Charlemagne Palestine
Chaim Moshe Tzadik Palestine (born August 15, 1945 or 1947), known professionally as Charlemagne Palestine, is an American visual artist and musician. He has been described as being one of the founders of New York school of minimalist music, first initiated by La Monte Young, Terry Riley, Steve Reich, Philip Glass and Phil Niblock, although he prefers to call himself a maximalist.
Also recorded as Chaim Moshe Tzadik Palestine
Charlemagne Palestine
Sandra Fauconnier · CC BY-SA 3.0
- Name
- Charlemagne Palestine
- Birth Name
- Chaim Moshe Tzadik Palestine
- Born
- 15 August 1947
- Occupation
- Musical performance artist / Visual artist
- Nationality
- United States
- Fields
- minimalist
- Education
- Mannes College The New School for Music
- Languages
- English
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Documentary summary
Chaim Moshe Tzadik Palestine (born August 15, 1945 or 1947), known professionally as Charlemagne Palestine, is an American visual artist and musician. He has been described as being one of the founders of New York school of minimalist music, first initiated by La Monte Young, Terry Riley, Steve Reich, Philip Glass and Phil Niblock, although he prefers to call himself a maximalist.
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Note VALÉORINE
Charlemagne Palestine (born 1947) is an American artist, carillonist and composer, among other activities. The artist was born in Brooklyn.
Charlemagne Palestine studied at Mannes College The New School for Music. The artist worked in Brooklyn, Brussels and Groningen.
Genres include minimalist. Languages used include English. Works by Charlemagne Palestine are held at De Appel, Kunsthaus Zürich and LIMA, among others.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q369916 · wikipedia · Charlemagne Palestine
In this article
Biography
Biography
Charlemagne Palestine studied at Mannes College The New School for Music. The recorded working language is English. Subjects and genres recorded for the work are minimalist. Places of work recorded in the authority are Groningen, Brooklyn and Brussels. Work by Charlemagne Palestine is recorded in the collections of National Gallery of Canada, Museum of Modern Art, Kunsthaus Zürich, San Francisco Museum of Modern Art and Stedelijk Museum Amsterdam.

Charlemagne Palestine
Andy Newcombe Farnborough, UK

Le clavier du carillon de cloches de Charlemagne Palestine (à gauche)
Fredamas
Key facts
Key facts
• Name — Charlemagne Palestine • Birth Name — Chaim Moshe Tzadik Palestine • Born — 15 August 1947 • Origin — Brooklyn, New York City, U.S. • Genre — Maximalism Minimalist Experimental Visual art • Occupation — Musical performance artist / Visual artist • Instrument — Vocals, piano, organ, harmonium, spoken word • Label — Table of the Elements
Formational years
Formational years
Born in Brooklyn, New York, Palestine began by singing sacred Jewish music and studying accordion and piano. At the age of 12 he started playing backup conga and bongo drum for Allen Ginsberg, Gregory Corso, Kenneth Anger, and Tiny Tim. From 1962 to 1969, Palestine was carillonneur for the Saint Thomas Episcopal Church in Manhattan, eventually creating a piece that consisted of 1,500 15-minute performances. From 1968 to 1972, Palestine studied vocal interpretation with Pandit Pran Nath, experimented on kinetic light sculptures with Len Lye, composed music for Tony and Beverly Conrad’s film Coming Attractions, taught at CalArts with Morton Subotnick, created the sound and movement piece Illuminations with Simone Forti, and developed his own alternative synthesizer: the Spectral Continuum Drone Machine. Throughout the seventies Palestine created records, videos, sculptural objects, abstract expressionist visual scores, and performed long piano concerts regularly in his loft on North Moore Street in Tribeca in the company of his bevy of stuffed animals. From 1980 to 1995, Palestine performed only rarely, exhibiting instead at Stedelijk Museum, Amsterdam; the Moderna Museet, Stockholm; and in documenta 8. During that time, he also founded the Ethnology Cinema Project in New York, which is dedicated to preserving films that document disappearing traditional cultures. After moving to Europe in 1995, he settled in Brussels. In addition to creating exhibitions, Palestine performs regularly, releasing new and re-releasing older material and developing new videos and sonic projects.
Art exhibitions
Art exhibitions
Charlemagne Palestine, who has long incorporated bears and plush toys into his performances, created the art installation Bear Mitzvah in Meshugahland at The Jewish Museum in New York City in 2017.
Selected discography: solo works
Selected discography: solo works
• Body Music 1973 • "Strumming Music". Shandar, 1974. • Karenina. 2 CDs. Solo performance with Indian harmonium and falsetto voice, rec. March 1997 in Paris. London: World Serpent Distribution. • Schlingen-Blängen. Solo performance for organ. US: New World Records, 1999. • Four Manifestations on Six Elements. Solo pieces for piano and for electronics. Belgium: Barooni Records. • Godbear. Solo pieces for piano. Belgium: Barooni Records. • Strumming Music. Solo piece for piano. Felmay, San Germano, Italy, 1995; reissue of New Tone recording nt6742 • Three Compositions for Machines. Staalplaat, 1997. • Schlongo!!!daLUVdrone. Organ of Corti, 2000. • Jamaica Heinekens in Brooklyn. Piece for found sound and electronic drones. Belgium: Barooni Records. • Alloy. Alga Marghen, 2000. • Continuous Sound Forms. Alga Marghen, 2000. • Charlemagne at Sonnabend. 2 CDs. CP, 2001. • Music for Big Ears. Staalplaat, 2001. • In Mid-Air. Alga Marghen, 2003. • Old Souls Wearing New Clothes. VPRO, 2003. • A Sweet Quasimodo between Black Vampire Butterflies: For Maybeck. Cold Blue, 2007. • The Apocalypse Will Blossom. Yesmissolga, 2008. • Voice Studies. LP only. Alga Marghen, 2008. • From Etudes to Cataclysms. 2 CDs. Sub Rosa, 2008. • "Relationship Studies". LP. Algha Marghen, 2010. • "Two Electronic Sonorities". LP. Algha Marghen, 2012.
Selected discography: collaborations
Selected discography: collaborations
• Charlemagne Palestine and Pan Sonic. Mort aux vaches. Staalplaat, 2000. • Charlemagne Palestine, David Coulter and Jean Marie Mathoul. Maximin. Young God Records, 2002. • Charlemagne Palestine, David Coulter, Michael Gira and Jean Marie Mathoul. Gantse Mishpuchach / Music in Three Parts. Fringes Recordings, 2004. • Charlemagne Palestine and Tony Conrad. An Aural Symbiotic Mystery. Sub Rosa, 2006. • Charlemagne Palestine, Terry Jennings, Tony Conrad, Robert Feldman, Rhys Chatham. Sharing a Sonority. Alga Marghen, 2008. • Charlemagne Palestine and Christoph Heemann. Saiten in Flammen. Streamline, 2009. • Charlemagne Palestine and Janek Schaefer. Day of the Demons. Desire Path Recordings, 2012. • Charlemagne Palestine and Rhys Chatham Youuu + Mee = Weee. Sub Rosa, 2014. • Charlemagne Palestine and Seppe Gebruers Beyondddddd The Notessssss. Konnekt, 2025.
Primary material
Documents and archives
reference work
- “Charlemagne Palestine”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q369916: Charlemagne Palestine
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Charlemagne Palestine Songs, Albums, Reviews, . AllMusic.
- 2.Pontegnie, Annie. Charlemagne Palestine. Artforum International. 1 September 2002.
- 3.15 questions | Interview | Charlemagne Palestine | The Bare Maximum. 15questions.net.
- 4.Gray, Louise. Invisible Jukebox: Charlemagne Palestine. The Wire. 223. 21–23. 1 September 2002.
- 5.Hickling, Alfred. Charlemagne Palestine – a man who plays the whole building. The Guardian. 4 March 2010.
- 6.Charlemagne PALESTINE | "The Lower Depths". Corticalart.com.
- 7.Charlemagne Palestine’s Strumming Music. Bachtrack.com.
- 8.How New York art and music pioneer Charlemagne Palestine found his way to Brussels. The Brussels Times.
- 9.Guzman, Antonio. Sacred Bordello: Charlemagne Palestine. Black Dog Publishing. April 1, 2004. 978-1901033793.
- 10.Ira Schneider, Beryl Korot -Video art: an anthology 1976 - - Page 249 "Palestine, in an early tape entitled Body Music, produced a fixed-camera recording of his performance piece, during which he developed a progression of body sounds while moving in an ever-expanding spiral toward the edges of the gallery ..."
- 11.Marley, Brian. Charlemagne Palestine: In Mid-Air. The Wire. 232. 67–68. 1 June 2003.
- 12.Charlemagne Palestine's Bear Mitzvah in Meshugahland. The Jewish Museum.
Bibliography printed in the source article · 4
- Johnson, Tom (1989). The Voice of New Music: New York City 1972–1982: A Collection of Articles Originally Published by the Village Voice. Eindhoven, Netherlands: Het Apollohuis. .
- Palestine, Charlemagne (2004). Sacred Bordello. Book with CD. Milan: Alga Marghen.
- Voegelin, Salome. Listening to Noise and Silence: Towards a Philosophy of Sound Art. London: Continuum. 2010. Chapter 2 Noise, pp. 50–52.
- Zimmerman, Walter, Desert Plants – Conversations with 23 American Musicians, Berlin: Beginner Press in cooperation with Mode Records, 2020 (originally published in 1976 by A.R.C., Vancouver). The 2020 edition includes a cd featuring the original interview recordings with Larry Austin, Robert Ashley, Jim Burton, John Cage, Philip Corner, Morton Feldman, Philip Glass, Joan La Barbara, Garrett List, Alvin Lucier, John McGuire, Charles Morrow, J.B. Floyd (on Conlon Nancarrow), Pauline Oliveros, Charlemagne Palestine, Ben Johnston (on Harry Partch), Steve Reich, David Rosenboom, Frederic Rzewski, Richard Teitelbaum, James Tenney, Christian Wolff, and La Monte Young.
References
Citations
References
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reference work
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General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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