Adolf Heinrich Johann Reichel

Training under Siegfried Wilhelm Dehn, Ludwig Berger and Carl Gottlieb Reissiger is recorded. The recorded working language is German. Places of work recorded in the authority are Bern. Residence is recorded at Paris and Dresden. Employment is recorded with Hochschule für Musik Carl Maria von Weber, Dreyssigsche Singakademie and Bern Symphony Orchestra.

Adolf Reichel was a son of an East Elbian German landowning family in Tursnitz, West Prussia (now Turznice in Poland). He studied composition with Siegfried Dehn in Berlin, piano with Ludwig Berger and instrumentation with Carl Gottlieb Reissiger in Dresden. He found his first job as music teacher to the young hereditary prince Georg von Sachsen-Meiningen. He travelled to Vienna, Bern and Brussels and made a living as a piano teacher in Paris from 1844, where he associated with George Sand and Frédéric Chopin. In 1842, he met the professional revolutionary and anarchist Mikhail Bakunin in Dresden, with whom he had a lifelong friendship. In his circle in Paris he met opposition figures such as Georg Herwegh, Gottfried Kinkel, Karl Marx, Georg Weber, Vasily Petrovich Botkin, Pierre-Joseph Proudhon and Richard Wagner, without himself taking an active part in the 1848 Revolution. In 1850, he and Mariya Kasparovna Ern (1823–1916), whom he had met as an associate of Alexander Herzen, married. They had four sons, one of whom was the later Swiss judge and politician Alexander Reichel. In 1857 he went to the private Dresdner Konservatorium as a composition teacher and also directed the Dreyssigsche Singakademie there. In view of the political climate in Dresden, which was perceived as repressive, he followed a call as music director to Bern in 1867. He was naturalised in Oberburg in 1869. Until 1884/1888 he was the director of the Bern Symphony Orchestra, the Musikschule der Bernischen Musikgesellschaft (BMG) and the choir of the Cäcilienverein in Bern. He composed piano and choral songs and larger choral and orchestral works, including a German Mass, symphonies and overtures. Of his approximately 600 works in the style of the Classical and early Romantic periods, many were printed during his lifetime by Bote & Bock, Breitkopf & Härtel, Simon Richault and other music publishers. Most of his composition legacy, which has now been reconstructed, is kept in the library of the University of the Arts Bern, and his handwritten memoirs in the Internationaal Instituut voor Sociale Geschiedenis in Amsterdam.

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