Edward William Cooke

The recorded working language is English. Subjects and genres recorded for the work are marine. Work by Edward William Cooke is recorded in the collections of Auckland Art Gallery, Tate, Musée national des beaux-arts du Québec, Australian National Maritime Museum and Victoria and Albert Museum. Distinctions recorded are Fellow of the Royal Society and Fellow of the Linnean Society of London.

• Name — Edward William Cooke • Born — 27 March 1811 • Birthplace — Pentonville, London • Died — 4 January 1880 • Education — James Stark • Known for — Marine and landscape painting • Elected — Royal Academy National Academy of Design Edward William Cooke (27 March 1811 – 4 January 1880) was an English landscape and marine painter, and gardener.

Cooke was born in Pentonville, London, the son of well-known line engraver George Cooke; his uncle, William Bernard Cooke (1778–1855), was also a line engraver of note, and Edward was raised in the company of artists. He was a precocious draughtsman and a skilled engraver from an early age, displayed an equal preference for marine subjects (in special in sailing ships) and published his "Shipping and Craft" – a series of accomplished engravings – when he was 18, in 1829. He benefited from the advice of many of his father's associates, notably Clarkson Stanfield (whose principal marine follower he became) and David Roberts. Cooke began painting in oils in 1833, took formal lessons from James Stark in 1834 and first exhibited at the Royal Academy and British Institution in 1835, by which time his style was essentially formed. • Illustration — View of St. Agnes, Edward William Cooke Remarkably few of his drawings of ships, boats, and coastal views appear in the childhood albums of Edward William Cooke since age of four. Many of his earlier drawings are seemed to favor Dutch pastoral landscapes and animal subjects. Numerous of his drawings are influenced by Nicolaes Berghem [Berchem], Paulus Potter, or Karel Dujardin. He went on to travel and paint with great industry at home and abroad, indulging his love of the 17th-century Dutch marine artists with a visit to the Netherlands in 1837. He returned regularly over the next 23 years, studying the effects of the coastal landscape and light, as well as the works of the country's Old Masters, resulting in highly successful paintings. These included 'Beaching a Pink at Scheveningen' (National Maritime Museum, London), which he exhibited in 1855 at the Royal Academy, of which he was an Associate from 1851. He went on to travel in Scandinavia, Spain, North Africa and, above all, to Venice. In 1858, he was elected into the National Academy of Design as an Honorary Academician. Cooke was "particularly attracted by the Isle of Wight, and on his formative visit of 1835 he made a thorough study of its fishing boats and lobster pots; above all he delighted in the beaches strewn with rocks of various kinds, fishing tackle, breakwaters and small timber-propped jetties." He also had serious natural history and geological interests, being a Fellow of the Linnean Society, Fellow of the Geological Society and Fellow of the Zoological Society, and of the Society of Antiquaries. In the 1840s he helped his friend, the horticulturist, James Bateman fit out and design the gardens at Biddulph Grange in Staffordshire, in particular the orchids and rhododendrons. His geological interests in particular led to his election as Fellow of the Royal Society in 1863 and he became a Royal Academician the following year. In 1842 John Edward Gray named a species of boa, Corallus cookii, in Cooke's honor. In January 1864, Cooke donated £200 to the Royal National Lifeboat Institution (RNLI) towards the provision of a lifeboat at North Deal in Kent. The first boat to be stationed there, in service from 1865 to 1887, was named Van Kook at his request.

• Illustration — Hay Barge off Greenwich, 1835 • Illustration — Lobster Pots, Ventnor, 1835 • Illustration — The Antiquary's Cell, 1835 • Illustration — Old Hastings, 1835 • Illustration — Portsmouth Harbour, The Hulks, 1836 • Illustration — Mending the Bait-Nets, Shanklin, 1836 • Illustration — Semaphore at Portsmouth, 1836 • Illustration — Brighton Sands, 1837 • Illustration — Vessels on the Sands at Hastings, 1837 • Illustration — Mont Saint Michel, Normandy, 1838 • Illustration — Off the Port of Havre, 1840 • Illustration — Mont St Michel Shrimpers, 1842 • Illustration — Dutch Yachting on the Zuider Zee, 1848 • Illustration — Off the Coast of Leghorn, 1848 • Illustration — Salerno, Italy, 1849 • Illustration — On the Bacino di San Marco, Venice, 1851 • Illustration — San Giorgio Maggiore and the Salute, Venice, 1852 • Illustration — A North Sea Breeze on the Dutch Coast, 1855 • Illustration — Morning After a Heavy Gale, 1857 • Illustration — Bridge of Sighs, Venice, 1858 • Illustration — The Bay of Tangier, 1862 • Illustration — Scheveningen Pincks off the Coast of Yarmouth, 1864 • Illustration — Canal of the Giudecca, Venice, 1867 • Illustration — French Sloop Entering the Harbour of Tréport, 1869 • Illustration — Naval Review in Honour of the Shah of Persia, 1875

Identity and origins. The authorities additionally record the headings Edward Cooke, E. Cooke and E.W. His recorded language was English. He was the child of George Cooke. He married Jane Cooke.