Geertruydt Roghman

The authorities additionally record the headings Geertruydt Roghmans, Geertruyd Rochmans, Geertruda Roghman, Giertje Roghman and Geertruda Roghmans. Her recorded language was Dutch.

She was the child of Henrick Lambertsz Roghman and Maria Savery. Other recorded relations include Jacob Savery and Roelant Savery.

Work by Geertruydt Roghman is held by Museum Boijmans Van Beuningen, Finnish National Gallery, Metropolitan Museum of Art and Rijksprentenkabinet.

What the record establishes about Geertruydt Roghman.

Plate 1, from Six Views in the Wood of The Hague (Verscheÿde Ghesichten) is dated 1640/52 and held by The Art Institute of Chicago (inventory 2023.934). A Woman Doing Housework, Plate 5 from "Five Feminine Occupations" is dated ca. 1648–50 and held by The Metropolitan Museum of Art (inventory 56.550.6). A Young Woman Ruffling, Plate 2 from "Five Feminine Occupations" is dated ca. 1640–57 and held by The Metropolitan Museum of Art (inventory 56.550.3). View Near Kampen, plate 4 from Views of Dutch Villages is dated c. 1650 and held by The Art Institute of Chicago (inventory 2013.488). Two Women Sewing, Plate 1 from Five Feminine Occupations is dated 1700 and held by Metropolitan Museum of Art (inventory 56.550.2). Bridge over the river Vecht at Maarssen is dated 1700 and held by RKDimages (inventory RP-P-OB-4246).

Geertruydt Roghman is recorded as painter, artist, etcher, copper engraver and draftsperson. Prints in the National Gallery of Art records 1 object associated with this heading. The Metropolitan Museum of Art records 6 objects associated with this heading. The Art Institute of Chicago records 7 objects associated with this heading. 'T Huys te Zuylen is catalogued and held by Q214867 (inventory 1994.20.1).

The Metropolitan Museum of Art catalogues 4 works under this heading. The Art Institute of Chicago catalogues 6 works under this heading. Wikidata Query Service catalogues 7 works under this heading.

The identifiers under which Geertruydt Roghman may be traced in institutional catalogues.

Geertruydt Roghman is established in the international name authorities as Wikidata Q2714765.

11 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art and The Art Institute of Chicago. Their recorded dates run from 1640 to 1650.

'T Huys te Zuylen, held by Q214867, inventory 1994.20.1. A Woman Doing Housework, Plate 5 from "Five Feminine Occupations", dated ca. 1648–50, engraving, held by The Metropolitan Museum of Art, inventory 56.550.6. A Woman Cooking, Plate 3 from "Five Feminine Occupations", dated ca. 1640–57, engraving, held by The Metropolitan Museum of Art, inventory 56.550.4. A Woman Spinning, Plate 4 from "Five Feminine Occupations", dated ca. 1640–57, engraving, held by The Metropolitan Museum of Art, inventory 56.550.5. A Young Woman Ruffling, Plate 2 from "Five Feminine Occupations", dated ca. 1640–57, engraving, held by The Metropolitan Museum of Art, inventory 56.550.3. View Near Kampen, plate 4 from Views of Dutch Villages, dated c. 1650, etching in black on cream laid paper, held by The Art Institute of Chicago, inventory 2013.488. Plate 1, from Six Views in the Wood of The Hague (Verscheÿde Ghesichten), dated 1640/52, etching and stipple on ivory laid paper, held by The Art Institute of Chicago, inventory 2023.934. Plate 2, from Six Views in the Wood of The Hague, dated c. 1640-52, etching and stipple on ivory laid paper, held by The Art Institute of Chicago, inventory 2023.935. No. 3, from Six Views in the Wood of The Hague, dated c. 1640-52, etching and stipple on ivory laid paper, held by The Art Institute of Chicago, inventory 2023.936. No. 4, from Six Views in the Wood of The Hague, dated c. 1640-52, etching and stipple on ivory laid paper, held by The Art Institute of Chicago, inventory 2023.937. Plate 5, from Six Views in the Wood of The Hague, dated c. 1640-52, etching and stipple on ivory laid paper, held by The Art Institute of Chicago, inventory 2023.938.

Work associated with this heading is recorded in 5 named public collections.

Rijksprentenkabinet: 2 recorded objects, read from the institution's own published catalogue. Q214867: 1 recorded object, read from the institution's own published catalogue. Prints in the National Gallery of Art: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 6 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 7 recorded objects, read from the institution's own published catalogue.

Bibliographic registers publish measured figures for this heading: 10 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.

the recorded working language is Dutch.

Subjects and genres recorded for the work are genre, landscape and portrait.

Places of work recorded in the authority are Amsterdam.

Work by Geertruydt Roghman is recorded in the collections of Museum Boijmans Van Beuningen, Finnish National Gallery, Metropolitan Museum of Art, Rijksprentenkabinet and British Museum.