Jon Jost

Places of work recorded in the authority are Berlin. Work by Jon Jost is recorded in the collections of ZKM Center for Art and Media Karlsruhe. Distinctions recorded are Guggenheim Fellowship. The heading is also recorded as Jon Stephen Jost. Jon Jost is recorded in the structured authority under the identifier Q562434. It is also recorded that jon Jost is recorded with the citizenship of United States. It is also recorded that jon Jost is recorded as screenwriter, cinematographer, film editor, university teacher and film producer. Institutional cataloguing adds that jon Jost was born in 1943 at Chicago.

Contents

Identity and overview

The following is established of the heading itself.

Jon Jost is recorded in the structured authority under the identifier Q562434. It is also recorded that jon Jost is recorded with the citizenship of United States.

Works and production

The following works and productions are recorded by name or by count.

Emblem with Blank Heraldic Shield, folio 156 from the Anthologia Gnomonica is dated 1579, assembled into portfolio 1937 and held by The Art Institute of Chicago (inventory 1938.88.52). It is also recorded that the Passage of the Red Sea (recto) and The Burial of Jacob (verso) from Neuwe Biblische Figuren, plate 48 from Woodcuts from Books of the XVI Century is dated 1565, assembled into portfolio 1937 and held by The Art Institute of Chicago (inventory 1938.88.48). Institutional cataloguing adds that vidua Senensis in Hetruria (Widow of Siena in Tuscany) from H. Weigel's Trachtenbuch, plate 51 from Woodcuts from Books of the XVI Century is dated 1577, assembled into portfolio 1937 and held by The Art Institute of Chicago (inventory 1938.88.51). The Art Institute of Chicago catalogues 6 works under this heading.

Der Kramer (The Peddler) from De omnibus illiberalibus sive mechanicis artibus by Hartmann Schopper, plate 50 from Woodcuts from Books of the XVI Century is dated 1574, assembled into portfolio 1937 and held by The Art Institute of Chicago (inventory 1938.88.50). It is also recorded that the Tournament is dated 1565 and held by The Art Institute of Chicago (inventory 1920.1945). Matrona Belgica primaria (Belgian Matron of the First Rank) from Gynaeceum, sive Theatrum Mulierum, plate 53 from Woodcuts from Books of the XVI Century is dated 1586, assembled into portfolio 1937 and held by The Art Institute of Chicago (inventory 1938.88.53).

Collections and holdings

The following public collections record material under this heading.

Traps 1967 (1967) is digitised and catalogued by Internet Archive. Plain Talk & Common Sense (Uncommon Senses) Jon Jost in Person (1988) is digitised and catalogued by Internet Archive. It is also recorded that jon Jost's Traps (1967) (SD) (1967) is digitised and catalogued by Internet Archive. The record continues: the Art Institute of Chicago records 7 objects associated with this heading.

Jon Jost's Chameleon (1978) (SD) (1978) is digitised and catalogued by Internet Archive. It is also recorded that bampfa-audio_00214 (1981) is digitised and catalogued by Internet Archive. 🍓 Jon Jost's Bell Diamond (1986) (SD) (!!!!) (1986) is digitised and catalogued by Internet Archive. (silent) Jon Jost's Portrait (1963) (HD) (1963) is digitised and catalogued by Internet Archive.

A new 35mm Feature by Jon Jost (1979) is digitised and catalogued by Internet Archive. It is also recorded that jon Jost's Rembrandt Laughing (1988) (SD) (1988) is digitised and catalogued by Internet Archive. The same evidence establishes that jon Jost's Fall Creek (1970) (HD) (1970) is digitised and catalogued by Internet Archive.

Sources and evidence

This entry is compiled from 10 catalogued sources across 6 independent registers. The registers consulted are Crossref registry, Wikidata, Wikipedia, The Art Institute of Chicago, DOAJ and Internet Archive. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.

Sources

Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.

  1. 1.

    Canyon once again. Interview with Jon Jost, Fotocinema. Revista científica de cine y fotografía, 2014

    scholarly publication · Scholarly

    Consult the source
  2. 2.

    Jon Jost; Filmmaker, Film Quarterly, 1998

    scholarly publication · Scholarly

    Consult the source
  3. 3.

    Last Chants for a Slow Dance (Jon Jost 1977), The Long Take, 2017

    scholarly publication · Scholarly

    Consult the source
  4. 4.

    Review: All the Vermeers in New York by Jon Jost, Henry S. Rosenthal, Film Quarterly, 1992

    scholarly publication · Scholarly

    Consult the source
  5. 5.

    Review: Last Chants for a Slow Dance (Dead End) by Jon Jost, Film Quarterly, 1979

    scholarly publication · Scholarly

    Consult the source
  6. 6.

    “Jon Jost”, English Wikipedia, consulted as further reading

    reference work · Reputable secondary · Wikipedia

    Consult the source
  7. 7.

    Directory of Open Access Journals lists 1 article naming Jon Jost.

    open access index · Unverified

    Consult the source
  8. 8.

    Internet Archive, 12 digitised items catalogued under Jon Jost as creator.

    digital repository · Unverified

    Consult the source
  9. 9.

    The Art Institute of Chicago, collection records associated with Jon Jost.

    museum collection · Unverified · The Art Institute of Chicago

    Consult the source
  10. 10.

    Wikidata, structured authority record Q562434: Jon Jost

    reference work · Reputable secondary · Wikidata

    Consult the source

Elsewhere in Film memorabilia

27,634 published records in this field, each with its sources named.

Read the complete film memorabilia index

For owners

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