Eugenio Caxés
Eugenio Caxés — Francisco de Aguirre and Joan Arnau are recorded as having studied under Eugenio Caxés. the recorded working language is Spanish. The authority associates the name with Mannerism. Work by Eugenio Caxés is recorded in the collections of Museo del Prado, Museum of Fine Arts, Budapest, Biblioteca Museu Víctor Balaguer, Statens Museum for Kunst and Museo de la Trinidad. The heading is also recorded as Eugenio Caxes, Eugenio Caxesi, Eugenio de Cascese and Eugenio de Caxés. Eugenio Caxés is recorded with the citizenship of Spain. Institutional cataloguing adds that eugenio Caxés is recorded as painter.
Contents
Works and production
The following works and productions are recorded by name or by count.
Wikidata Query Service catalogues 13 works under this heading. It is also recorded that the Fall of the Angels is dated 1605 and held by Statens Museum for Kunst (inventory KMSsp46). Institutional cataloguing adds that the Assumption of the Virgin is dated 1603 and held by Museo del Prado (inventory P003940). Institutional cataloguing adds that the Virgin and Child with Angels is dated 1618 and held by Museo del Prado (inventory P003120).
The Recapture of San Juan in Puerto Rico is dated 1634 and held by Museo del Prado (inventory P000653). It is also recorded that the Adoration of the Magi is dated 1610 and held by Museum of Fine Arts, Budapest (inventory 347). The record continues: the Rape of Ganymede is dated 1604 and held by Museo del Prado (inventory P000119). Leda and the swan is dated 1604 and held by Museo del Prado (inventory P000120).
Cupid is dated 1604 and held by Museo del Prado (inventory P000281). It is also recorded that the Presentation of the Virgin in the Temple is catalogued and held by Bowes Museum (inventory B.M.585). Institutional cataloguing adds that the Immaculate Conception is catalogued and held by Bowes Museum (inventory B.M.826).
Collections and holdings
Institutional holdings are recorded as follows.
Bowes Museum records 2 objects associated with this heading. The same evidence establishes that statens Museum for Kunst records 1 object associated with this heading. The register further records that museo de la Trinidad records 1 object associated with this heading. Museum of Fine Arts, Budapest records 1 object associated with this heading.
Pollok House records 1 object associated with this heading. Museo del Prado records 9 objects associated with this heading.
Sources and evidence
This entry is compiled from 3 catalogued sources across 3 independent registers. The registers consulted are Wikipedia, Wikimedia Foundation and Crossref registry. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.
In detail
Francisco de Aguirre and Joan Arnau are recorded as having studied under Eugenio Caxés. the recorded working language is Spanish.
The authority associates the name with Mannerism.
Work by Eugenio Caxés is recorded in the collections of Museo del Prado, Museum of Fine Arts, Budapest, Biblioteca Museu Víctor Balaguer, Statens Museum for Kunst and Museo de la Trinidad.
Connections
Each connection was recorded deliberately, with the basis for it kept on the internal record.
Associated with
- MannerismMovement
Established from a fact already recorded on a verified source.
Sources
Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.
- 1.
Caxés, Francisco Gregorio, Benezit Dictionary of Artists, 2011
scholarly publication · Scholarly
Consult the source - 2.
“Eugenio Caxés”, English Wikipedia, consulted as further reading
reference work · Reputable secondary · Wikipedia
Consult the source - 3.
Wikidata, structured authority record Q3059605: Eugenio Caxés
authority record · Unverified · Wikidata
Consult the source
Plates
Each plate is reproduced under the terms the holding register itself publishes, with its creator and licence named.

Pintura relacionada con el círculo de Eugenio Cajés (ca. 1625), óleo sobre lienzo.
Jl FilpoC · Own work · CC BY-SA 4.0
The picture record
Juan Gómez de Mora (ca. 1614) proyecta el retablo mayor de la iglesia del Real Monasterio de Santa María de Guadalupe . Ejecutará la traza Giraldo de Merlo junto con la principal labor escultórica. Vicente Carducho y Eugenio Cajés la pintura, y Gonzalo Marín y Gaspar Cerezo el dorado y la policromía. Se inauguró en 1618.
Jl FilpoC · Own work · CC BY-SA 4.0
The picture recordElsewhere in Paintings
12,962 published records in this field, each with its sources named.
- Eugénie Gruyer-BrielmanArtist
- Eugénie Marie SalansonArtist
- Eugenio AgneniArtist
- Eugenio Álvarez DumontArtist
- Eugenio CecconiArtist
- Eugenio GignousArtist
- Eugenio GranellArtist
- Eugenio Lucas VillaamilArtist
Best supported in this field
For owners
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