Jack Pickford

Mary later became a highly popular silent film actress, producer, and early Hollywood pioneer. While Jack appeared in numerous films as the "All American boy next door" and was a fairly popular performer, he was overshadowed by his sister's success. His career declined steadily due to alcohol, drugs, and chronic depression.

• Name — Jack Pickford • Birth Name — John Charles Smith • Born — 18 August 1896 • Birthplace — Toronto, Ontario, Canada • Died — 3 January 1933 • Place of death — Neuilly-sur-Seine, France • Resting Place — Forest Lawn Memorial Park (Glendale) • Occupation — Actor, director, producer • Years Active — 1909–1928 • Parents — Charlotte Hennessy John Charles Smith • Relatives — Mary Pickford (sister) Lottie Pickford (sister)

John Charles Smith, known as "Jack", was born in 1896 in Toronto, Ontario, to John Charles Smith, an English immigrant odd-job man of Methodist background, and Charlotte Hennessy Smith, who was Irish Catholic. His alcoholic father died in 1898, leaving the family impoverished. The children were dispersed, all living in separate households as their mother was grief-stricken and unable to support them. However, Jack soon became very ill. The news of his illness revitalized their mother, Charlotte, and the family was reunited. Out of desperation, Charlotte allowed Jack and his two sisters Gladys and Lottie to appear onstage, beginning with Gladys, the eldest. This move proved a good source of income and by 1900, the family had relocated to New York City, and the children were acting in plays across the United States. Most notably, young Jack appeared onstage in Peg Robin and The Three of Us. Jack received his education in public schools and later attended St. Francis Military Academy, in New York. Due to work, the family was constantly separated until 1910 when Gladys signed with Biograph Studios, led by director D. W. Griffith. By this time, Gladys Smith had been transformed into Mary Pickford. (Marie was her middle name, and Pickford was an old family name.) Following suit, the Smiths changed their stage names to "Pickford." Soon after signing with Biograph, Mary secured jobs for all the family, including the then 14-year-old Jack. In early January 1910, when the Biograph Company headed west to Los Angeles, California, only Mary was meant to go until Jack pleaded to join the company as well. Much to Mary's protest, Charlotte threw him on the train as it left the station. When the company arrived in Hollywood, Jack acted in bit parts and as a stunt double for young actresses, earning his way and supporting Mary. They both returned to New York months later, in April 1910. The Pickford family briefly signed to the Independent Motion Picture Company (IMP) and the company moved to Havana, Cuba. However, the family eventually left and returned to the United States, re-signing with Biograph. Jack had a leading role in the short A Dash Through the Clouds (1912), but the Pickford family conclusively left Biograph in late 1912. In 1912, Adolph Zukor formed Famous Players in Famous Plays, later known as Famous Players–Lasky and then Paramount Pictures, one of the first American feature film companies. Mary signed with Famous Players, and included the family. Mary soon became a well-known star, and by 1919 had signed a contract for $1 million with First National Pictures. As part of her contract, Mary saw to it that her family was brought along, giving Jack Pickford a lucrative contract with the company, as well.

• Illustration — Pickford in Robert G. Vignola's Seventeen (1916) By the time he signed with First National, Pickford had played bit parts in 95 shorts and full-length feature films. Although Pickford was considered an excellent actor, he is largely viewed as having failed to live up to his potential. Pickford appeared in a large number of short films prior to the mid-1910s, when his sister Mary was at the pinnacle of her fame. The two siblings feature together in A Girl of Yesterday (1915) and Poor Little Peppina (1916) under Famous Players. However, Fanchon, the Cricket (1915) was one of the only films in which all three Pickford siblings appear. It was thought lost until rediscovered in the 20th century at the British Film Institute. Famous Players–Lasky president Adolph Zukor gave Pickford his first lead performance debut in the film Seventeen (1916), an adaptation of Booth Tarkington's novel. It was described as "screamingly funny". In 1917, he starred in one of his first major roles as Pip in the adaptation of Charles Dickens' Great Expectations. After gaining critical success from these two productions, Pickford was then cast as the lead in The Dummy (1917), adapted from the 1914 play by Harriet Ford and Harvey J. O'Higgins, which proved extremely popular. It was a critical success and Pickford's first breakthrough performance. Later in 1917, Pickford secured the title role in Mark Twain's Tom Sawyer and the follow-up Huck and Tom (1918). Tom Sawyer (1917) was considered one of Pickford's most successful film roles, as the title character resembled Pickford's on and off-screen persona. In a letter, on the completion of the production, he wrote: "I've always been fond of Mark Twain's writings, and Tom has long been a favorite of mine—somehow we seem to have a great deal in common. He performed so many of the very stunts that I remember in my own boyhood." In the early years of his career, Pickford became known for his clever portrayal of various boy parts in American novels. Pickford was regularly teamed onscreen with actress Louise Huff. They both appeared in Seventeen (1916), Great Expectations (1917), Freckles (1917), What Money Can't Buy (1917), The Varmint (1917), The Ghost House (1917), Jack and Jill (1917), His Majesty, Bunker Bean (1918), Mile-a-Minute Kendall (1918), and Sandy (1918) under Paramount Pictures. In early 1918, after the United States entered World War I, Pickford voluntarily joined the U.S. Navy as an enlisted sailor and was stationed at the Third Naval District in Manhattan, New York. Despite nearly being dishonorably discharged, Pickford was granted an honorable discharge in May 1919. In August 1920, he officially became a citizen of the United States and legally changed his surname from Smith to Pickford. • Illustration — Through the Back Door (1921) with director Alfred E. Green, assistant director Jack Pickford, Mary Pickford, and continuity writer Marion Jackson After the war in 1919, Pickford formed his own production company named the Jack Pickford Film Company, in partnership with First National Pictures. For a brief period, he produced and starred in his own films such as Bill Apperson's Boy (1919), Burglar by Proxy (1919), and In Wrong (1919). James Kirkwood directed Pickford during this time, in hope of boosting the actor's career. In 1920, he signed with Goldwyn Pictures and starred in The Little Shepherd of Kingdom Come (1920), an adaptation of John Fox Jr.'s novel. Pickford became "bitterly disappointed" in the writing quality and directorial style of the film. He was determined to buy back the rights, with the intention of a future remake. A Double-Eyed Deceiver (1920), The Man Who Had Everything (1920), and Just Out of College (1920) followed and were all directed by Alfred E. Green, starring Pickford as the lead. However, Goldwyn and Pickford had creative differences and parted ways. Pickford also dabbled in screenwriting and directing. In 1921, he co-directed Little Lord Faunteroy (1921) and Through the Back Door (1921) with Alfred E. Green, under United Artists, both films starring his sister Mary. Pickford was hired as the director in an attempt to rid him of his depression after the passing of his wife Olive Thomas a year prior. This was seen as an opportunity to give his career a new direction. In 1921, there were plans afoot for A Tailor-Made Man (1922) to be directed by Alfred E. Green and starring Pickford, under United Artists. But for reasons unknown, changes were made and Mary sold the film to Charles Ray. By 1923, his roles had gone from several a year to one. After dedicating the last two years to directorial work, Pickford returned to acting in Garrison's Finish (1923). While Pickford's career did slow down after Thomas' death, the roles he played showed a new maturity and were some of the best of his career. These included The Hill Billy (1924), The Goose Woman (1925), Brown of Harvard (1926), and Exit Smiling (1926). In 1926, he played Brooks Bailey in The Bat (1926), directed by Roland West. Years later, West made a sound version titled The Bat Whispers (1930). In 1928, he finished his last film, acting as Clyde Baxter in Gang War (1928) – a confirmed part-talkie. It was best known for being the main feature attached to Steamboat Willie, the debut of Mickey Mouse in sound. Most of his films, especially those in the late 1910s, were both commercial and critical successes, making a highly regarded name for himself. Pickford's image was that of the All-American boy, with his sister being "America's Sweetheart". In all, Pickford appeared in more than 130 films between 1908 and 1928. The majority of these silent films remain lost, unknown to the general public. However, a few of his films have been made available on DVD.

Pickford was good friends with James Kirkwood and Bobby Harron, originating from their Biograph days. They all appeared in Home, Sweet Home (1914). Pickford had an interest in automobiles. His sister Mary's first major extravagance was a car, a Stanley Steamer EMF, and Jack nicknamed it the "Even Mama Fell" and "Every Morning Fix it". He was filmed once driving a Citroën in Hollywood, a rival of Henry Ford.

• Illustration — Olive Thomas, c. 1920 Pickford met actress and Ziegfeld girl Olive Thomas at a beach cafe on the Santa Monica Pier. Screenwriter and director Frances Marion later commented on the couple's lifestyle:...I had seen her [Thomas] often at the Pickford home, for she was engaged to Mary's brother, Jack. Two innocent-looking children, they were the gayest, wildest brats who ever stirred the stardust on Broadway. Both were talented, but they were much more interested in playing the roulette of life than in concentrating on their careers. Pickford and Thomas eloped on October 25, 1916, in New Jersey. None of their family was present and their only witness was Thomas Meighan. The couple had no children of their own, though in 1920, they adopted Olive's then-six-year-old nephew when his mother died. Although by most accounts Olive was the love of Pickford's life, the marriage was stormy and filled with highly charged conflict, followed by lavish making up through the exchange of expensive gifts. For many years, the Pickfords had intended to vacation together, and with their marriage on the rocks, the couple decided to take a second honeymoon. In August 1920, the pair travelled to Paris, hoping to combine a vacation with some film preparations. On the night of September 5, 1920, the couple went out for a night of entertainment and partying at the famous bistros in the Montparnasse quarter of Paris. They returned to their room in the Hôtel Ritz around 3:00 a.m. It was rumored that Thomas may have taken cocaine that night, though it was never proven. She was intoxicated and tired, and took a large dose of mercury bichloride, a caustic medication, applied externally to treat syphilis (which Jack had). She was taken to the American Hospital in the Paris suburb of Neuilly, where Pickford, together with his former brother-in-law Owen Moore, remained at her side until she died from the poison a few days later. Rumors arose that she had either tried to die by suicide or had been murdered. A police investigation followed, as well as an autopsy, and Thomas's death was ruled accidental. • Illustration — Jack Pickford and Marilyn Miller, c. 1924 Pickford married two more times. On July 31, 1922, he married Marilyn Miller (1898–1936), a celebrated Broadway dancer and former Ziegfeld girl, at his sister and brother-in-law's famed home Pickfair. By most accounts it was an abusive marriage due to Pickford's drug abuse and alcoholism. They separated in 1926 and Miller was granted a French divorce in November 1927. Pickford's final marriage was to Mary Mulhern, aged 22 and a former Ziegfeld girl, whom he married on August 12, 1930. Within three months Pickford grew increasingly volatile towards Mulhern. After two years, Mulhern left Pickford, claiming he had mistreated her throughout the marriage. She was granted an interlocutory divorce in February 1932, which had yet to be finalized at the time of Pickford's death.

Pickford and his sister Lottie were both silent film actors in their own right, but of course, were often overshadowed by their older sister, Mary. Living in her shadow, the two younger siblings embraced the happy-go-lucky times and fast living of the 1920s. Oddly enough, they both starred in Mile-a-Minute Kendall (1918) as lovers. Lottie was left heartbroken after Jack's untimely death in early 1933. According to Mary: "She [Lottie] was never the same after Jack's going. They were so very close in temperament and even in looks. It was as though with my brother's passing the better part of her had died too".

• Year — Title — Role — Notes • 1909 — His Duty — One of the Children on the Street — Lost film • 1909 — data-sort-value="Message, The" | The Message — In Crowd — Lost film • 1909 — Pranks — One of the Boys — Lost film • 1909 — Wanted, a Child — A Child — Lost film • 1909 — In a Hempen Bag — In Crowd — Lost film • 1909 — To Save Her Soul — A Stagehand • 1910 — All on Account of the Milk — At Construction Site • 1910 — data-sort-value="Call, The" | The Call — At Show • 1910 — data-sort-value="Newlyweds, The" | The Newlyweds — At Station Reception • 1910 — data-sort-value="Smoker, The" | The Smoker — The Boy • 1910 — data-sort-value="Kid, The" | The Kid — Walter Holden's Son • 1910 — data-sort-value="Tenderfoot's Triumph, The" | The Tenderfoot's Triumph — The Boy • 1910 — An Affair of Hearts — A Boy • 1910 — Ramona — A Boy • 1910 — data-sort-value="Modern Prodigal, The" | The Modern Prodigal — The Sheriff's Son • 1910 — Muggsy Becomes a Hero — Mabel's Brother • 1910 — In Life's Cycle • 1910 — data-sort-value="Oath and the Man, The" | The Oath and the Man — The Messenger • 1910 — Rose o' Salem Town — Indian • 1910 — Examination Day at School — Student • 1910 — data-sort-value="Iconoclast, The" | The Iconoclast — In Office • 1910 — data-sort-value="Broken Doll, The" | The Broken Doll — Indian • 1910 — Two Little Waifs — Boy on Road • 1911 — His Trust Fulfilled — Black messenger • 1911 — Sweet Memories — Young Earl Jackson • 1911 — data-sort-value="Stuff Heroes Are Made Of, The" | The Stuff Heroes Are Made Of • 1912 — data-sort-value="Temporary Truce, A" | A Temporary Truce — An Indian • 1912 — data-sort-value="Dash Through the Clouds, A" | A Dash Through the Clouds — Mexican boy who warns Chubby • 1912 — Man's Lust for Gold — Among the Indians — Lost film • 1912 — data-sort-value="Inner Circle, The" | The Inner Circle — The Messenger • 1912 — data-sort-value="Feud in the Kentucky Hills, A" | A Feud in the Kentucky Hills — A Brother • 1912 — data-sort-value="Painted Lady, The" | The Painted Lady — Beau at Ice Cream Festival • 1912 — data-sort-value="School Teacher and the Waif, The" | The School Teacher and the Waif — School boy • 1912 — data-sort-value="Musketeers of Pig Alley, The" | The Musketeers of Pig Alley — Rival Gang Member/At Dance • 1912 — Heredity — Son of White Renegade Father and Indian Mother — Lost film • 1912 — My Baby — Wedding Guest • 1912 — data-sort-value="Informer, The" | The Informer — Black Boy • 1912 — Brutality — At Theatre — Incomplete film • 1912 — data-sort-value="New York Hat, The" | The New York Hat — Youth outside church • 1912 — My Hero — Indian — Unconfirmed Lost film • 1913 — data-sort-value="Misappropriated Turkey, A" | A Misappropriated Turkey — On Street — Lost film • 1913 — Love in an Apartment Hotel — A Bellhop — Lost film • 1913 — data-sort-value="Unwelcome Guest, The" | The Unwelcome Guest — One of the Children — Alternative title: An Unwelcome Guest • 1914 — data-sort-value="Gangsters of New York, The" | The Gangsters of New York — Spot, the spy — Alternative title: The Gangsters • 1914 — Home, Sweet Home — The Mother's Son • 1914 — His Last Dollar — Jockey Jones — Lost film • 1914 — Wildflower — Bud Haskins — Lost film • 1915 — data-sort-value="Love Route, The" | The Love Route — Billy Ball — Lost film • 1915 — Fanchon, the Cricket — The unnamed bully • 1915 — data-sort-value="Pretty Sister of Jose, The" | The Pretty Sister of Jose — Jose — Lost film • 1915 — data-sort-value="Girl of Yesterday, A" | A Girl of Yesterday — John Stuart — Lost film • 1916 — Poor Little Peppina — Beppo — Alternative title: Little Peppina • 1916 — Seventeen — William Sylvanus Baxter — Lost film • 1917 — Great Expectations — Pip — Lost film • 1917 — Cupid's Touchdown — Henry Blondy Burton — Lost film • 1917 — data-sort-value="Dummy, The" | The Dummy — Barney Cook — Lost film • 1917 — data-sort-value="Girl at Home, The" | The Girl at Home — Jimmie Dexter • 1917 — Freckles — Freckles — Lost film • 1917 — What Money Can't Buy — Dick Hale — Lost film • 1917 — data-sort-value="Varmint, The" | The Varmint — John Humperdink Stover — Lost film • 1917 — data-sort-value="Ghost House, The" | The Ghost House — Ted Rawson — Lost film • 1917 — Jack and Jill — Jack Ranney — Lost film • 1917 — Tom Sawyer — Tom Sawyer • 1918 — data-sort-value="Spirit of '17, The" | The Spirit of '17 — Davy Glidden — Lost film • 1918 — Huck and Tom — Tom Sawyer • 1918 — His Majesty, Bunker Bean — Bunker Bean — Lost film • 1918 — Mile-a-Minute Kendall — Kendall — Lost film • 1918 — Sandy — Sandy Kilday — Lost film • 1919 — Bill Apperson's Boy — Buddy Apperson • 1919 — Burglar by Proxy — Jack Robin • 1919 — In Wrong — Johnny Spivins • 1920 — data-sort-value="Little Shepherd of Kingdom Come, The" | The Little Shepherd of Kingdom Come — Chad — Lost film • 1920 — data-sort-value="Double-Dyed Deceiver, A" | A Double-Dyed Deceiver — the Llano Kid — Lost film • 1920 — data-sort-value="Man Who Had Everything, The" | The Man Who Had Everything — Harry Bullway • 1920 — Just Out of College — Ed Swinger — Lost film • 1923 — Garrison's Finish — Billy Garrison • 1923 — Hollywood — Himself — Cameo appearance Lost film • 1924 — data-sort-value="Hill Billy, The" | The Hill Billy — Jed McCoy — Alternative title: The Hillbilly Lost film • 1925 — Waking Up the Town — Jack Joyce • 1925 — My Son — Tony — Lost film • 1925 — data-sort-value="Goose Woman, The" | The Goose Woman — Gerald Holmes • 1926 — data-sort-value="Bat, The" | The Bat — Brooks Bailey • 1926 — Brown of Harvard — Jim Doolittle • 1926 — Exit Smiling — Jimmy Marsh • 1928 — Gang War — Clyde Baxter — Alternative title: All Square, Lost film