Iñigo Manglano-Ovalle

He also worked under the name Manglano-Ovalle, Inigo. The authorities additionally record the headings Inigo Manglano- Ovalle, Inigo Manglano-Oralle, Inigo Manglano-Ovalle and Iñigo Manglano- Ovalle. His recorded language was Spanish.

Iñigo Manglano-Ovalle received Guggenheim Fellowship and MacArthur Fellows Program. Work by Iñigo Manglano-Ovalle is held by Museo Nacional Centro de Arte Reina Sofía, The Nelson-Atkins Museum of Art, Stedelijk Museum voor Actuele Kunst and Whitney Museum of American Art.

What the record establishes about Iñigo Manglano-Ovalle.

Chicago makes modern : how creative minds changed society / edited by Mary Jane Jacob and Jacquelynn Baas. is dated 2012 and held by Wellcome Collection. Always After (The Glass House) is dated 2006 and held by The Art Institute of Chicago (inventory 2009.567). Sonambulo II (Blue) is dated 1999 and held by The Art Institute of Chicago (inventory 1999.299). Iñigo Manglano-Ovalle is recorded with the citizenship of United States and Spain. The Art Institute of Chicago records 2 objects associated with this heading. Iñigo Manglano-Ovalle is recorded as sculptor, artist and photographer.

Wellcome Collection records 1 object associated with this heading. Open Library catalogues 1 work under this name.

The Art Institute of Chicago catalogues 2 works under this heading. Wellcome Collection catalogues 1 work under this heading. Open Library catalogues 1 work under this heading.

4 works under this name are catalogued by Open Library, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1999 to 2012.

Íñigo Manglano-Ovalle. Always After (The Glass House), dated 2006, super 16mm film transferred to high definition digital video; 9:41 continuous loop, held by The Art Institute of Chicago, inventory 2009.567. Sonambulo II (Blue), dated 1999, compact disc, blue tinted polyester window film, existing architectural space; 13 min. loop, held by The Art Institute of Chicago, inventory 1999.299. Chicago makes modern : how creative minds changed society / edited by Mary Jane Jacob and Jacquelynn Baas., dated 2012, held by Wellcome Collection.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 2 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 1 recorded object, read from the institution's own published catalogue.

3 scholarly publications naming this subject were located in the registry of record.

Manglano-Ovalle, Iñigo, Oxford Art Online, 2010. More Almost Nothing: Iñigo Manglano-Ovalle and the Performance of Mies van der Rohe’s Baukunst, Contemporary Art About Architecture, 2017. The window washer and the DJ: reflections on Iñigo Manglano-Ovalle’s ‘Le Baiser / The Kiss’, Burlington Contemporary Journal, 2020.

This heading is established in Gemeinsame Normdatei (GND) (1058353179). Those registers additionally record the form Exhibition Iñigo Manglano-Ovalle. Bird in Space (2013 : Berlin).

Bibliographic registers publish measured figures for this heading: 5 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.

Iñigo Manglano-Ovalle studied at Williams College and School of the Art Institute of Chicago. the recorded working language is Spanish.

Places of work recorded in the authority are Chicago. Employment is recorded with University of Illinois Chicago.

Work by Iñigo Manglano-Ovalle is recorded in the collections of Museo Nacional Centro de Arte Reina Sofía, The Nelson-Atkins Museum of Art, Stedelijk Museum voor Actuele Kunst and Whitney Museum of American Art.

Distinctions recorded are Guggenheim Fellowship and MacArthur Fellows Program.