Darvish Khan

As a teacher, Darvish Khan is recorded in connection with Mousa Maroufi, Morteza Neydavoud, Abolhassan Saba, Nur-Ali Borumand and Sa'id Hormozi. Each of those relationships is stated by the authority record rather than inferred from style.

What the record establishes about Darvish Khan.

Fazlur R. Khan Collection is dated 1944-2017 and held by The Art Institute of Chicago (inventory 1992.7). The Art Institute of Chicago records 1 object associated with this heading. Darvish Khan is recorded with the citizenship of Iran. Darvish Khan is recorded as composer.

The identifiers under which Darvish Khan may be traced in institutional catalogues.

Darvish Khan is established in the international name authorities as Wikidata Q2736103.

1 work under this name is catalogued by The Art Institute of Chicago.

Fazlur R. Khan Collection, dated 1944-2017, manuscripts, typescript papers, printed papers, correspondence, black and white photographic prints, color photographic prints, black and white slides, color slides, audiocassettes, architectural reprographic prints and graphite drawings., held by The Art Institute of Chicago, inventory 1992.7.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue.

2 scholarly publications naming this subject were located in the registry of record.

The Charaweemak Hazara in Power Dynamics from the Era of Darvish Ali Khan to the Constitutional Period, Journal of Social-Political Studies of Iran's Culture and History, 2024. Rhythmic Variations of Kereshmeh in Pishdaramad’s of Darvish-Khan, هنرهای زیبا. هنرهای نمایشی و موسیقی, 2024.

1 digitised item associated with this heading is catalogued by Internet Archive.

Asare Darvish Khan 2 — Internet Archive.

Bibliographic registers publish measured figures for this heading: 8 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.