Joseph Heintz the Younger

Joseph Heintz the Younger was a German painter and teacher (1600–1678). He was born at Augsburg and died at Venice.

Also recorded as Joseph Heintz (II); Joseph Heintz; Joseph, II Enzo; Joseph, the younger Heinz; Joseph Ens; Joseph, the younger Heintz.

Joseph Heintz the Younger in brief

Born
1600
Died
1678
Known for
painter and teacher
Place of birth
Augsburg
Contents

Identity and origins

The authorities additionally record the headings Joseph Heintz (II), Joseph Heintz, Joseph, II Enzo, Joseph, the younger Heinz and Joseph Ens. His recorded language was German.

He was the child of Joseph Heintz the Elder.

Recognition and collections

Work by Joseph Heintz the Younger is held by Kunsthistorisches Museum, Bavarian State Painting Collections, Staatsgalerie Würzburg and Staatliche Kunstsammlungen Dresden.

Identity

What the record establishes about Joseph Heintz the Younger.

The interior of the Sala Maggior Consiglio, The Doge's Palace, Venice, with patricians voting on a bulletin for the election of new magistrates is dated 1649. Madonna and Child Surrounded by Female Saints is dated 1600–1678 and held by The Metropolitan Museum of Art (inventory 2004.160). Competition on the Ponte dei Pugni in Venice is dated 1639 and held by Bavarian State Painting Collections (inventory 3657). Armor for Field and Tournament is dated About 1560 and held by The Art Institute of Chicago (inventory 1982.2411a-r). Venetian Regatta at the Rialto Bridge is catalogued and held by Southampton City Art Gallery (inventory 97/1963). The Rape of Proserpina is dated 1595 and held by Staatliche Kunstsammlungen Dresden (inventory Gal.-Nr. 1971).

The Betrayal, from The Passion is dated c. 1480 and held by The Art Institute of Chicago (inventory 1956.827). Abraham's Sacrifice of Isaac is dated 1654–56 and held by The Art Institute of Chicago (inventory 1936.123). Jupiter and Ganymede is dated 1626 and held by The Metropolitan Museum of Art (inventory 2001.435). The Transport of the Holy House of Loreto is dated 1650 and held by Q214867 (inventory 2016.43.3). Entry of Patriarch Federico Corner in San Pietro Castello is dated 1631 and held by Museo Correr. Ecce Homo is dated 1590 and held by Staatliche Kunstsammlungen Dresden (inventory Gal.-Nr. 1973).

The Guardhouse is dated c. 1645 and held by The Art Institute of Chicago (inventory 1894.1029). The Music Lesson is dated c. 1670 and held by The Art Institute of Chicago (inventory 1891.1). Saint Christopher is dated n.d. and held by The Art Institute of Chicago (inventory 1956.842). The Adoration of the Shepherds is dated 1599 and held by Augustiner Museum (inventory 02485). Prints in the National Gallery of Art records 1 object associated with this heading. Bavarian State Painting Collections records 1 object associated with this heading.

Staatliche Kunstsammlungen Dresden records 2 objects associated with this heading. The Metropolitan Museum of Art records 110 objects associated with this heading. Allegory is dated 1674 and held by Kunsthistorisches Museum (inventory GG_9096).

Works and catalogued output

The Metropolitan Museum of Art catalogues 2 works under this heading. The Art Institute of Chicago catalogues 6 works under this heading. Wikidata Query Service catalogues 12 works under this heading.

Authority records

The identifiers under which Joseph Heintz the Younger may be traced in institutional catalogues.

Joseph Heintz the Younger is established in the international name authorities as Wikidata Q3810216.

In public collections

Work associated with this heading is recorded in 11 named public collections.

Museo Correr: 2 recorded objects, read from the institution's own published catalogue. Augustiner Museum: 2 recorded objects, read from the institution's own published catalogue. Kunsthistorisches Museum: 1 recorded object, read from the institution's own published catalogue. Bavarian State Painting Collections: 1 recorded object, read from the institution's own published catalogue. Q214867: 1 recorded object, read from the institution's own published catalogue. Prints in the National Gallery of Art: 1 recorded object, read from the institution's own published catalogue. Germanisches Nationalmuseum: 1 recorded object, read from the institution's own published catalogue. Southampton City Art Gallery: 1 recorded object, read from the institution's own published catalogue. Pinacoteca di Brera: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 110 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 8 recorded objects, read from the institution's own published catalogue.

Scholarly footprint

Bibliographic registers publish measured figures for this heading: 9 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

Evidence base

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.

In detail

the recorded working language is German.

Places of work recorded in the authority are Augsburg.

Work by Joseph Heintz the Younger is recorded in the collections of Kunsthistorisches Museum, Bavarian State Painting Collections, Staatsgalerie Würzburg, Staatliche Kunstsammlungen Dresden and Museo Correr.

Chronology

  1. 1480The Betrayal, from The Passion is dated c. 1480 and held by The Art Institute of Chicago (inventory 1956.827).
  2. 1560Armor for Field and Tournament is dated About 1560 and held by The Art Institute of Chicago (inventory 1982.2411a-r).
  3. 1590Ecce Homo is dated 1590 and held by Staatliche Kunstsammlungen Dresden (inventory Gal.-Nr. 1973).
  4. 1595The Rape of Proserpina is dated 1595 and held by Staatliche Kunstsammlungen Dresden (inventory Gal.-Nr. 1971).
  5. 1599The Adoration of the Shepherds is dated 1599 and held by Augustiner Museum (inventory 02485).
  6. 1599The Adoration of the Shepherds (Augustiner Museum).
  7. 1600Joseph Heintz the Younger born at Augsburg.
  8. 1600Madonna and Child Surrounded by Female Saints is dated 1600–1678 and held by The Metropolitan Museum of Art (inventory 2004.160).
  9. 1600Joseph Heintz the Younger was born in 1600 at Augsburg.
  10. 1626Jupiter and Ganymede is dated 1626 and held by The Metropolitan Museum of Art (inventory 2001.435).
  11. 1631Entry of Patriarch Federico Corner in San Pietro Castello is dated 1631 and held by Museo Correr.
  12. 1639Competition on the Ponte dei Pugni in Venice (Bavarian State Painting Collections).
  13. 1639Competition on the Ponte dei Pugni in Venice is dated 1639 and held by Bavarian State Painting Collections (inventory 3657).
  14. 1645The Guardhouse is dated c. 1645 and held by The Art Institute of Chicago (inventory 1894.1029).
  15. 1649The interior of the Sala Maggior Consiglio, The Doge's Palace, Venice, with patricians voting on a bulletin for the election of new magistrates.
  16. 1649The interior of the Sala Maggior Consiglio, The Doge's Palace, Venice, with patricians voting on a bulletin for the election of new magistrates is dated 1649.
  17. 1650The Transport of the Holy House of Loreto (Q214867).
  18. 1650The Transport of the Holy House of Loreto is dated 1650 and held by Q214867 (inventory 2016.43.3).
  19. 1650Perspective Map of Venice (Museo Correr).
  20. 1654Abraham's Sacrifice of Isaac is dated 1654–56 and held by The Art Institute of Chicago (inventory 1936.123).
  21. 1670The Music Lesson is dated c. 1670 and held by The Art Institute of Chicago (inventory 1891.1).
  22. 1674Allegory (Kunsthistorisches Museum).
  23. 1674Allegory is dated 1674 and held by Kunsthistorisches Museum (inventory GG_9096).
  24. 1678Joseph Heintz the Younger died at Venice.
  25. 1678Joseph Heintz the Younger died in 1678 at Venice.
  26. 1956Saint Christopher is dated n.d. and held by The Art Institute of Chicago (inventory 1956.842).
  27. 1963Venetian Regatta at the Rialto Bridge is catalogued and held by Southampton City Art Gallery (inventory 97/1963).

Sources

Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.

  1. 1.

    Bergler, Joseph, the Younger, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  2. 2.

    Fratrel, Joseph, the Younger, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  3. 3.

    Heinz, Joseph, the Younger, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  4. 4.

    Hermann, Joseph, the Younger, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  5. 5.

    Sterrer, Joseph, the Younger, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  6. 6.

    Internet Archive, 2 digitised items catalogued under Joseph Heintz the Younger as creator.

    digital repository · Unverified

    Consult the source
  7. 7.

    The Art Institute of Chicago, collection records associated with Joseph Heintz the Younger.

    museum collection · Unverified · The Art Institute of Chicago

    Consult the source
  8. 8.

    The Metropolitan Museum of Art, collection records associated with Joseph Heintz the Younger (110 objects).

    museum collection · Unverified · The Metropolitan Museum of Art

    Consult the source
  9. 9.

    Wikidata, structured authority record Q3810216: Joseph Heintz the Younger

    reference work · Reputable secondary · Wikimedia Foundation

    Consult the source
  10. 10.

    “Joseph Heintz the Younger”, English Wikipedia, consulted as further reading

    reference work · Reputable secondary · Wikipedia

    Consult the source

Elsewhere in Paintings

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