Charles Bird King

Work by Charles Bird King is held by Minneapolis Institute of Art, National Portrait Gallery, Yale University Art Gallery and Buffalo AKG Art Museum.

Work associated with this heading is recorded in 12 named public collections.

Gilcrease Museum: 12 recorded objects, read from the institution's own published catalogue. Smithsonian American Art Museum: 9 recorded objects, read from the institution's own published catalogue. National Portrait Gallery: 6 recorded objects, read from the institution's own published catalogue. White House: 5 recorded objects, read from the institution's own published catalogue. Corcoran Gallery of Art: 3 recorded objects, read from the institution's own published catalogue. Crystal Bridges Museum of American Art: 3 recorded objects, read from the institution's own published catalogue. Q214867: 2 recorded objects, read from the institution's own published catalogue. Museum of Fine Arts Boston: 2 recorded objects, read from the institution's own published catalogue. New York Historical: 2 recorded objects, read from the institution's own published catalogue. Yale University Art Gallery: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue. Wellcome Collection: 46 recorded objects, read from the institution's own published catalogue.

7 scholarly publications naming this subject were located in the registry of record.

King, Charles Bird, Benezit Dictionary of Artists, 2011. King, Charles Bird, Oxford Art Online, 2018. King, Charles Bird (1785-1862), artist, American National Biography Online, 2000. Charles Bird King: An Appreciation, American Art Journal, 1974. The Indian Legacy of Charles Bird King, The Arkansas Historical Quarterly, 1977. Traversing Two Cultures: A Portrait of William McIntosh, Southern Slave Owner and Lower Creek Chief, Panorama, 2020. Kenneth Haltman, Professor, School of Visual Arts University of Oklahoma, Panorama, 2016.

3 digitised items associated with this heading are catalogued by Internet Archive.

Tah-Ro-Hon, An Ioway Warrior (1838) — Internet Archive. Poor Artist's Cupboard (1815) — Internet Archive. Qua-Ta-Wa-Pea, A Shawnoe Chief (1838) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 14 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.

training under Samuel King is recorded. the recorded working language is English.

Subjects and genres recorded for the work are portrait. The authority associates the name with Romanticism.

Places of work recorded in the authority are New York City, London and United States.

Works named in the authority record are Young Omahaw, War Eagle, Little Missouri, and Pawnees.

Work by Charles Bird King is recorded in the collections of Minneapolis Institute of Art, National Portrait Gallery, Yale University Art Gallery, Buffalo AKG Art Museum and Georgia Museum of Art.