Cass Gilbert

Gilbert's achievements were recognized in his lifetime; he served as president of the American Institute of Architects in 1908–09. Gilbert was a conservative who believed architecture should reflect historic traditions and the established social order. His design of the new Supreme Court building in 1935, with its classical lines and small size, contrasted sharply with the large federal buildings along the National Mall in Washington, D.C, which he disliked. Architectural historian Margaret Heilbrun said that "Gilbert's pioneering buildings injected vitality into skyscraper design, and his 'Gothic skyscraper,' epitomized by the Woolworth Building, profoundly influenced architects during the first decades of the twentieth century." Historians Christen and Flanders wrote that his reputation among architectural critics went into eclipse during the age of modernism, but has since rebounded because of "respect for the integrity and classic beauty of his masterworks".

Cass Gilbert studied at Massachusetts Institute of Technology. The recorded working language is English. The field of work recorded is architecture. Works named in the authority record are United States Supreme Court Building, Woolworth Building and Minnesota State Capitol. Work by Cass Gilbert is recorded in the collections of Smithsonian American Art Museum and Vanderbilt Museum of Art. Distinctions recorded are Fellow of the American Institute of Architects.

• Name — Cass Gilbert • Born — 24 November 1859 • Birthplace — Zanesville, Ohio, U.S. • Died — 17 May 1934 • Place of death — Brockenhurst, U.K. • Significant Buildings — Woolworth Building, United States Supreme Court building • Awards — President, American Institute of Architects, 1908–09 • Education — Macalester College MIT • Relatives — Charles Champion Gilbert (uncle) • Parents — Samuel Augustus Gilbert (father)

Gilbert was born in Zanesville, Ohio, the middle of three sons, and was named after the statesman Lewis Cass, to whom he was distantly related. Gilbert's father General Samuel Augustus Gilbert was a Union veteran of the American Civil War and a surveyor for the United States Coast Survey. His uncle was Union General Charles Champion Gilbert. When he was nine, Gilbert's family moved to St. Paul, Minnesota, where he was raised by his mother after his father died. Cass was raised Presbyterian. He attended preparatory school but dropped out of Macalester College. He began his architectural career at age 17 by joining the Abraham M. Radcliffe office in St. Paul. In 1878, Gilbert enrolled in the architecture program at MIT.

• Illustration — Cass Gilbert standing in front of the drum atop the Minnesota State Capitol before its dome was placed Gilbert worked for a time with the firm of McKim, Mead & White before starting a practice in St. Paul with James Knox Taylor. He was commissioned to design a number of railroad stations, including those in Anoka, Willmar and the extant Little Falls depot, all in Minnesota. As a Minnesota architect he was best known for his design of the Minnesota State Capitol and the downtown St. Paul Endicott Building. His goal was to move to New York City and gain a national reputation, but he remained in Minnesota from 1882 until 1898. Many of his Minnesota buildings are still standing, including more than a dozen private residences (especially those on St. Paul's Summit Avenue), several churches featuring rich textures and colors, resort summer homes, and warehouses.

• Illustration — Gilbert's Woolworth Building in New York City was the world's tallest building when completed in 1913. Gilbert was a skyscraper pioneer; when designing the Woolworth Building he moved into unproven ground — though he certainly was aware of the ground-breaking work done by Chicago architects on skyscrapers and once discussed merging firms with the legendary Daniel Burnham — and his technique of cladding a steel frame became the model for decades. Modernists embraced his work: artist John Marin painted it several times; even Frank Lloyd Wright praised the lines of the building, though he decried the ornamentation. Gilbert was one of the first celebrity architects in America, designing skyscrapers in New York City and Cincinnati, campus buildings at Oberlin College and the University of Texas at Austin, state capitols in Minnesota and West Virginia, the support towers of the George Washington Bridge, railroad stations (including the New Haven Union Station, 1920), and the United States Supreme Court building in Washington, D.C. His reputation declined among some professionals during the age of Modernism, but he was on the design committee that guided and eventually approved the modernist design of Manhattan's groundbreaking Rockefeller Center. Gilbert's body of work as a whole is more eclectic than many critics admit. In particular, his Union Station in New Haven lacks the embellishments common of the Beaux-Arts period and contains the simple lines common in Modernism. Gilbert wrote to a colleague, "I sometimes wish I had never built the Woolworth Building because I fear it may be regarded as my only work and you and I both know that whatever it may be in dimension and in certain lines it is after all only a skyscraper." Gilbert's two buildings on the University of Texas at Austin campus, Sutton Hall (1918) and Battle Hall (1911), are recognized by architectural historians as among the finest works of architecture in the state. Designed in a Spanish-Mediterranean revival style, the two buildings became the stylistic basis for the later expansion of the university in the 1920s and 1930s and helped popularize the style throughout Texas.

• Illustration — 90 West Street, New York City, 1903 • Illustration — Kelsey Building, 1911 • Illustration — Fourth and Vine Tower, Cincinnati, 1913 • Illustration — The Allen Memorial Art Museum at Oberlin College, 1917 • Illustration — Chase Building, Waterbury, Connecticut, 1919 • Saint Paul Seminary, Saint Paul, Minnesota. • Cretin Hall, Loras Hall, a gymnasium (later the Service Center), a classroom building, the refectory building, and the administration building in 1894 were commissioned by James J. Hill. Cretin and the Service Center no longer stand as of 2024, on the University of St. Thomas (Minnesota) campus, as they were torn down to build a hockey/basketball arena. • Minnesota State Capitol, Saint Paul, Minnesota, 1895–1905. • Designed in High Renaissance style, the building is not a replica of the United States Capitol. Local newspapers made a fuss when Gilbert sent to Georgia for marble, but the result, in which a hemispherical dome caps a high drum not unlike that of St. Peter's Basilica, crowning a building housing the bicameral legislature and the state supreme court, was so nobly handsome that West Virginia and Arkansas contracted for Gilbert capitols as well. Its brick dome is held in hoops of steel. • St. Clement's Episcopal Church, St. Paul, Minnesota, 1895. • Designed in the traditional English country church style, with a lychgate and close, bell tower, and parish hall (renovated in 2006). Funded by a generous donation from Mrs. Theodore Eaton, widow of the rector of St. Clement's Episcopal Church in New York City. Includes original furniture, baptismal font, encaustic tile floor in choir, elaborate rood screen, linen-fold paneling, and parquet oak floor in sanctuary. The altar features Tiffany Studios stained glass window depicting the empty cross. • St. John the Divine Episcopal Church, 120 8th Street S., Moorhead, Minnesota, 1898–99 • Northern Pacific Railway Depot, 701 Main Street, Fargo, North Dakota, 1898. • The Broadway-Chambers Building (277 Broadway), Manhattan, 1899–1900. • Gilbert's first building in New York City. • Alexander Hamilton U.S. Custom House, Manhattan, 1902–1907. • Facing Bowling Green park in Lower Manhattan • Essex County Veterans Courthouse, Newark, 1904 • Saint Louis Art Museum (Palace of the Fine Arts), St. Louis, Missouri, 1904. • Built for the 1904 Louisiana Purchase Exposition in St. Louis and the only major building of the fair built as a permanent structure. • 90 West Street, Manhattan, 1905–1907. • Severely damaged during the September 11, 2001 attacks, this building in lower Manhattan has since been completely restored. • Metals Bank Building, Butte, Montana, 1906. • Commissioned by F. Augustus Heinze, this eight-story low-rise building has an internal steel frame. It was the second to be built in Butte after the 1901 Hirbour Building, which also has eight stories. • A series of master plans for the Minneapolis campus of the University of Minnesota, 1907. • Designs for 12 local stations on the Harlem River Branch of the New York, New Haven and Hartford Railroad in the Bronx and Westchester County, New York, 1908. Not all were built, and only four were extant in 2014, all in the Bronx: the Westchester Avenue and Bartow stations are in ruins, and the Morris Park and Hunts Point stations have been converted to other uses. All ceased to be used as railroad stations by the late 1930s. Pelham Manor station in Westchester County was demolished in 1955 to make way for Interstate 95. • Spalding Building, Portland, Oregon, 1911. • A 12-story early skyscraper based on the construction principles of a classical column. • Battle Hall, Austin, Texas, 1911. • For the University of Texas at Austin. • New Haven Free Public Library, Mary E. Ives Memorial Library • At the corner of Elm and Temple Streets in downtown New Haven, architect Gilbert designed the brick and marble building to harmonize with the traditional architecture of New Haven, and especially with the United Church nearby. The building was formally dedicated to the City of New Haven on May 27, 1911. • Kelsey Building, Trenton, New Jersey, 1911. • Built by Henry Cooper Kelsey as a memorial to his wife. Now used by Thomas Edison State University. • St. Louis Public Library, St. Louis, Missouri, 1912 • The main library for the city's public library system, in a severe classicizing style, has an oval central pavilion surrounded by four light courts. The outer facades of the free-standing building are of lightly rusticated Maine granite. The Olive Street front is disposed like a colossal arcade, with contrasting marble bas-relief panels. A projecting three-bay central block, like a pared-down triumphal arch, provides a monumental entrance. At the rear the Central Library faced a sunken garden. The interiors feature some light-transmitting glass floors. The ceiling of the Periodicals Room is modified from Michelangelo's ceiling in the Laurentian Library. • Woolworth Building, Manhattan, New York, 1913. • A Gothic Revival skyscraper clad in glazed terracotta panels, it was the tallest building in the world when built. Bas-reliefs in the lobby depict Woolworth and Gilbert with Woolworth holding nickels and dimes. • Fourth and Vine Tower, Cincinnati, Ohio, 1913. • Originally built as the headquarters for the Union Central Life Insurance Company. • Austin, Nichols and Company Warehouse, Williamsburg, Brooklyn, New York, 1915. • Fountain, Ridgefield, Connecticut, 1914–16. • This fountain, at the intersection of Routes 35 and 33, was designed and donated to the town by Cass Gilbert, who had a summer home (Keeler Tavern) within sight of the intersection. In 2004, a drunk driver crashed into the fountain, heavily damaging it; the fountain was rebuilt, raised higher, and surrounded by protective plantings, and it is still functioning today. • Four buildings at Oberlin College, Oberlin, Ohio • Gilbert designed four buildings at Oberlin: Finney Chapel (1909), the Cox Administration Building (1915), the Allen Memorial Art Museum, and Bosworth Hall (1931). He enjoyed a close working relationship with Oberlin's president Henry Churchill King, but his relationship with Oberlin deteriorated after King retired in 1927 and most of the design work and construction supervision of Bosworth Hall and its residential quadrangle was done by Gilbert's son Cass Jr., who had earlier supervised the construction of the Allen Memorial Hospital (1924) in Oberlin (now Mercy Allen Medical Center). • Rodin Studios, Midtown Manhattan, New York, 1916–1917. • Chase Headquarters Building, Waterbury, Connecticut, 1917–1919. • This building was designed as the headquarters of the Chase Company and forms part of the Waterbury Municipal Center Complex, a unique concentration of Gilbert's architecture comprising the Waterbury City Hall, the Chase Bank Building and the Chase company headquarters, Chase's house, a dispensary and Lincoln House, a headquarters building for the city's charities. • G. Fox & Co. department store, Hartford, Connecticut, 1918. • Brooklyn Army Terminal, Sunset Park, Brooklyn, New York, 1919. • Freedman's Bank Building (previously known as the Treasury Annex), Lafayette Square, Washington, D.C., 1919. • R. C. Williams Warehouse, Chelsea, Manhattan, New York, 1919. • The Detroit Public Library, main branch, 1921. • The First Division Monument, President's Park, Washington D.C., 1924. • West Virginia State Capitol, Charleston, West Virginia, 1924–1932. • The James Scott Memorial Fountain, Belle Isle, Detroit, MI, 1925. • United States Chamber of Commerce headquarters, Washington, D.C., 1925. • Plans for cladding the George Washington Bridge support towers, New York–New Jersey, in masonry, 1926. Not carried out. • New York Life Building, 1926. • Gibraltar Building, 1927. • headquarters for Prudential Insurance in Newark • 130 West 30th Street, "The Cass Gilbert," 1927–1928. • Formerly offices and manufacturing spaces for businesses in the fur trade, now a luxury residential condominium. • American Academy of Arts and Letters Auditorium, Audubon Terrace, 1930 • Embassy of the United States in Canada (100 Wellington Street), Ottawa, 1932. • Thurgood Marshall United States Courthouse, Manhattan, 1933. • The Seaside, Waterford, Connecticut, 1934. • United States Supreme Court Building, Washington, D.C., 1935. • Gilbert's last major project, guided to completion by his son, Cass Gilbert Jr. He died a year before it was completed. A vast Roman temple in the Corinthian order is penetrated by a cross range articulated with pilasters in very low relief. The central tablet in the richly sculpted frieze reads EQUAL JUSTICE UNDER LAW. His design for the U.S. Supreme Court chambers was based upon his design for the West Virginia Supreme Court of Appeals at the state capitol in Charleston. The pediment sculptures Liberty attended by order and Authority (great lawgivers Moses, Confucius, and Solon are on the West Portico) were executed by Hermon Atkins MacNeil.

• Illustration — Minnesota State Capitol, St. Paul, Minnesota (1895–1905) • Illustration — St. Louis Art Museum, St. Louis, Missouri (built for the 1904 World's Fair) • Illustration — The Alexander Hamilton U.S. Custom House, New York City (1907) • Illustration — Finney Chapel, Oberlin College, Oberlin, Ohio (1909) • Illustration — Spalding Building, Portland, Oregon (1911) • Illustration — Woolworth Building, New York City (1913) • Illustration — Arkansas State Capitol, Little Rock, Arkansas (1915) • Illustration — Cox Administration Building, Oberlin College, Oberlin, Ohio (1915) • Illustration — Brooklyn Army Terminal, Brooklyn, New York (1919) • Illustration — Freedman's Bank Building, Washington. D.C. (1919) • Illustration — Detroit Public Library, Detroit, Michigan (1921) • Illustration — U.S. Chamber of Commerce Building, Washington, D.C. (1925) • Illustration — New York Life Insurance Building, New York City (1926) • Illustration — 130 West 30th Street, "The Cass Gilbert"; New York City (1927–1928) • Illustration — Northern Pacific Railway Depot, Little Falls, Minnesota • Illustration — Northern Pacific Railway Depot, Helena, Montana • Illustration — Northern Pacific Railway Depot, Bismarck, North Dakota • Illustration — Great Northern Railway Depot, Grand Forks, North Dakota • Illustration — Bosworth Hall, Oberlin College, Oberlin, Ohio (1931) • Illustration — West Virginia State Capitol, Charleston, West Virginia (1924–32) • Illustration — Seaside Sanatorium, Waterfort, Connecticut (1934) • Illustration — United States Supreme Court Building, Washington, D.C. (1935)

Cass Gilbert is often confused with another prominent New York architect of the time, Charles Pierrepont Henry Gilbert, in part because Frank W. Woolworth engaged both; Cass Gilbert designed the famous Woolworth Building skyscraper on Broadway, while C. P. H. Gilbert designed Woolworth's personal mansion. The Ukrainian Institute building on Manhattan's 5th Avenue, the work of C. P. H. Gilbert, is often incorrectly attributed to Cass Gilbert. Cass Gilbert is sometimes also confused with his son, architect Cass Gilbert Jr.

Cass Gilbert was born on 29 November 1859 in Zanesville. Gilbert held the nationality of United States. Gilbert was educated at Massachusetts Institute of Technology. Recorded child: Cass Gilbert, Jr. Gilbert died on 17 May 1934 in New York City. Gilbert is buried at Fairlawn Cemetery.

Gilbert's drawings and correspondence are preserved at the New-York Historical Society, the Minnesota Historical Society, the University of Minnesota, and the Library of Congress.