Jean-Baptiste Huet

Huet's interest in printmaking and his acquaintance with Gilles Demarteau, who later engraved many of his compositions, both date from this period. About 1764 Huet entered the studio of Jean-Baptiste Le Prince, where he further developed his printmaking skills, largely reproducing his own paintings, a method of publishing them with some profit. In 1768 he was approved (agréé) by the Académie Royale, and 29 July 1769 he was received (reçu) in the minor category (petite manière) of painter of animals and was well received in the public reviews when he began to exhibit at the Paris Salon that same year, with a Dog Attacking Geese, now at the Louvre. He continued to exhibit annually until 1789, though his attempts at the grand manner of history painting, considered the noblest genre, were not met with approval. The most important of his paintings were his morceaux de réception, the Fox among the Chickens (San Francisco, California Palace of the Legion of Honor), The Dairymaid (Paris, Musée Cognacq-Jay). Huet is equally known for his designs for the decorative arts. He provided scenic vignettes to be printed by copperplate on cottons at the manufacture of toiles de Jouy directed by Oberkampf. Lengths of these may be seen at The Detroit Institute of Arts, the Musée des Arts Décoratifs, the Victoria and Albert Museum, the Metropolitan Museum of Art and many other institutions. His ink-and-wash drawings and studies of animals and children are also admired. In the 1780s he provided tapestry cartoons for the manufacture at Beauvais. A suite of thirteen hangings of pastorals was in the Isaac de Camondo bequest to the Louvre. In 1790 he remained attached to the reorganized and combined tapestry manufacture of Gobelins and Beauvais.

Nicolas Huet is recorded as having studied under Jean-Baptiste Huet. The recorded working language is French. Works named in the authority record are Young Couple in a Landscape. Work by Jean-Baptiste Huet is recorded in the collections of Städel Museum, Minneapolis Institute of Art, Art Institute of Chicago, The Nelson-Atkins Museum of Art and Auckland Art Gallery.

The authorities additionally record the headings Jean-Baptiste Marie Huet, Jean-Baptiste Huet I, Jean Baptiste Houet, Jean-Baptiste-Marie, I Huet and Jean-Baptiste, I Huet. His recorded language was French. He was the child of Nicolas Huet The Elder. 3 children are recorded: Nicolas Huet, Jean-Baptiste Huet and François Hüet Villiers.