Jean-Yves Daniel-Lesur
Daniel Jean-Yves Lesur (19 November 1908 – 2 July 2002) was a French organist and composer. He was the son of the composer Alice Lesur.
Also recorded as Daniel-Lesur
Jean-Yves Daniel-Lesur
Stéphane Charton-Thomas · CC BY-SA 4.0
- Born
- 1908 · Paris.
- Died
- 2002 · Paris.
- Nationality
- France
- Occupation
- composer · organist · choreographer · music educator · music teacher · musician
- Fields
- opera
- Movements
- classical music
- Education
- Conservatoire de Paris
- Teachers
- Charles Tournemire
- Honours
- Commandeur des Arts et des Lettres · Maurice Ravel Prize
- Languages
- French
VALÉORINE Encyclopedia
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Daniel Jean-Yves Lesur (19 November 1908 – 2 July 2002) was a French organist and composer. He was the son of the composer Alice Lesur.
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In this article
Biography
Biography
Jean-Yves Daniel-Lesur studied at Conservatoire de Paris. Training under Charles Tournemire is recorded. The recorded working language is French. Subjects and genres recorded for the work are opera. Distinctions recorded are Commandeur des Arts et des Lettres and Maurice Ravel Prize.
Born in Paris, he entered the Conservatoire de Paris at age 11, studying solfège with Emile Schwartz, harmony with Jean Gallon, and composition with Georges Caussade. He also took private lessons in piano with Armand Ferté and composition with Charles Tournemire. From 1935 to 1964, he was professor of counterpoint at the Schola Cantorum under director Nestor Lejeune, becoming director himself in 1957. In 1936, he co-founded the group La Jeune France along with composers Olivier Messiaen (with whom he would remain a lifelong friend), André Jolivet and Yves Baudrier, who were attempting to re-establish a more human and less abstract form of composition. La Jeune France developed from the avant-garde chamber music society La spirale, formed by Jolivet, Messiaen, and Daniel-Lesur the previous year. That same year he, together with Jean Langlais and Jean-Jacques Grunenwald, gave the first performance of Olivier Messiaen's La Nativité du Seigneur. Between 1927 and 1937 he seconded Tournemire at the organ of Ste. Clotilde, Paris, and was organist of the Benedictine Abbey of Paris, 1937–44. Daniel-Lesur also served as director of the Opéra National de Paris from 1971 to 1973. His opera Andrea del Sarto (1968) received the composition prize of the City of Paris in 1969. In 1973, he received the Prix Samuel Rousseau of the Académie des Beaux Arts. In 1982, he was elected member of the Institut de France. He died in Paris.
Le Cantique des cantiques
Le Cantique des cantiques
Daniel-Lesur's best-known composition is the a cappella choral work Le Cantique des cantiques, a setting for 12 voices of parts of the Song of Songs, interspersed with Latin verses and New Testament texts. The seventh and final movement, titled "Épithalame", utilizes "the combination of richly harmonised upper voices singing the famous words from Chapter 8 of the Song of Songs in French ("Pose-moi comme un sceau sur ton coeur, comme un sceau sur ton bras. Car l'amour est fort comme la mort') over an ostinato set to Latin words ("Veni sponsa Christi") [which] has very great cumulative power, reaching a mighty twelve-part climax where all the voices sing a succession of Alleluias which initially emerge from the complex texture in a repeated motif coloured by the Lydian mode – an idea which seems to suggest the joyous pealing of bells." (From his obituary; see external links.) The Cantique des cantiques has been recorded by Harry Christophers and The Sixteen, and is frequently performed internationally by such groups as Chanticleer and the Santa Fe Desert Chorale.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1908
Jean-Yves Daniel-Lesur born at Paris.
2002
Jean-Yves Daniel-Lesur died at Paris.
Selected compositions
Stage • Andrea del Sarto (libretto after Alfred de Musset), opera in 2 acts (1949) • Ondine (libretto after Jean Gireaudoux), opera in 3 acts (1981) • La Reine morte (libretto after Henry de Montherland), not dated Orchestral works • Suite française (1935) • Passacaille (1938) for piano and orchestra • Pastorale (1938) for chamber orchestra • Variations (1943) for piano and string orchestra • Ouverture pour un festival (1951) • Concerto da camera (1953) for piano and chamber orchestra • Sérénade (1954) for string orchestra • Intermezzo (1956; his contribution to Variations sur le nom de Marguerite Long) • Symphonie de danses (1958) • Symphonie 'd'ombre et de lumière (1974) • Nocturne (1974) for oboe and string orchestra • Fantaisie concertante (1992) for cello and orchestra Chamber music • Suite (1939) for oboe, clarinet, and bassoon • Suite (1940) for string quartet • Suite en trio (1943) for violin, viola, cello and piano • Suite médiévale (1945) for flute, harp, violin, viola, cello • Sextuor (1948) for flute, oboe, violin, viola, cello, harpsichord • Élégie (1956) for two guitars • Nocturne (1974) for oboe and piano • Novelette (1977) for flute and piano • Marine (1978) for harp • Lamento (1983) for violin and piano • Stèle à la mémoire d'un héros (1991) for flute and string quartet Piano music • Soirs (1929) • Bagatelle (1934) • Pavane (1938) • Le Bouquet de Béatrice (1946) for piano 4-hands • Pastorale varié (1947) • Ballade (1948) • Nocturne (1952) • Le Bal (1954) • 3 Études (1962) • Fantaisie (1962) for 2 pianos • L'Armoricaine (1964) • Contre-fugue (1974) for 2 pianos • Berceuse sur le nom de Schostakovitch (1975) • Chanson à danser (1980) Organ works • Scène de la passion (1931) • La Vie intérieure (1932) • In paradisium (1933) • Hymnes (1935) • Quatre Hymnes (1939) Choral works (with poets) • Annonciation (Loÿs Masson), cantata for speaker, tenor, mixed chorus and chamber orchestra (1951) • Le Cantique des cantiques (biblical) for 12 voices and chorus (1952) • Cantique des colonnes (Paul Valéry) for female voices and orchestra (1957) • Encore un instant de bonheur (Henry de Montherland) • numerous folksong arrangements Songs (for voice and piano) • Les Harmonies intimes (Daniel-Lesur) (1931) • La Mort des voiles (Paul Fort) (1931) • La Mouette / Les Yeux fermés (Heinrich Heine) (1932) • Quatre Lieder (Cécile Sauvage, Heine), several versions (1932–39) • Trois Poèmes de Cécile Sauvage (1939) • Deux Chansons de l'étoile de Seville (Claude Roy) • L'Enfance de l'art (Claude Roy) • Chansons cambodgiennes (traditional) (1946) • Berceuses à tenir éveillé (René de Obaldia) (1947) • Les Amants séparés (Claude Roy) (1950) • Dialogues dans la nuit (Claude Roy) for mezzo-soprano, bass, and chamber orchestra (1987) • À la lisière du temps / Le Voyage d'automne / Permis de séjour (Claude Roy) (1990)
Primary material
Documents and archives
Institutional database
- MusicBrainz artist record for Jean-Yves Daniel-Lesur
Scholarly · MetaBrainz Foundation
- Wikidata, structured authority record Q955697: Jean-Yves Daniel-Lesur
Scholarly · Wikimedia Foundation
reference work
- “Daniel Lesur”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Tual, Francois-Gildas: "Daniel-Lesur, Jean-Yves", in: Die Musik in Geschichte und Gegenwart (MGG), biographical part vol. 5 (Kassel: Bärenreiter, 2001), cc. 374–376.
- 2.Simeone, Nigel. In memoriam: Olivier Messiaen on Daniel-Lesur. Musical Times. Winter 2002.
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Institutional database
MusicBrainz artist record for Jean-Yves Daniel-LesurMetaBrainz Foundation
Institutional witnessInstitutional database
Wikidata, structured authority record Q955697: Jean-Yves Daniel-LesurWikimedia Foundation
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The authorities additionally record the heading Daniel-Lesur. His recorded language was French. Other recorded relations include Philippe Lauer, Jean-Philippe Lauer and Marguerite Jouguet. His work is associated with classical music. He belonged to Jeune France, Royal Academy of Science, Letters and Fine Arts of Belgium and Académie des beaux-arts. Recorded as having received Commandeur des Arts et des Lettres and Maurice Ravel Prize. Connected to 2 other published records in the VALÉORINE Encyclopedia.
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Within the Encyclopedia
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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