Aachen Throne
Illustration — The royal throne in Aachen Cathedral • Illustration — Side view of the throne • Illustration — Napoleon before the Throne of Charlemagne (Henri-Paul Motte, 1898). The French emperor visited Aachen cathedral on 2 October 1804, and did not sit on the throne, out of respect. The Throne of Charlemagne (Karlsthron or Aachener Königsthron, 'Royal Throne of Aachen') is a throne erected in the 790s by Charlemagne, as one of the fittings of his palatine chapel in Aachen (today's Aachen Cathedral) and placed in the Octagon of the church.
Also recorded as Throne of Charlemagne · Royal Throne of Aachen
Aachen Throne

Berthold Werner · CC BY-SA 3.0
- Period
- 790
- Region
- Germany
- Related practice
- marble
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — The royal throne in Aachen Cathedral • Illustration — Side view of the throne • Illustration — Napoleon before the Throne of Charlemagne (Henri-Paul Motte, 1898). The French emperor visited Aachen cathedral on 2 October 1804, and did not sit on the throne, out of respect. The Throne of Charlemagne (Karlsthron or Aachener Königsthron, 'Royal Throne of Aachen') is a throne erected in the 790s by Charlemagne, as one of the fittings of his palatine chapel in Aachen (today's Aachen Cathedral) and placed in the Octagon of the church.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Aachen Throne. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q300740 · wikipedia · Throne of Charlemagne
In this article
Symbolism
Symbolism
The throne, whose symbolic connections qualify it as an outstanding document of the Carolingian Renaissance, is found in the west gallery of the upper level (called the high church) of the Carolingian octagon. The placement of the throne is in a tight structural context within the Palatine chapel, whose proportional ratios create a symbolic image of the Heavenly Jerusalem, expressed in numbers. Probably following the biblical model of the throne of Solomon, which also placed the ruler in a separate sphere by means of a gallery, the throne was assigned the highest place and thereby unmistakably symbolised the Emperor's claim to temporal and spiritual rulership over the realm and his function as mediator between heaven and earth. In this respect the number of steps could be of symbolic relevance, since according to I Kings 10.19 Solomon's throne also had six steps and stood in a hall which was opposite a cube-shaped (i.e. six-faced) templeː the Holy of Holies (I Kings 7.6f.). Deliberate reference to the model of Solomon's throne was fitting for Charlemagne's claim to an unconditional universal rule as regent of a Christian world empire, ruling over a new chosen people – so to speak as a new Solomon. This meaning is strengthened by Charlemagne's documented admiration as King for the equally prestigious father and predecessor of Solomon, King David, whose role as God's governor on earth Charlemagne always sought. In 801 it is said, "We referred to Charles at court by the name 'David'." This message was underlined by the use of marble from the Holy Land, which as spolia from the Church of the Holy Sepulchre in Jerusalem is connected to Jesus Christ and therefore also to the idea of the Divine right of kings. Furthermore, according to Medieval thought, through contact with Christ the marble plaques would be turned into holy relics. The throne is in the western part of the chapel, which has an east–west orientation. The view of the enthroned ruler falls to the east in the expectation that the Last Judgement would come from this direction and along with it the end of all temporal rule. The four columns of the stone podium could represent the world ruled by the temporal sovereign with its four elements (fire, water, air, and earth), its four seasons, and its four cardinal directions. A reference to the four rivers of the Garden of Eden, which brought prosperity to the earth, could also be seen. Most likely an altar consecrated to the Archangel Michael stood in the room behind the throne. Accordingly, the crowned king taking his place on the royal throne could be assured that the Archangel literally "had his back".
Chronology
Dated record
Chronology
The full dated record · 1 entries
790
Aachen Throne first recorded.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
- Germany
Description
Until 1531, it served as the coronation throne of the King of the Romans, being used at a total of thirty-one coronations. Charlemagne himself was not crowned on this throne, but instead in the Old St. Peter's Basilica in Rome by Pope Leo III in 800 AD.
The throne is very plain and simple and entirely free of ornamentation. Six steps lead up to the seat, which is on a podium. The seat itself consists of four marble plates held together with bronze clamps. According to one modern theory, the marble and the steps were taken from the Church of the Holy Sepulchre in Jerusalem around 800. Another (unverified) interpretation claims they are the steps of Pilate's palace, which Jesus climbed after he was scourged. There are fine, incised lines on one of the two side-plates, which served as the board for an ancient game of nine men's morris. The back plate shows an early depiction of the crucifixion. Based on the surface treatment and the presence of etchings from several eras of pagan and Christian themes, it can be concluded that when the plates were installed here, they had belonged to at least two contexts already. The wooden interior structure, which is now in the Rheinisches Landesmuseum Bonn, supported a now-lost marble seating plate. Under that is a shelf, on which part of the Imperial Regalia were kept, particularly St. Stephen's Purse, according to modern research. Radiocarbon dating shows that this oakwood panel dates to c.800. The throne rests on four stone pillars. This made it possible for visitors in later times to crawl under the throne, simultaneously a demonstration of humility to the newly anointed ruler and an act of veneration for Jesus Christ, who was related to the throne by the depiction on the rear marble plaque (see under Symbolism). The polished appearance of the inner surfaces of the four pillars indicates that countless visitors must have observed this ritual over the centuries. The area is now roped off. The Throne has survived all renovations and demolitions in the chapel through the centuries. However, in the course of measures taken by the Cathedral chapter for the protection of the precious artefacts of the cathedral and its treasury against the bombing and fire-fighting water in the Second World War, it was covered with tar paper and buried in sand. Today there are dirty yellow stains on the throne from the tar paper, which have not been removed for fear of damaging the ancient graffiti on the throne. In the passage underneath the throne and in the immediate vicinity, the original Carolingian flooring is preserved. The types of stone incorporated into this are from ancient ruins and were laid in the Italian representational style. Specifically, the original flooring is of white marble, spinach-green porphyry and red porphyry from Egypt. The material might derive from the Palace of Theoderic in Ravenna, where many similar floor tiles have been found.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Napoleon and Charlemagne. napoleon.org.
- 2.Roth 2011, p. 38.
- 3.Roth 2011, p. 41.
- 4.Roth 2011, p. 39.
- 5.Roth 2011, p. 44.
- 6.Roth 2011, p. 45.
- 7.Roth 2011, pp. 42f.
- 8.Roth 2011, p. 40.
- 9.Roth 2011, p. 42.
Bibliography printed in the source article · 5
- Hans Jürgen Roth: Ein Abbild des Himmels. Der Aachener Dom – Liturgie, Bibel, Kunst. Thouet, Aachen 2011, pp. 37–45 a. o (German).
- Leo Hugot: Der Königsthron im Aachener Dom. In: Koldewey-Gesellschaft. Bericht über die 29. Tagung für Ausgrabungswissenschaft und Bauforschung. Köln, 1976, pp. 36–42 (German).
- Francesco Gabrieli, André Guillou, Bryce Lyon, Jacques Henri Pirenne, Heiko Steuer: Mohammed und Karl der Große. Belser, Stuttgart 1993, (German).
- Sven Schütte: Der Aachener Thron. In: M. Kramp (Hrsg.): Krönungen, Könige in Aachen - Geschichte und Mythos. Exhibtion catalogue. Philipp von Zabern, Mainz 1999, , pp. 213–222 (German).
- Katharina Corsepius: Der Aachener „Karlsthron“ zwischen Zeremoniell und Herrschermemoria. In: Marion Steinicke, Stefan Weinfurter (Hrsg.): Investitur- und Krönungsrituale. Herrschaftseinsetzungen im kulturellen Vergleich. Böhlau, Köln 2005, , pp. 359–375 (German).
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Aachen Throne is recorded as made of marble. Associated with Germany. Recorded from 790.
Aachen Throne is recorded as
Palatine Chapel in Aachen
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Furniture
924 published records in this field, each with its sources named.
- 10.5 cm automatic turret gun m/50Terminology
- 19-inch rackTerminology
- 2012 Summer Olympics and Paralympics gold post boxesTerminology
- 40/4 ChairTerminology
- Acapulco chairTerminology
- AccubitaTerminology
- Adirondack chairTerminology
- adjustable bedTerminology
Best supported in this field
For owners
Own an object connected with Aachen Throne?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.