Charles Cressent
Illustration — Writing desk by Charles Cressent, 1730–1735 Charles Cressent (1685–1768) was a French furniture-maker, sculptor and fondeur-ciseleur of the régence style. Even more important, perhaps, was the fact that he was a pupil of André Charles Boulle. Cressent's distinction is closely connected with the regency, but his earlier work had affinities with the school of Boulle, while his later pieces were full of originality.
Also recorded as Charles Cresent · Charles Crescent
Charles Cressent

Charles Cressent · The Cleveland Museum of Art · John L. Severance Fund · CC0
- Born
- 1685 · Amiens.
- Died
- 1768 · Paris.
- Nationality
- France
- Occupation
- sculptor · cabinetmaker · master craftsman
- Teachers
- François Cressent
- Languages
- French
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Writing desk by Charles Cressent, 1730–1735 Charles Cressent (1685–1768) was a French furniture-maker, sculptor and fondeur-ciseleur of the régence style. Even more important, perhaps, was the fact that he was a pupil of André Charles Boulle. Cressent's distinction is closely connected with the regency, but his earlier work had affinities with the school of Boulle, while his later pieces were full of originality.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Charles Cressent. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q2958822 · wikipedia · Charles Cressent
In this article
Examples of work
Examples of work
Cressent was also a sculptor, and among his work is a bronze bust of Louis d'Orléans, Duke of Chartres, the son of Philippe II, Duke of Orléans (later Regent of France for Louis XV), for whom Cressent had made one of the finest examples of French furniture of the 18th century the famous medaillier now in the Bibliothèque Nationale. Cressent's bronze mounts were executed with a sharpness of finish and a grace and vigour of outline which were excelled by his contemporary Jacques Caffieri. The work of identification is rendered comparatively easy in his case by the fact that he published catalogues of three sales of his work. These catalogues are highly characteristic of the man, who shared in no small degree the personal bravura of Cellini, and could sometimes execute almost as well. He did not hesitate to describe himself as the author of a clock worthy to be placed in the very finest cabinets, the most distinguished bronzes, or pieces of the most elegant form adorned with bronzes of extra richness. He worked much in marqueterie, both in tortoiseshell and in brilliant colored woods. He was indeed an artist to whom colour appealed with especial force. The very type and exemplar of the feeling of the regency.
Training under François Cressent is recorded. The recorded working language is French. Work by Charles Cressent is recorded in the collections of Minneapolis Institute of Art, The Nelson-Atkins Museum of Art, J. Paul Getty Museum, Cleveland Museum of Art and National Museum Paleis het Loo.
• Illustration — Charles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor Writing-table, c. 1725, Wallace Collection, UK Commode, c. 1730, Waddesdon Manor, UK Commode, ca. 1745-49, Metropolitan Museum of Art, USA Filing-Cabinet and clock, c. 1740-1745, Wallace Collection, UK Cartel clock, c. 1747, Wallace Collection, UK • Illustration — Chest of drawers by Charles Cressent, Paris, c. 1730, with Sèvres porcelain - Waddesdon Manor - Buckinghamshire, England • Illustration — Charles Cressent, coppia di medaglieri, parigi 1750 • Illustration — Charles Cressent, coppia di mobili con scaffali da biblioteca, parigi, 1735 • Illustration — Charles Cressent, tavolo da segreteria, parigi 1750 • Illustration — Charles Cressent, cantoniera (da una coppia), parigi 1757-65 ca., con un vaso celadon parigino del 1720-30
Identity
Identity
Commode is dated ca. Recorded as sculptor, cabinetmaker and master craftsman.

Bookcase, c. 1720, by Charles Cressent
Charles Cressent · The Cleveland Museum of Art · John L. Severance Fund

Bookcase, c. 1720, by Charles Cressent
Charles Cressent · The Cleveland Museum of Art · John L. Severance Fund
Life and career
Dated record
Life and career
The full dated record · 2 entries
1685
Charles Cressent born at Amiens.
1768
Charles Cressent died at Paris.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Amiens.
Birth place
Paris.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Les Artistes décorateurs du bois, tome 1, .
- 2.14-15.
- 3.Harvsp Ballot 1919 p=2
- 4.Harvsp Ballot 1919 p=4
- 5.Henri Vial, Adrien Marcel, André Girodie, Les Artistes décorateurs du bois - Répertoire alphabétique des ébénistes, menuisiers, sculpteurs, doreurs sur bois etc., ayant travaillé en France aux , tome premier, « A à L », , Bibliothèque d'art et d'archéologie, Paris, 1912 (lire en ligne (vue 153))
- 6.Harvsp Ballot 1919 p=16
- 7.16-17.
- 8.32-33.
- 9.Note : Il est le fils de Philippe Poitou (mort le ) qui se qualifie de « marqueteur du roi » jusqu'en 1687 avant de devenir l'ébéniste du duc d'Orléans (Voir : Henri Vial, Adrien Marcel, André Girodie, Les Artistes décorateurs du bois, tome 2, ).
- 10.197.
- 11.Charles Cressent, Éditions Faton.
- 12.Harvsp Ballot 1919 p=55
- 13.302.
- 14.Charles Barrat, L'apprentissage industriel : Rapport sur l'apprentissage dans les industries de l'ameublement, , Imprimerie nationale, Paris, 1905 (lire en ligne)
- 15.Voir : Alfred de Champeaux, .
- 16.Harvsp Ballot 1919 p=57
- 17.309.
- 18.Harvsp Ballot 1919 p=68
- 19.Harvsp Ballot 1919 p=72
- 20.Harvsp Ballot 1919 p=86
- 21.Catalogue de différens effets curieux du Sieur Cressent ébéniste des palais de feu S. A. R. Monseigneur le duc d'Orléans, cette vente dans laquelle il ne sera rien retiré se fera au plus offrant et dernier enchérisseur, le 15 janvier 1749 (lire en ligne)
- 22.Scellés et inventaires d'artistes, .
- 23.Harvsp Ballot 1919 p=91
- 24.Commode, Charles Cressent (attributed to), c. 1745 - c. 1750.
- 25.Cartel clock, Charles Cressent, c. 1740 - c. 1745.
- 26.Pendule en forme de cartel supportée par deux chimères.
- 27.201.
- 28.Commode.
- 29.200.
- 30.Commode.
- 31.Writing Table (Bureau plat) (The J. Paul Getty Museum Collection).
- 32.198.
- 33.202.
- 34.Commode.
- 35.Buste d’espagnolette bouclée.
- 36.Musée du Louvre : commode de Charles Cressent.
- 37.Bureau plat.
- 38.Armoire.
- 39.Commode.
- 40.Le Salon doré. elysee.fr.
- 41.Bureau plat à double face, ayant servi à la signature du traité de Versailles le 29 juin 1919.
Bibliography printed in the source article · 9
- Daniel Alcouffe, Anne Dion-Tenenbaum, Amaury Lefébure, Le mobilier du musée du Louvre, t. 1, Dijon, Editions Faton, pp. 128-129.
- Charles Cressent, sculpteur, ébéniste, collectionneur. Champion. 1919.
- Alfred de Champeaux, Dictionnaire des fondeurs, ciseleurs, modeleurs en bronze et doreurs : depuis le Moyen âge jusqu'à l'époque actuelle, , Libraire de l'art, Paris, 1886 (lire en ligne (vue 344))
- Jules Guiffrey, Scellés et inventaires d'artistes. Deuxlème partie (1741-1770). CCXXXVI. Charles Cressent, ébéniste du duc d'Orléans (1768), , Nouvelles archives de l'art français : recueil de documents inédits, 1884 (lire en ligne)
- Le Mobilier Français du XVIIIe siècle. Les éditions de l'amateur. 1989. 2-85917-087-1.
- Alexandre Pradère, Charles Cressent, Sculpteur, ébéniste du Roi, Dijon, 2003, Éditions Faton
- Alexandre Pradère, Les ébénistes français de Louis XV à la Révolution, Paris, Editions Le chêne, 1989, p. 129.
- Henri Vial, Adrien Marcel, André Girodie, Les Artistes décorateurs du bois - Répertoire alphabétique des ébénistes, menuisiers, sculpteurs, doreurs sur bois etc., ayant travaillé en France aux , tome 1, A à L, , Bibliothèque d'art et d'archéologie, Paris, 1912 (lire en ligne (vues 151-153))
- Henri Vial, Adrien Marcel, André Girodie, Les Artistes décorateurs du bois - Répertoire alphabétique des ébénistes, menuisiers, sculpteurs, doreurs sur bois etc., ayant travaillé en France aux , tome 2, M à Z, , Jean Schemit éditeur, Paris, 1922 (lire en ligne (vue 246-247))
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q2958822: Charles CressentWikimedia Foundation
Secondary witnessreference work
Secondary witness
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Died at
1- ParisPlace
Established from a fact already recorded on a verified source.
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the headings Charles Cresent and Charles Crescent. His recorded language was French. He was the child of François Cressent.
Identity and origins
Recognition and collections
Work by Charles Cressent is
Minneapolis Institute of Art, The Nelson-Atkins Museum of Art, J. Paul Getty Museum and Cleveland Museum of Art
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Sculpture
6,174 published records in this field, each with its sources named.
- Charles BrennusArtist
- Charles Cary RumseyArtist
- Charles CharlemontArtist
- Charles Christian ReisenArtist
- Charles DaudelinArtist
- Charles DegeorgeArtist
- Charles DelangladeArtist
- Charles DespiauArtist
Best supported in this field
For owners
Own a work by Charles Cressent?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.