Anton I of Saxony
Anthony Clement Theodore Mary Joseph John the Evangelist Nepomucene Francis Xavier Aloysius Januarius • Reign — 5 May 1827 – 6 June 1836 • Predecessor — Frederick Augustus I • Successor — Frederick Augustus II • Succession — King of Saxony • House — Wettin (Albertine line) • Father — Frederick Christian, Elector of Saxony • Mother — Duchess Maria Antonia of Bavaria • Born — 27 December 1755 • Birthplace — Dresden, Electorate of Saxony, Holy Roman Empire • Died — 6 June 1836 • Place of death — Dresden, Kingdom of Saxony, German Confederation • Burial Place — Katholische Hofkirche Anthony of Saxony (Anton; 27 December 1755 – 6 June 1836) was a King of Saxony from the House of Wettin. He became known as Anton der Gütige ("Anthony the Kind"). He was the fifth but third surviving son of Frederick Christian, Elector of Saxony and his wife Duchess Maria Antonia of Bavaria.
Also recorded as Anthony of Saxony
Anton I of Saxony

Carl Christian Vogel von Vogelstein · https: skd-online-collection.skd.museum/Details/Index/217237 · Public domain
- Name
- Anthony
- Born
- 1755
- Died
- 1836
- Nationality
- Electorate of Saxony · Kingdom of Saxony
- Occupation
- art collector · monarch · composer
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Anthony Clement Theodore Mary Joseph John the Evangelist Nepomucene Francis Xavier Aloysius Januarius • Reign — 5 May 1827 – 6 June 1836 • Predecessor — Frederick Augustus I • Successor — Frederick Augustus II • Succession — King of Saxony • House — Wettin (Albertine line) • Father — Frederick Christian, Elector of Saxony • Mother — Duchess Maria Antonia of Bavaria • Born — 27 December 1755 • Birthplace — Dresden, Electorate of Saxony, Holy Roman Empire • Died — 6 June 1836 • Place of death — Dresden, Kingdom of Saxony, German Confederation • Burial Place — Katholische Hofkirche Anthony of Saxony (Anton; 27 December 1755 – 6 June 1836) was a King of Saxony from the House of Wettin. He became known as Anton der Gütige ("Anthony the Kind"). He was the fifth but third surviving son of Frederick Christian, Elector of Saxony and his wife Duchess Maria Antonia of Bavaria.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Anton I of Saxony (1755–1836) was an art collector, composer and monarch and a national of the Electorate of Saxony and the Kingdom of Saxony. Born in Dresden, the art collector died in Pillnitz. Anton I of Saxony worked in Dresden. The art collector received Civil Order of Saxony, Knight of the Order of the Golden Fleece and Order of Saint Januarius, among others.
Composed from admitted, traceable facts · 26 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Anton I of Saxony. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q60727
In this article
Key facts
Key facts
• Name — Anthony • Full Name — Anton Clemens Theodor Maria Joseph Johann Evangelista Nepomuk Franz Xaver Aloys Januar
Early life
Early life
With few chances to take part in the politics of the Electorate of Saxony or receive any land from his older brother Frederick Augustus III, Anton lived under the shadows. No Elector of Saxony after Johann Georg I gave appanages to his younger sons. During the first years of the reign of his older brother as Elector, Anthony was the third in line, preceded only by his older brother Charles. The death of Charles (8 September 1781) made him the next in line to the Electorate as Electoral Prince (de: Kurprinz); this was because all the pregnancies of the Electress Amalie, except for one daughter, ended in a stillbirth. His aunt, the Dauphine of France, had wanted to engage her daughter Marie Zéphyrine of France to Anthony, but Marie Zéphyrine died in 1755. Another French candidate was Marie Zéphyrine's sister Marie Clothilde (later Queen of Sardinia) but again nothing happened. In Turin on 29 September 1781 (by proxy) and again in Dresden on 24 October 1781 (in person), Anthony married firstly with the Princess Maria Carolina of Savoy, daughter of the King Victor Amadeus III of Sardinia and Maria Antonia Ferdinanda of Spain. Caroline died after only one year of marriage, on 28 December 1782 having succumbed to smallpox. They had no children. In Florence on 8 September 1787 (by proxy) and again in Dresden on 18 October 1787 (in person), Anthony entered his second marriage, to the Archduchess Maria Theresia of Austria (Maria Theresia Josephe Charlotte Johanna), daughter of the Grand Duke Leopold I of Tuscany, later Emperor Leopold II. Mozart's opera Don Giovanni was originally intended to be performed in honor of his bride for a visit to Prague on 14 October 1787, as she traveled between Vienna and Dresden for the in-person ceremony, and librettos were printed with mention of the names of both Anton and the archduchess. The premiere could not be arranged in time, however, so the opera The Marriage of Figaro was substituted on the express orders of the bride's uncle, the Emperor Joseph II. The choice of The Marriage of Figaro was considered improper for a new bride by many observers, and the archduchess left the opera theater early without seeing the entire work performed. Mozart complained bitterly of the intrigues surrounding this incident in a letter to his friend Gottfried von Jacquin that was written in stages between 15 October and 25 October 1787. Anthony was present in Prague in September 1791 for the first performance of Mozart's opera La clemenza di Tito, which was written as part of the coronation ceremonies of his father-in-law, the Emperor Leopold II, as King of Bohemia. The couple had four children, but none survived to the age of two: • Maria Ludovika Auguste Fredericka Therese Franziska Johanna Aloysia Nepomucena Ignatia Anna Josepha Xaveria Franziska de Paula Barbara (b. Dresden, 14 March 1795 – d. Dresden, 25 April 1796) died in infancy. • Frederick Augustus (b. and d. Dresden, 5 April 1796) died at birth • Maria Johanna Ludovica Anna Amalia Nepomucena Aloysia Ignatia Xaveria Josepha Franziska de Chantal Eva Apollonia Magdalena Crescentia Vincentia (b. Dresden, 5 April 1798 – d. Dresden, 30 October 1799) died in infancy. • Maria Theresia (b. and d. Dresden, 15 October 1799) died at birth Electress Amalie gave birth for last time in 1799 to another stillborn child. After this, it became apparent that Anthony would succeed to the Electorate of Saxony, which was raised to kingdom in 1806.
King of Saxony
King of Saxony
• Illustration — Medal of the introduction the Constitution of 1831. The obverse shows the conjoined heads of King Anthony and Co-Regent Friedrich August. • Illustration — Pewter Medal of the new constitution, reverse. Anthony succeeded his brother Frederick August I as King of Saxony upon the latter's death, on 5 May 1827. The 71-year-old new king was completely inexperienced in government, and hence had no intention of initiating profound changes in foreign or domestic policy. Prussian diplomats discussed granting the Prussian Rhineland (predominantly Catholic) to Anthony (a Catholic) in exchange for Lutheran Saxony in 1827, but nothing came of these talks. After the July Revolution of 1830 in France, disturbances in Saxony began in autumn. These were directed primarily against the old Constitution. Therefore, on 13 September the cabinet dismissed Count Detlev von Einsiedel, followed by Bernhard von Lindenau. Because the people wished to have a younger regent, Anthony agreed to appoint his nephew Frederick Augustus Prince Co-Regent (de: Prinz-Mitregenten). As another consequence of the disturbances, a new constitution was adopted in 1831 and came into effect on 4 September of that year. With it Saxony became a Constitutional monarchy and obtained a bi-cameral legislature and a responsible ministry, which replaced the old feudal estates. The constitution was more conservative than other constitutions existing at this time in the German Union. Nevertheless, it remained in force in Saxony until 1918. The king kept his exclusive sovereignty but was bound by the Government Business to cooperate with the Ministers and the decisions of both Chambers of the Estates (de: Kammern der Ständeversammlung) meeting. The entry of Saxony into the Zollverein in 1833 let trade, industry and traffic blossom farther. Without surviving male issue, Anthony was succeeded as king by his nephew, Frederick Augustus II.
Identity and overview
Identity and overview
The following is established of the heading itself. Institutional cataloguing adds that anton I of Saxony is recorded as Electorate of Saxony and Kingdom of Saxony.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Holborn, p. 24
- 2.Quinger p. 35
- 3."The Kings of Saxony ". Accessed 27 January 2007.
- 4.Anthony's presence at performances of Mozart's music is detailed in Daniel E. Freeman, Mozart in Prague (2021) .
- 5.Freitag, p. 216
- 6.James K. Pollock & Homer Thomas, Germany in Power and Eclipse D. Van Nostrand Co.: New York, 1952, p. 510.
- 7.Frederic Guillaume Birnstiel. Genealogie ascendante jusqu'au quatrieme degre inclusivement de tous les Rois et Princes de maisons souveraines de l'Europe actuellement vivans. 99. 1768.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Music memorabilia
42,934 published records in this field, each with its sources named.
- Anton GuadagnoPerson
- Anton HasenhutPerson
- Anton HeillerPerson
- Anton HerzogPerson
- Anton I, Prince EsterházyPerson
- Anton JiránekPerson
- Anton Jörgen AndersenPerson
- Anton Joseph HampelPerson
Best supported in this field
For owners
Own a work by Anton I of Saxony?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.