Esmaeil Yasin

• Name — Ismail Yassine • Born — 15 September 1912 • Birthplace — Suez, Kingdom of Egypt • Died — 24 May 1972 • Place of death — Cairo, Egypt

Ismail Yassin was born on September 15, 1912. He was the only son of a prosperous jeweler on Abbas Street in the city of Suez. His mother died when he was still a young child. Ismail attended a local elementary school up to the fourth grade. However, when his father's jewelry business went bankrupt due to financial mismanagement, and his father was imprisoned due to mounting debts, the young boy had to work as a street crier in front of a fabric store. He had to take on responsibilities from a very young age. Eventually, he had to leave home out of fear of his father's wife's mistreatment and began working as a car crier at one of the parking lots in Suez. Ismail Yassine was married three times, but he had only one son, the late director Yassin Ismail Yassine, from his last wife, Mrs. Fawzia.

Ismail Yassin had a deep affection for the songs of the composer Mohammed Abdel Wahab, which he had been singing since his early childhood. He dreamt of becoming a competitive singer like him. He later moved to Cairo in the early 1930s to pursue his artistic career as a singer. However, his appearance and light-heartedness prevented him from succeeding in singing. Ismail possessed the qualities that made him a star among entertainers as he was a singer, monologist, and actor. He remained one of the pioneers in this art form for a decade, from 1935 to 1945. Later, he ventured into cinema, and films were produced under his name after films were made under Leila Murad's name. Among these films are (Ismail Yassine in the Wax Museum - Ismail Yassine Meets Raya and Sakina - Ismail Yassine in the Army - Ismail Yassine, the Military Policeman (film) - Ismail Yassine in Aviation - Ismail Yassine in the Navy - Ismail Yassine in the Mental Hospital, and so on).

When he reached the age of 17, he headed to Cairo in the early 1930s, where he worked as a waiter in one of the cafes on Mohamed Ali Street and stayed in small popular hotels. He later joined the work of the famous "Nawassa," who was one of the most well-known folk dancers at the time. As he couldn't make enough money, he left her to work as an agent in a lawyer's office to make a living. Then, he reconsidered pursuing his artistic dream and went to Bade'ah Musabni, after he discovered his artistic twin and lifelong friend and partner in his artistic journey, the great comedy writer Abu Al-Saud Al-Ibiary. They formed a famous artistic Duet, and he was his partner in Bade'ah Musabni's nightclub and later in cinema and theater. Abu Al-Saud Al-Ibiary recommended him to Bade'ah Musabni for hiring in her troupe. He joined her troupe and performed monologues at Bade'ah Musabni's nightclub. Ismail Yassin succeeded in the art of monologue and remained brilliant in this field for ten years from 1935 to 1945, even earning four pounds for each monologue on the radio, including the fees for writing and composing. His twin artistic partner, Abu Al-Saud Al-Ibiary, was always the one who wrote these monologues.

In 1939, he began his entry into the world of cinema when Fouad El-Jazairli chose him to participate in the film "Khalf Al-Habayeb" (Behind the Loved Ones). He appeared in many films during that period, often in supporting roles. Among the most famous were "Ali Baba and the Forty Thieves," "Nour Al-Din and the Three Sailors," and "Al-Qalb Lahu Wahid" (The Heart Has One). Ismail Yassin appeared in more than 166 films during his lifetime.

In 1944, Ismail Yassin's talent caught the attention of Anwar Wagdi, who frequently cast him in his films. Then, in 1949, he was given his first leading role in the film "Al-Nasih" (The Adviser), alongside the rising star, Magda. Yassin managed to become a box office sensation, attracting hordes of fans. The years 1952, 1953, and 1954 were his golden era when he starred in 16 films in a single year, a record no other artist could achieve. Ismail Yassin captivated audiences by acknowledging his own appearance and prominent mouth in most of his works. This charm propelled him to the forefront, securing him a prominent position and leading producers to sign him for new films, making him the sole hero whose name was associated with films, ultimately reaching the pinnacle. In 1954, he played a significant role in shaping the history of Egyptian comedy theater by establishing a troupe bearing his name, in partnership with his artistic twin and long-time collaborator, the author Abu Al-Saud Al-Ibiary. This troupe continued for 12 years until 1966, during which they performed more than 50 plays, nearly on a daily basis, all written by Abu Al-Saud Al-Ibiary.

• 1948 Khulood (Arabic: خلود) • 1949 Little Miss Devil • 1950 The Millionaire • 1953 Dahab (romanized: gold) • 1954 Miss Hanafi (Arabic: آنسه حنفي) • 1957 Hamido's Son • 1957 Ismail Yassine in the Navy • 1962 The King of Oil • 1963 The Crazy Ones in Paradise • 1965 The Mind and the Money