Gilles Mora

the recorded working language is French. The field of work recorded is photography in the United States, history of photography and photography. Residence is recorded at Montpellier. Employment is recorded with Éditions du Seuil and Popular Pavilion. Positions recorded include museum director. Distinctions recorded are prix Nadar Gens d'images. Gilles Mora is recorded in the structured authority under the identifier Q3106402. The same evidence establishes that gilles Mora was born in 1945 at Vélines. Institutional cataloguing adds that gilles Mora is recorded with the citizenship of France. Gilles Mora is recorded as historian, photographer, artistic director, editor and art critic.

Contents

Identity and overview

The following is established of the heading itself.

Gilles Mora is recorded in the structured authority under the identifier Q3106402. It is also recorded that gilles Mora is recorded with the citizenship of France.

Works and production

The following works and productions are recorded by name or by count.

Gilles Mora is recorded as human. The same evidence establishes that gilles Mora is recorded with the occupation historian. It is also recorded that gilles Mora is recorded with the occupation photography historian. It is also recorded that l' acte du photographe is dated 1985.

Silver Mine Worker (Real del Monte, State of Hidalgo), from Mexican People is dated 1946 and held by The Art Institute of Chicago (inventory 1956.733.2). Intersexions : gender, class, culture, ethnicity / edited by Gill Bottomley, Marie de Lepervanche and Jeannie Martin. is dated 1991 and held by Wellcome Collection. It is also recorded that loose conference posters and documents relating to HIV/ AIDS is dated 2002-2017 and held by Wellcome Collection. It is also recorded that gilles Mora is recorded with the occupation photographer.

Gilles Mora is recorded with the occupation artistic director. Gilles Mora is recorded with the occupation editor. Gilles Mora is recorded with the occupation art historian. It is also recorded that gilles Mora is recorded as a citizen of France.

Gilles Mora is recorded with the gender male. Gilles Mora was born on 1 January 1945. It is also recorded that gilles Mora was born at Vélines. It is also recorded that gilles Mora is registered by VIAF under the identifier 274872546.

Gilles Mora is registered by ISNI under the identifier 0000000384308290. Gilles Mora is registered by Gemeinsame Normdatei (GND) under the identifier 12365372X. Gilles Mora is registered by Library of Congress under the identifier n83018661. Institutional cataloguing adds that gilles Mora is registered by Bibliothèque nationale de France under the identifier 119167113.

Gilles Mora is registered by IdRef under the identifier 027036782. It is also recorded that gilles Mora is documented in 3 language editions of the general reference literature. The same evidence establishes that open Library catalogues 23 works under this heading. Institutional cataloguing adds that the Art Institute of Chicago catalogues 2 works under this heading.

Collections and holdings

The following public collections record material under this heading.

The American Vision (1943) is digitised and catalogued by Internet Archive. Institutional cataloguing adds that the Art Institute of Chicago records 2 objects associated with this heading. Wellcome Collection records 3 objects associated with this heading.

Sources and evidence

This entry is compiled from 9 catalogued sources across 7 independent registers. The registers consulted are Internet Archive, Crossref registry, The Art Institute of Chicago, DOAJ, Wellcome Collection, Wikidata and Wikipedia. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.

In detail

the recorded working language is French.

The field of work recorded is photography in the United States, history of photography and photography.

Residence is recorded at Montpellier. Employment is recorded with Éditions du Seuil and Popular Pavilion. Positions recorded include museum director.

Distinctions recorded are prix Nadar Gens d'images.

Sources

Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.

  1. 1.

    François Cheval, Gilles Mora, La vie en Kodak. Colorama publicitaires des années 1950 à 1970, Critique d’art, 2015

    scholarly publication · Scholarly

    Consult the source
  2. 2.

    FSA: THE AMERICAN VISION BY GILLES MORA AND BEVERLY W BRANNAN, The Art Book, 2007

    scholarly publication · Scholarly

    Consult the source
  3. 3.

    Open Library author record for Gilles Mora (Internet Archive), 28 catalogued works.

    Institutional database · Scholarly · Internet Archive

    Consult the source
  4. 4.

    “Gilles Mora”, English Wikipedia, consulted as further reading

    reference work · Reputable secondary · Wikipedia

    Consult the source
  5. 5.

    Directory of Open Access Journals lists 1 article naming Gilles Mora.

    open access index · Unverified

    Consult the source
  6. 6.

    Internet Archive, 1 digitised item catalogued under Gilles Mora as creator.

    digital repository · Unverified

    Consult the source
  7. 7.

    The Art Institute of Chicago, collection records associated with Gilles Mora.

    museum collection · Unverified · The Art Institute of Chicago

    Consult the source
  8. 8.

    Wellcome Collection catalogue records 3 works naming Gilles Mora.

    museum collection · Unverified · Wellcome Collection

    Consult the source
  9. 9.

    Wikidata, structured authority record Q3106402: Gilles Mora

    reference work · Reputable secondary · Wikidata

    Consult the source

Elsewhere in Photography

11,391 published records in this field, each with its sources named.

Read the complete photography index

For owners

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