John Seymour Lucas
John Seymour Lucas — the recorded working language is English. Subjects and genres recorded for the work are history. Places of work recorded in the authority are London. Membership is recorded of Royal Academy of Arts. Work by John Seymour Lucas is recorded in the collections of Tate, Victoria and Albert Museum, Art Gallery of New South Wales, National Gallery and National Library of Wales. The heading is also recorded as Seymour Lucas. John Seymour Lucas is recorded in the structured authority under the identifier Q253512. It is also recorded that john Seymour Lucas died in 1923 at London. It is also recorded that john Seymour Lucas is recorded with the citizenship of United Kingdom of Great Britain and Ireland. It is also recorded that john Seymour Lucas is recorded as painter.
Contents
Identity and overview
The canonical record carries the following identifying particulars.
John Seymour Lucas is recorded in the structured authority under the identifier Q253512. It is also recorded that john Seymour Lucas is recorded with the citizenship of United Kingdom of Great Britain and Ireland.
Works and production
The following works and productions are recorded by name or by count.
Wikidata Query Service catalogues 40 works under this heading. It is also recorded that the Metropolitan Museum of Art catalogues 2 works under this heading. The record continues: the Art Institute of Chicago catalogues 3 works under this heading. Wellcome Collection catalogues 6 works under this heading.
The Gordon Riots, 1780 is dated 1879 and held by Art Gallery of New South Wales (inventory 920). Institutional cataloguing adds that the King's rival is dated 1901 and held by Art Gallery of New South Wales (inventory 731). The same evidence establishes that the Reception of the Moorish Ambassador by King Edward VII at St James's Palace is dated 1902 and held by Royal Collection (inventory RCIN 405999). It is also recorded that the Surrender of Don Pedro De Valdes to Sir Francis Drake (1540?-1596) on board The Revenge during the Attack of the Spanish Armada is dated 1888 and held by National Trust (inventory 810039).
King Charles II (1630-1685), as a boy (after Van Dyck) is dated 1866 and held by National Trust (inventory 499985). Institutional cataloguing adds that 'Down to the Dregs' is dated 1880 and held by Wolverhampton Art Gallery (inventory OP57). Institutional cataloguing adds that study for Louis XI (1 of 2) is dated 1889 and held by Royal Academy of Arts (inventory 03/461). Institutional cataloguing adds that study for Louis XI (2 of 2) is dated 1890 and held by Royal Academy of Arts (inventory 03/3833).
The Call to Arms, Plymouth Quay, 1588 is dated 1894 and held by Bristol City Museum & Art Gallery (inventory K516). News from the Front is dated 1898 and held by Royal Academy of Arts (inventory 03/653). The Standard-Bearer is dated 1903 and held by Guildhall Art Gallery (inventory 1229). Sir Edward John Poynter (1836–1919), President of the Royal Academy is dated 1910 and held by Royal Academy of Arts (inventory 03/904).
James C. N. White, Chairman of the Governing Body and Treasurer of Birkbeck College is dated 1912 and held by Birkbeck, University of London (inventory 17). Institutional cataloguing adds that a Man with a Barge Pole (study for 'The Flight of the Five Members') is dated 1913 and held by Wolverhampton Art Gallery (inventory OP138/8). It is also recorded that a Man Rowing (study for 'The Flight of the Five Members') is dated 1914 and held by Wolverhampton Art Gallery (inventory OP138/2). Institutional cataloguing adds that a Woman with a Fan, Head of a Man (study for 'The Flight of the Five Members') is dated 1914 and held by Wolverhampton Art Gallery (inventory OP138/6).
Two Standing Men (study for 'The Flight of the Five Members) is dated 1914 and held by Wolverhampton Art Gallery (inventory OP138/11). Institutional cataloguing adds that standing Man (study for 'The Flight of the Five Members') is dated 1914 and held by Wolverhampton Art Gallery (inventory OP138/3). It is also recorded that the Flight of the Five Members, 1642 is dated 1915 and held by Parliamentary Art Collection (inventory WOA 2953). Institutional cataloguing adds that seated Man in a Boat (Pym) (study for 'The Flight of Five Members') is dated 1915 and held by Wolverhampton Art Gallery (inventory OP138/10).
Collections and holdings
Institutional holdings are recorded as follows.
The Metropolitan Museum of Art records 276 objects associated with this name. It is also recorded that wolverhampton Art Gallery records 13 objects associated with this heading. It is also recorded that royal Academy of Arts records 4 objects associated with this heading. Laing Art Gallery records 3 objects associated with this heading.
Guildhall Art Gallery records 3 objects associated with this heading. Art Gallery of New South Wales records 2 objects associated with this heading. Institutional cataloguing adds that national Gallery records 2 objects associated with this heading. It is also recorded that tate records 2 objects associated with this heading.
National Trust records 2 objects associated with this heading. Institutional cataloguing adds that royal Armouries Leeds records 2 objects associated with this heading. It is also recorded that hartlepool Museums and Heritage Service records 2 objects associated with this heading. It is also recorded that the Metropolitan Museum of Art records 276 objects associated with this heading.
The Art Institute of Chicago records 3 objects associated with this heading. Institutional cataloguing adds that wellcome Collection records 8 objects associated with this heading.
Sources and evidence
This entry is compiled from 10 catalogued sources across 6 independent registers. The registers consulted are Crossref registry, Wikimedia Foundation, The Metropolitan Museum of Art, The Art Institute of Chicago, Wellcome Collection and Wikipedia. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.
In detail
the recorded working language is English.
Subjects and genres recorded for the work are history.
Places of work recorded in the authority are London. Membership is recorded of Royal Academy of Arts.
Work by John Seymour Lucas is recorded in the collections of Tate, Victoria and Albert Museum, Art Gallery of New South Wales, National Gallery and National Library of Wales.
Connections
Sources
Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.
- 1.
Lucas, John Seymour (1849–1923), genre painter, Oxford Dictionary of National Biography, 2011
scholarly publication · Scholarly
Consult the source - 2.
Lucas, John Seymour, (21 Dec. 1849–8 May 1923), historical and portrait painter, Who Was Who, 2007
scholarly publication · Scholarly
Consult the source - 3.
Lucas, John Seymour, Benezit Dictionary of Artists, 2011
scholarly publication · Scholarly
Consult the source - 4.
- 5.
Lucas, Marie Elizabeth Seymour, (28 April 1855–25 Nov. 1921), Who Was Who, 2007
scholarly publication · Scholarly
Consult the source - 6.
“John Seymour Lucas”, English Wikipedia, consulted as further reading
reference work · Reputable secondary · Wikipedia
Consult the source - 7.
The Art Institute of Chicago, collection records associated with John Seymour Lucas.
museum collection · Unverified · The Art Institute of Chicago
Consult the source - 8.
The Metropolitan Museum of Art, collection records associated with John Seymour Lucas (276 objects).
museum collection · Unverified · The Metropolitan Museum of Art
Consult the source - 9.
Wellcome Collection catalogue records 8 works naming John Seymour Lucas.
museum collection · Unverified · Wellcome Collection
Consult the source - 10.
Wikidata, structured authority record Q253512: John Seymour Lucas
reference work · Reputable secondary · Wikimedia Foundation
Consult the source
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Best supported in this field
For owners
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