Jennifer Reeder
Illustration — Jennifer Reeder (VIS 2015) Jennifer Reeder (born 1971, Ohio) is an American artist, filmmaker, and screenwriter. Her short film A Million Miles Away (2014) was nominated for a Tiger Award for Short Films at the International Film Festival Rotterdam and screened at the 2015 Sundance Film Festival in the U.S. Short Narrative Films category. In 2003, she had a solo screening at Moderna Museet in Stockholm, Sweden.
Jennifer Reeder

Manfred Werner - Tsui · Manfred Werner/Tsui - CC by-sa 3.0 · CC BY-SA 3.0
- Born
- 1971 · Ohio.
- Nationality
- United States
- Occupation
- screenwriter · video artist · director
- Education
- School of the Art Institute of Chicago
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Illustration — Jennifer Reeder (VIS 2015) Jennifer Reeder (born 1971, Ohio) is an American artist, filmmaker, and screenwriter. Her short film A Million Miles Away (2014) was nominated for a Tiger Award for Short Films at the International Film Festival Rotterdam and screened at the 2015 Sundance Film Festival in the U.S. Short Narrative Films category. In 2003, she had a solo screening at Moderna Museet in Stockholm, Sweden.
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1971
Jennifer Reeder born at Ohio.
Film
She received a Rockefeller Grant for New Media in 2002 and a Creative Capital grant in 2015 to support the production of her first experimental feature-length film, Knives and Skin. She won a 2018–19 SFFILM Rainin Grant for scriptwriting, and was the 2019 recipient of the Alpert Film Award residency at the MacDowell Colony. In 2021, she was awarded a United States Artists (USA) Fellowship. Reeder attracted notice early in her career for her performance and video work as "White Trash Girl," a fictional identity through which the artist explored lower-income white culture in the United States. Interviewed by writer and Northwestern University professor Laura Kipnis for the anthology White Trash: Race and Class in America, Reeder said that white trash "describes a certain esthetic, but I think it's also a socioeconomic situation, and a way of perceiving the world around you and your own place in the world." Her more recent films explore the lives of adolescent girls and their use of music, slang, and fashion to express their identities and aspects of their emotional world. Her films have screened at the Whitney Biennial; The New York Video Festival; Kunsthalle Exnergasse in Vienna, Austria; the Gene Siskel Film Center; the Yerba Buena Center for the Arts in San Francisco; P.S.1 Contemporary Art Center; the Wexner Center for the Arts; the Chicago Underground Film Festival; the Criterion Channel; and the 48th International Venice Biennial. Reeder currently teaches in the School of Art and Art History at the University of Illinois, Chicago and holds the position of Associate Professor Moving Image. She is the founder of the social justice group Tracers Book Club, which focuses on feminist issues. Reeder received an MFA from The School of the Art Institute of Chicago in 1996 and was represented by the Andrew Rafacz Gallery in Chicago, Illinois.
• White Trash Girl, 1995 • The Heart and Other Small Shapes, 2006 • Claim, 2007 (video short) • Accidents at Home and How They Happen, 2008 • Seven Songs About Thunder, 2010 • Tears Cannot Restore Her; Therefore I Weep, 2010 • And I Will Rise If Only to Hold You Down, 2011 • Girls Love Horses, 2013 • A Million Miles Away, 2014 • Crystal Lake, 2015 • Blood Below the Skin, 2015 • Signature Move, 2017 • All Small Bodies, 2017 • Shuvit, 2017 • Knives and Skin, 2019 • V/H/S/94, (segment Holy Hell), 2021 • Night's End, 2022 • Perpetrator (2023)

Jennifer Reeder presenting A Million Miles Away at the film festival Vienna Independent Shorts 2014 at Stadtkino at Vienna Künstlerhaus with the festivals artistic director Daniel Ebner (Vienna, Austria).
Manfred Werner - Tsui · Manfred Werner/Tsui - CC by-sa 3.0

Jennifer Reeder presenting A Million Miles Away at the film festival Vienna Independent Shorts 2014 at Stadtkino at Vienna Künstlerhaus (Vienna, Austria).
Manfred Werner - Tsui · Manfred Werner/Tsui - CC by-sa 3.0
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- “Jennifer Reeder”, English Wikipedia, consulted as further reading
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- Wikidata, structured authority record Q20829872: Jennifer Reeder
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These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Jennifer Reeder. International Film Festival Rotterdam.
- 2.IFFR. International Film Festival Rotterdam: Tiger Awards Competition for Short Films 2014. International Film Festival Rotterdam. April 2017.
- 3.Means, Sean P. 2015 Sundance Film Festival: Short films slate. The Salt Lake Tribune. 9 December 2014.
- 4.Kronologi 2000-2009. Moderna Museet.
- 5.Announcing the 2015 Creative Capital Artists: $4,370,000 Awarded to 46 Moving Image and Visual Arts Projects. Creative Capital. 7 January 2015.
- 6.Knives and Skin. Creative Capital. 2015.
- 7.United States Artists » Jennifer Reeder.
- 8.United States Artists » Jennifer Reeder.
- 9.Talbot, Margaret. Getting Credit for Being White. The New York Times. Section 6, Page 116. 30 November 1997.
- 10.Kipnis, Laura. White Trash: Race and Class in America. Routledge. 113–30. 1997. 0415916917.
- 11.Wisby, Gary. Feature-length dreams and artful, award-winning films. University of Illinois at Chicago News Center. 9 September 2014.
- 12.Blood Below the Skin: Films by Jennifer Reeder. Wisconsin Film Festival. 2015.
- 13.Short Films by Jennifer Reeder. The Criterion Channel.
- 14.SAIC. Jennifer Reeder at the Gene Siskel Film Center (September 29, 2014). School of the Art Institute of Chicago Alumni News. April 2017.
- 15.University of Illinois at Chicago. Jennifer K Reeder. School of Art & Art History.
- 16.Altadonna, Ashley. Filmmaker Jennifer Reeder talks feminism, the Midwest, cat films. Milwaukee Record. 29 February 2016.
- 17.MCA Talk: Tracers Book Club. Museum of Contemporary Art Chicago. 2015.
- 18.Jennifer Reeder. Andrew Rafacz Gallery.
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