Jason Friedberg

The critical reception of Friedberg and Seltzer's directorial efforts has been overwhelmingly negative. Common criticisms of their work include being heavily reliant on pop culture references, passing trends, product placement, toilet humor, gratuitous nudity, casual violence and offensive stereotypes for their humor, as well as mistaking plagiarism for parody. Disaster Movie and Meet the Spartans were rated the two worst films of 2008 by The Times. Additionally, every film they have directed has made it into Rotten Tomatoes' "Worst of the Worst" for the 2000s, only one scoring a spot outside of the bottom 25. The pair appears more often than any other person on the fan-voted list of "The 50 Worst Movies Ever" in noted British film magazine Empire; almost all of their films appear with a rank, and all are mentioned in the full review text. Flavorwire collectively lists the duo's entire filmography at #9 in its list of the 50 worst films of all time, saying: You may as well lump them all together, because they all bleed together in cinematic hell: the "parody" efforts of Jason Friedberg and Aaron Seltzer, which include Date Movie, Epic Movie, Disaster Movie, Meet the Spartans, Vampires Suck. They're sad, limp affairs that have all but single-handedly reduced the "spoof movie" from parody to mere quotation: From Napoleon Dynamite to Borat to the "Leave Britney alone!" guy, no payoff delights these comic geniuses more than cutting away to the flavor of the month, presumably causing the audience to roar with laughter, smack themselves on the forehead, and exclaim, "Hot damn, how the hell'd the Kardashians end up in thar? Hyuck, hyuck!" Their most recent efforts, the Hunger Games parody The Starving Games and the Hangover riff Best Night Ever, both sunk without a trace, meaning the jig might finally be up for these two rip-off artists. The two are frequent nominees of the Golden Raspberry Awards. The first was a Worst Screenplay nomination for Epic Movie at the 2007 Razzies and the following year the pair were nominated for Worst Picture, Worst Director, and Worst Screenplay for both Meet the Spartans and Disaster Movie. At the 2011 Razzies, Vampires Suck was nominated for Worst Picture, Worst Director, Worst Screenplay, and Worst Prequel, Remake, Rip-Off or Sequel. Critic Josh Levin of Slate stated: Isn't it massive consumer fraud to charge $10.50 for a barely hour-long movie? Perhaps, but it would've been unforgivable to make Meet the Spartans any longer than an hour. This was the worst movie I've ever seen, so bad that I hesitate to label it a "movie" and thus reflect shame upon the entire medium of film. Friedberg and Seltzer do not practice the same craft as P. T. Anderson, David Cronenberg, Michael Bay, Kevin Costner, The Zucker brothers, the Wayans Brothers, Uwe Boll, any dad who takes shaky home movies on a camping trip, or a bear who turns on a video camera by accident while trying to eat it. They are not filmmakers. They are evildoers, charlatans, symbols of Western civilization's decline under the weight of too many pop culture references. Josh Rosenblatt of The Austin Chronicle said that "There's no nice way to say this, so I'll just say it: Writer/directors Friedberg and Seltzer are a scourge. They're a plague on our cinematic landscape, a national shame, a danger to our culture, a typhoon-sized natural disaster disguised as a filmmaking team, a Hollywood monster wreaking havoc on the minds of America's youth and setting civilization back thousands of years." Austin critic and animator Korey Coleman, of Spill.com and Double Toasted, has claimed that he is "bothered" by the duo's films, as he believes they are dumbing down the film industry and popular culture in general, and saying: "Yes, we all know that a lot of movies put aside the more artistic aspects of film making to solely make a profit; we're not naive. But, the films that these two directors make are so blatant at being nothing more than a juvenile finger pointing at an image or mention of a popular trend that, to me, they seem exploitive of a young culture raised to have an ever-decreasing attention span, thanks to the internet and channel surfing and, this may sound a little crazy, but, I think it shows a slight de-evolution in what people will accept as entertainment". Critic Nathan Rabin also gave their work an indignant condemnation, calling them "comedy antichrists" and saying about their films: Spoof movies, as practiced by the cultural blight that is Seltzer-Friedberg, aren't just troubling from an aesthetic viewpoint. They're horrifying from a moral standpoint as well. The parody of the Zucker brothers and Mel Brooks is defined by love, knowledge, and appreciation: The Zucker brothers and Mel Brooks love, know, and appreciate the source material they're spoofing enough to get all the details perfect. The comedy of Seltzer-Friedberg, in sharp contrast, is defined by contempt: contempt for the attention span, intelligence, maturity, and frame of reference for the audience, and an even more raging contempt for the source material they're spoofing. Friedberg and Seltzer aren't writers; they're comic terrorists who cavalierly destroy what others create for their own ugly self-interest. Their success is entirely dependent on making comedy a dumber, crasser, less dignified place.