Elizabeth Jane Gardner
Elizabeth Jane Gardner Bouguereau (October 4, 1837 – January 28, 1922) was an American academic and salon painter, who was born in Exeter, New Hampshire. She was an American expatriate who died in Paris where she had lived most of her life. She studied in Paris under the figurative painter Hugues Merle (1823–1881), the well-known salon painter Jules Joseph Lefebvre (1836–1911), and finally under William-Adolphe Bouguereau (1825–1905).
Also recorded as Elizabeth Gardner · Elizabeth Bouguereau-Gardner · Elizabeth Jane Bouguereau Gardner · Mrs. Adolphe William Bouguereau
Elizabeth Jane Gardner

Bartoli, Damien Ross, Frederick C. (2010) William Bouguereau: His Life and Works p. 254 · Public domain
- Name
- Elizabeth Jane Gardner
- Born
- 4 October 1837
- Birthplace
- Exeter, New Hampshire, U.S.
- Died
- 28 January 1922
- Place of death
- Paris, France
- Education
- * Young Ladies' Female Academy, Exeter, NH
- Known for
- Painting
- Nationality
- United States.
- Occupation
- painter and artist.
- Fields
- portrait, genre art and religious art.
- Movements
- academic art.
- Teachers
- Ange Tissier, Jules Lefebvre, William-Adolphe Bouguereau and Hugues Merle.
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Elizabeth Jane Gardner Bouguereau (October 4, 1837 – January 28, 1922) was an American academic and salon painter, who was born in Exeter, New Hampshire. She was an American expatriate who died in Paris where she had lived most of her life. She studied in Paris under the figurative painter Hugues Merle (1823–1881), the well-known salon painter Jules Joseph Lefebvre (1836–1911), and finally under William-Adolphe Bouguereau (1825–1905).
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Elizabeth Jane Gardner (1837–1922) was an artist and painter, of American nationality. The artist was born in Exeter and died in Saint-Cloud. Elizabeth Jane Gardner was also known as Bouguereau, Elizabeth Jane Gardner and Bouguereau, William-Adolphe.
Elizabeth Jane Gardner was educated at Académie Julian and Lasell University. The artist worked in Paris. Elizabeth Jane Gardner was associated with academic art.
The work spans genre art, portrait and religious art. Languages used include English, French and German. Works are held at Appleton Museum of Art, Dahesh Museum of Art and Georgia Museum of Art, among others.
Composed from admitted, traceable facts · 27 September 2026
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wikidata · Q291010 · wikipedia · Elizabeth Jane Gardner
In this article
Biography
Biography
Gardner worked between 1837 and 1922 across painter and artist. The registers place that work in portrait, genre art and religious art. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
Elizabeth Jane Gardner studied at Lasell University and Académie Julian. Training under Ange Tissier, Jules Lefebvre and William-Adolphe Bouguereau is recorded. The recorded working language is Italian, German and English. Subjects and genres recorded for the work are portrait, genre art and religious art. Places of work recorded in the authority are Paris. Work by Elizabeth Jane Gardner is recorded in the collections of Georgia Museum of Art, Appleton Museum of Art, Dahesh Museum of Art and National Museum of Women in the Arts.

Elizabeth Jane Gardner, William-Adolphe Bouguereau - Portrait de Mademoiselle Elizabeth Gardner, 1879
William-Adolphe Bouguereau · Chi-Mei Museum, online
Key facts
Key facts
• Name — Elizabeth Jane Gardner • Born — 4 October 1837 • Birthplace — Exeter, New Hampshire, U.S. • Died — 28 January 1922 • Place of death — Paris, France • Education — * Young Ladies' Female Academy, Exeter, NH • Lasell Female Seminary, Auburndale, MA • Known for — Painting
Early life and art education
Early life and art education
Gardner first attended the Young Ladies' Female Academy in Exeter and then moved on to the Lasell Female Seminary in Auburndale, Massachusetts, where she studied art and languages, learning English, French, Italian and German. She graduated in 1856 and spent the next few years teaching French at a newly opened school in Worcester, Massachusetts. In 1864, after teaching art at Lasell Seminary, she and Imogene Robinson left for France. To pay her rent, she spent her time copying paintings by contemporary artists and older masters in prestigious galleries. Later, in the autumn of that year, Gardner decided to apply to the École des Beaux-Arts. This school was known as the most prestigious art academy in Paris. Her application was rejected. Like most if not all art establishments at that time the school was male only. The ban on women's applications was not lifted until 1897, thirty-five years after Gardner had applied. However, Gardner did not give up. She continued to enroll in private classes and to build an outstanding portfolio of art work.
Career
Career
Soon after Gardner arrived in Paris with her former teacher, Imogene Robinson, she began copying pictures at the Luxembourg Museum, and Gardner's studio became a place where Americans requested commissioned copies of their favorite European paintings. In a letter to her brother, Gardner noted, "Americans are buying many pictures. I have always had the satisfaction of pleasing those for whom I have painted. One gentleman was so satisfied with a copy I did for him that he paid me more than I asked." She briefly studied with Jean-Baptiste-Ange Tissier before leaving in 1865 to join an independent cooperative women's studio. In 1868, Gardner was the first American woman to exhibit at the Paris Salon. Also during that time period, her paintings were accepted in 25 Paris Salons. Awarded a gold medal at the 1872 Salon, she became the first woman ever to receive such an honor. Gardner Bouguereau's works were accepted to the Salon more than any other woman painter in history and more than all but a few of the men. The biggest challenge to her training was the restriction on women studying anatomy from nude models. She circumvented this restriction by donning male attire to gain admittance to the all-male drawing school at Manufacture Nationale des Gobelins et de la Savonnerie. In 1873, Gardner was finally admitted to the previously all-male Académie Julian, where she studied with Jules-Joseph Lefebvre and Bouguereau. Gardner exhibited her work at the Palace of Fine Arts and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois.
Relationship with Bouguereau
Relationship with Bouguereau
Gardner's relationship with William-Adolphe Bouguereau was widely known and discussed within the Parisian artistic community. They made no secret of their relationship over the course of an engagement that was to last seventeen years. The couple courted for seventeen years because they had a great fear of crossing Bouguereau's mother. When she died in 1896 at the age of 91, the couple did not waste any time in getting married. Mary French, wife of the American sculptor Daniel Chester French later recalled that she had "interesting memories...of Bouguereau's studio, where we used to go often, and where was also Miss Jennie Gardner of Exeter, New Hampshire, whom he either married or didn't marry – I have forgotten the details. There was a certain glamour of that young woman of Puritan birth, a contemporary of my Puritan aunts, living there in the Latin Quarter and doing something that all Paris talked about."
Cultural significance of La Confidence
Cultural significance of La Confidence
One of Gardner's most well-known works, La Confidence (ca. 1880) is in the collection of the Georgia Museum of Art. This painting depicts an intimate, whispered secret between two young peasant girls. The painting was given to the Lucy Cobb Institute, an all-girls school in Athens, Georgia. Hung in the drawing room parlor of the school, the work was beloved in the school's collection and was viewed as having a "moralizing purpose" for the young girls enrolled in the finishing school. In 1991, painter, filmmaker and University of Georgia filmmaker James Herbert (director) appropriated Gardner's painting and several others from the Georgia Museum of Art's collection and reinterpreted the image in the video for Athens band R.E.M.'s song "Low" from the album Out of Time.
Gallery
Gallery
Gardner's work bears a strong resemblance to that of her husband, William-Adolphe Bouguereau • Illustration — La Confidence (1880) • Illustration — David the Shepherd • Illustration — Gardner-Garde – Similar to Bouguereau's The Bohemian • Illustration — The Imprudent Girl
Identity and origins
Identity and origins
She also worked under the names Bouguereau, Elizabeth Jane Gardner and Bouguereau, William-Adolphe. The authorities additionally record the headings Elizabeth Gardner, Elizabeth Bouguereau-Gardner, Elizabeth Jane Bouguereau Gardner, Mrs. Adolphe William Bouguereau and Elizabeth Jeanne Gardner Bouguereau. Her recorded languages were Italian, German, English and French. She married William-Adolphe Bouguereau.
Identity
Identity
Elizabeth Jane Gardner is recorded with the occupation painter. Classed in the genre religious art. Established in Library of Congress under nr2003012767. Established in RKDartists under 11383. Established in FAST under 492970. Gardner worked at Paris. Recorded as having studied at Lasell University and Académie Julian.
Life and career
Dated record
Life and career
Explore 1837–1922
The full dated record · 3 entries
1837
Elizabeth Jane Gardner was born on 4 October 1837.
1922
Dies at Saint-Cloud.
1922
Elizabeth Jane Gardner died on 28 January 1922.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Exeter.
Birth place
Saint-Cloud.
Death place
Personal attributes
Like the artist Rosa Bonheur, she applied to the police for a permit that would allow her to wear men's attire so she could attend life classes at the famous Gobelins tapestry works. She was a businesswoman and a polyglot, switching easily from her native English to French, Italian or German in order to make her guests and potential clients feel at ease. She excelled in the social graces and knew how to manage publicity and nurture relationships that would help further her career. Her ability to work her way into the social networks in Paris earned her sales and portrait commissions.
Context
Primary material
Context
Adolphe William Bouguereau; Elizabeth Jeanne Gardner Bouguereau; Elizabeth Jane Bouguereau. Associated with academic art.
Documents and archives
Primary material
Documents and archives
institutional register
- Wikidata, structured authority record Q291010: Elizabeth Jane Gardner
General reference · Wikimedia Foundation
reference work
- “Elizabeth Jane Gardner”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Elizabeth Jane Gardner Bouguereau. National Museum of Women in the Arts.
- 2.Wissman, Fronia E. Bouguereau. Pomegranate Artbooks, 1996, p. 116.
- 3.Brown, Janice. New Hampshire's Most Celebrated Artist: Exeter's Elizabeth Jane (Gardner) Bouguereau (1837-1922). Cow Hampshire. 2015-11-02.
- 4.Gardner, Elizabeth Jane. Letter to John Gardner. January 28, 1867.
- 5.Manoguerra, Paul. One Hundred American Paintings. Georgia Museum of Art. 2011.
- 6.Nichols, K. L. Women's Art at the World's Columbian Fair & Exposition, Chicago 1893.
- 7.Gaze, Delia. Dictionary of Women Artists. Fitzroy Dearborn Publishers. 568. 1997.
- 8.R.E.M. video for "Low"
- 9.Elizabeth Gardner Bouguereau – Civil War Women. civilwarwomenblog.com. April 24, 2015.
Bibliography printed in the source article · 4
- Pearo, Charles. "Elizabeth Jane Gardner (1837–1922): Tracing the Construction of Artistic Identity" (Dissertation, University of Pittsburgh, 2002).
- Pearo, Charles. "Elizabeth Jane Gardner: 'the Best Imitator of Bouguereau'." In In the Studios of Paris: William Bouguereau and His American Students, edited by James Frederick Peck, 59–78. New Haven: Exhibition catalog from the Philbrook Museum of Art distributed by Yale University Press, 2006.
- Fidell-Beaufort, "Elizabeth Jane Gardner Bouguereau: A Parisian Artist from New Hampshire," Archives of American Art Journal 24 (1984), 2–3.
- Adler, Hirscher, Weinberg, Americans in Paris: 1860–1900, Exhibition Catalog, National Gallery Company Limited, 2006
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
institutional register
Wikidata, structured authority record Q291010: Elizabeth Jane GardnerWikimedia Foundation
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Formation and teaching. Gardner studied at Lasell University and Académie Julian. She trained under Ange Tissier, Jules Lefebvre, William-Adolphe Bouguereau and Hugues Merle.
Recognition and collections
Work by Elizabeth Jane Gardner is
Georgia Museum of Art, Appleton Museum of Art, Dahesh Museum of Art and National Museum of Women in the Arts
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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