Square, Gandía (2010). • New Central University Hospital of Asturias, Oviedo, Asturias (2013). • Expansion of the Courts of Mahón, Menorca, Spain (2013). • Novartis Administrative Headquarters, Basel, Switzerland (2014). • Headquarters of the Pasqual Maragall Foundation, Barcelona, Spain (2016). • Remodeling of the eastern cell of the Capitol and positioning of the Winged Victory, Brescia, Italy (2020). • Repositioning of the Pugilatore in the Brescia Museum, Italy (2023).

Juan Navarro Baldeweg worked in painting and urbanism. He was employed by Massachusetts Institute of Technology. Recorded position is full professor. He belonged to European Academy of Sciences and Arts and Royal Academy of Fine Arts of San Fernando. He worked at Madrid.